The Citadel of Fear (Sci-Fi Classic). Francis Stevens
his eyes were dark, and his hair save where it was liberally shot with gray, almost black, there was something about his keen, clean-cut face which spoke of some more northern race. "You're from the U.S.A.?" questioned Kennedy. The question was too blunt for courtesy, but the man nodded.
"Yes, I am an American. A Californian, though my parents were born on the Christiania Fiord."
"Ah, a Norseman, is it?" Boots' eyes lighted appreciatively. He had known a Norwegian or two, and thought them fine, upstanding, hard-hitting men of their hands. "I'm very glad to know you, Mr. --"
"My name is Svend Biornson!" The tone was so challengingly abrupt that his guests involuntarily stared. If he had expected, however, to amuse another sort of surprise, he was disappointed. He saw it instantly and laughed as if to cover some odd embarrassment.
"Pardon my not presenting myself earlier. One forgets civilized forms in this, out-of-the-way place. And now I fancy you'd welcome a chance to wash and change to fresh garments. Will you follow me, gentlemen?"
* * * * *
The cool, airy chamber to which he escorted them opened off one of the two galleries surrounding the dining-room. Its three windows overlooked the patio, and through them one could step out upon another long, open gallery. There were two beds, draped with elaborate lace work, furniture of woven grass and wicker, and a bathroom with great, porous jars of cool water.
In his first glance about, Kennedy's eye was caught by a thing that stood on a bracket over one of the beds. Without apology he lifted the object down and examined it curiously.
It was an image, some ten inches high, done in brilliantly polished but unglazed porcelain. The face, though flat, bore a peculiarly genial and benignant expression. On the head was a sort of miter, adorned with black spots. A tunic, on which embroidery was simulated in red, blue and gilt enamel; a golden collar, gaiters spotted like the headdress, and dead-black sandals completed the costume.
On the left arm a round shield was carried. The right hand grasped a stag, terminating at the top in the curved neck and head of a snake, springing out of a collar or circlet of feathers.
It was a very beautiful piece of potter's art, but Kennedy had another reason for appreciation and interest.
"Quetzalcoatl, eh?" he said. "From Cholula, or did you find it around these parts?"
Biornson, who had not observed Kennedy's act, whirled like a flash. To the amazement of both men, his face had gone dead white, as if at receiving some intolerable shock.
"Quetzalcoatl!" he ejaculated in a quivering voice. "Sir, what do you know of Quetzalcoatl?"
Kennedy stared back in blank astonishment.
"Why--this." He held up the image. "I didn't suppose that one of these existed, outside the museum at Mexico City. Don't you know its value?"
Slowly the pallor vanished from Biornison's countenance, and his nervous hands unclenched. With another of those queer, embarrassed laughs, he took the porcelain godling from Kennedy's hands.
"I had forgot the thing was in here," he muttered. "It belongs to my wife. She would be greatly annoyed if it were broken. Lucky piece, you understand. Superstition, of course, but no worse than throwing salt over your shoulder, or not walking under a ladder--all that kind of nonsense. I'll put it in her room if you don't mind. Got everything you want? Then I'll leave you. Better sleep out the day--nothing like siesta--dinner whenever you desire to have it --"
Still muttering detached phrases of hospitality, and with the image clutched firmly to his bosom, Biornson fairly escaped from the presence of his guests.
"What ails the poor man?" queried Boots. "Did they think we'd steal his china manikin, do you suppose?"
Kennedy scowled and shrugged.
"I suppose," he retorted, "that this Biornson, if that's his real name, is a rather queer sort, and that while w are in this house his eccentricities will bear watching."
* * * * *
Weary though both were, they did not find it easy to fall asleep. There was something oppressive about this vast, silent hacienda. The mystery of its emptiness, the mystery of its very existence, combined with the odd manners of their host to fill their brains with riddles. They lay silent, uneasy, while outside the drowsy heat increased and even, the vociferous bird-life ceased its clamor.
Out of the silence, however, rest was born at last, and it was late in the afternoon when they woke.
"By the way, Mr. Kennedy," Boots said, "if you'll forgive changing the subject to something more recent, what was the bit of bric-a-brac that Biornson snatched out of your hand? Quetz- Quetz- what was the name of it?"
"Quetzalcoatl. A piece of old Aztec work. Down in Yucatan one can pick up all sorts of stone and terra-cotta images among the ruins, but not like that."
"And this Quetz--what's-his-name--who was he? One o' the poor heathens idols, maybe?"
"The lord of the air. The fathered serpent." Kennedy was generally willing to talk, when he could air some superior knowledge. "By tradition he was a man, a priest, who was afterward deified for his beneficent acts and character. It is said that he ruled Mexico in its Golden Age--Anahuac they called it then--and when he left his people he promised to return at the head of a race of men as white as himself.
"He was a white god, you must understand. For that reason, when the Spaniards first landed the natives believed the lost god's promise had been kept. Images of him are common enough, but not in porcelain of that quality. Biornson surprised me into giving away its real value, like a fool, but at that I could pay him a good price for the thing and still make a profit. It would bring almost any sum from a New York collector."
"Don't deceive yourself that he didn't know its value! You could see in his eye that he did."
"What do you think of Biornson, anyway?"
"A fine, soft-spoken man--after the first minute."
"Did you notice how he boggled over his name? Svend Biornson! I dare swear he has another, and one he has reason to conceal."
But the other's retort was cold and to the point.
"We Irish do hate an informer. Are you ready yet to go down?"
Save for a look of black resentment, Kennedy made no reply. However, as their briefest discussions generally ended in a clash, Boots ignored the glance and passed out to the dining-room gallery. There was yet no sound of life in the house, but on descending and finding their way out into the patio, they discovered Biornson there and he was not alone.
Seated on a stone bench by the fountain was a woman. She was a tall, slender person, of unusual beauty, and Boots thought her dark eyes and hair and peculiarly roselike complexion reminiscent of the child who had first greeted them. She was dressed in a simple gown of some silky, leaf-green material, and as she talked with Biornson her hand fondled the long, soft ears of a white hound, whose head rested on her knee.
None of the three seemed at first aware of the guests' approach, but as they came nearer the woman's face lifted with a quick, startled attention. She sprang to her feet, and the dog, as if in imitation, reared up beside her. On its hind legs the brute stood nearly as tall as she; and an ominous rumble issued from its throat.
"Quiet!" cried Biornson sharply. He laid a hand on beast's neck, pushing it downward. "Gentlemen, I had hardly expected you to awaken so early."
He had grasped the hound by its silky white fur, for it wore no collar, and under that insecure hold the animal surged disobediently forward. Its eyes flamed in a menace more savage than the bared fangs beneath; and as the dog seemed about to spring, Biornson flung his arms about its neck. In a flash it turned and tried to reach his face with snapping jaws.
At that the woman, whose dark, startled eyes had been fixed on the strangers, seemed for the first time to become aware of her pet's misbehavior. She spoke to it in a murmur of soft, indistinguishable syllables, and the hound, which had so resented Biornson's interference,