Textiles and Clothing. Kate Heintz Watson

Textiles and Clothing - Kate Heintz Watson


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the bunch of wool, flax, or other fibers. It was a short stick on one end of which was loosely wound the raw material. The other end of the distaff was held in the hand, under the arm or thrust in the girdle of the spinner. When held thus, one hand was left free for drawing out the fibers.

      Graphic Diagram Showing Time During which Different Methods of Spinning Has Been Used. Graphic Diagram Showing Time During which Different Methods of Spinning Has Been Used.

      Wheel Spinning

      On the small spinning wheel the distaff was placed in the end of the wheel bench in front of the "fillers"; this left both hands free to manage the spindle and to draw out the threads of the fibers.

      SYRIAN SPINNING SYRIAN SPINNING

      Spinner Sits on the Floor, Wheel Turned by a Crank; Spindle Held in Place by Two Mutton Joints Which Contain Enough Oil for Lubrication. At Hull House.

      The flax spinning wheel, worked by means of a treadle, was invented in the early part of the sixteenth century and was a great improvement upon the distaff and spindle. This it will be seen was a comparatively modern invention. The rude wheel used by the natives of Japan and India may have been the progenitor of the European wheel, as about this time intercourse between the East and Europe increased. These wheels were used for spinning flax, wool, and afterwards cotton, until Hargreaves' invention superseded it.

       Table of Contents

      PUEBLO WOMAN WORKING HEDDLE IN WEAVING A BELT PUEBLO WOMAN WORKING HEDDLE IN WEAVING A BELT

      Someone has said that "weaving is the climax of textile industry." It is an art practiced by all savage tribes and doubtless was known before the dawn of history. The art is but a development of mat-making and basketry, using threads formed or made by spinning in place of coarser filaments.

      A NAVAJO BELT WEAVER A NAVAJO BELT WEAVER

      ZUNI WOMAN WEAVING CEREMONIAL BELT ZUNI WOMAN WEAVING CEREMONIAL BELT

      

      The Heddle

      In the beginning of the art the warp threads were stretched between convenient objects on the ground or from horizontal supports. At first the woof or filling threads were woven back and forth between the warp threads as in darning. An improvement was the device called the "heald" or "heddle," by means of which alternate warp threads could be drawn away from the others, making an opening through which the filling thread could be passed quickly. One form of the heddle was simply a straight stick having loops of cord or sinew through which certain of the warp threads were run. Another form was a slotted frame having openings or "eyes" in the slats. This was carved from one piece of wood or other material or made from many. Alternate warp threads passed through the eyes and the slots. By raising or lowering the heddle frame, an opening was formed through which the filling thread, wound on a rude shuttle, was thrown. The next movement of the heddle frame crossed the threads over the filling and made a new opening for the return of the shuttle. At first the filling thread was wound on a stick making a primitive bobbin. Later the shuttle to hold the bobbin was devised.

      PRIMITIVE HEDDLES PRIMITIVE HEDDLES

      

      NAVAJO LOOM NAVAJO LOOM

      One on the Earliest Types of Looms. At Hull House.

      

      SIMPLE COLONIAL LOOM SIMPLE COLONIAL LOOM

      The Reed

      Before the "reed" was invented, the filling threads were drawn evenly into place by means of a rude comb and driven home by sword-shaped piece of wood or "batten." The reed accomplished all this at one time.

      

      A JAPANESE LOOM. A JAPANESE LOOM.

      

      A FOUR HARNESS HAND LOOM A FOUR HARNESS HAND LOOM

      Weaving Linen in the Mountains of Virginia. (Photograph by C. R. Dodge).

      

      TYPICAL COLONIAL HAND LOOM TYPICAL COLONIAL HAND LOOM

      Two Harnesses in Use; Weaving Wool at Hull House.

      

      Definition of a Loom

      It is probable that the European looms were derived from those of India as they seem to be made on the same principle. From crude beginnings, the hand loom of our grandmothers' time developed. A loom has been defined as a mechanism which affects the following necessary movements:

      1. The lifting of the healds to form an opening, or shed, or race for the shuttle to pass through.

      DIAGRAM OF A HAND LOOM DIAGRAM OF A HAND LOOM

      A—Warp Beam; B—Cloth Beam; DD—Lees Rods; H—Harness; T—Treddle.

      2. The throwing of the weft or filling by means of a shuttle.

      3. The beating up of the weft left in the shed by the shuttle to the cloth already formed. This thread may be adjusted by means of the batten, needle, comb, or any separate device like the reed.

      4 & 5. The winding up or taking up of the cloth as it is woven and the letting off of the warp as the cloth is taken up.

      

      SWEDISH HAND LOOM SWEDISH HAND LOOM

      Norwegian Woman Weaving Linen at Hull House.

      

      DIAGRAM OF THE WORKING PARTS OF A LOOM. DIAGRAM OF THE WORKING PARTS OF A LOOM.

      S—Shuttle for carrying the woof; R—Reed for beating up the woof; H—Frame holding heddles, with pullies (P) making the harness; T—Treddles for moving the harness.

      Colonial Loom

      No essential changes have been made since our grandmothers made cloth a hundred years ago. The "harnesses" move part of the warp now up, now down, and the shuttle carries the weft from side to side to be driven home by the reeds to the woven cloth. Our grandmothers did all the work with swift movements of hands and feet. The modern weaver has her loom harnessed to the electric dynamo and moves her fingers only to keep the threads in order. If she wishes to weave a pattern in the cloth, no longer does she pick up threads of warp now here, now there, according to the designs. It is all worked out for her on the loom. Each thread with almost human intelligence settles automatically into its appointed place, and the weaver


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