The Man Upstairs and Other Stories. P. G. Wodehouse
'I think it's a dear cat,' said Annette. She felt her temper, always quick, getting the better of her. She knew just how incompetent Sellers was, and it irritated her beyond endurance to see Beverley's good-humoured acceptance of his patronage.
'At any rate,' said Beverley, with a grin, 'you both seem to recognize that it is a cat. You're solid on that point, and that's something, seeing I'm only a beginner.'
'I know, my dear fellow; I know,' said Sellers, graciously. 'You mustn't let my criticism discourage you. Don't think that your work lacks promise. Far from it. I am sure that in time you will do very well indeed. Quite well.'
A cold glitter might have been observed in Annette's eyes.
'Mr. Sellers,' she said, smoothly, 'had to work very hard himself before he reached his present position. You know his work, of course?'
For the first time Beverley seemed somewhat confused.
'I—er—why—' he began.
'Oh, but of course you do,' she went on, sweetly. 'It's in all the magazines.'
Beverley looked at the great man with admiration, and saw that he had flushed uncomfortably. He put this down to the modesty of genius.
'In the advertisement pages,' said Annette. 'Mr. Sellers drew that picture of the Waukeesy Shoe and the Restawhile Settee and the tin of sardines in the Little Gem Sardine advertisement. He is very good at still life.'
There was a tense silence. Beverley could almost hear the voice of the referee uttering the count.
'Miss Brougham,' said Sellers at last, spitting out the words, 'has confined herself to the purely commercial side of my work. There is another.'
'Why, of course there is. You sold a landscape for five pounds only eight months ago, didn't you? And another three months before that.'
It was enough. Sellers bowed stiffly and stalked from the room.
Beverley picked up a duster and began slowly to sweep the floor with it.
'What are you doing?' demanded Annette, in a choking voice.
'The fragments of the wretched man,' whispered Beverley. 'They must be swept up and decently interred. You certainly have got the punch, Miss Brougham.'
He dropped the duster with a startled exclamation, for Annette had suddenly burst into a flood of tears. With her face buried in her hands she sat in her chair and sobbed desperately.
'Good Lord!' said Beverley, blankly.
'I'm a cat! I'm a beast! I hate myself!'
'Good Lord!' said Beverley, blankly.
'I'm a pig! I'm a fiend!'
'Good Lord!' said Beverley, blankly.
'We're all struggling and trying to get on and having hard luck, and instead of doing what I can to help, I go and t-t-taunt him with not being able to sell his pictures! I'm not fit to live! Oh!'
'Good Lord!' said Beverley, blankly.
A series of gulping sobs followed, diminishing by degrees into silence. Presently she looked up and smiled, a moist and pathetic smile.
'I'm sorry,' she said, 'for being so stupid. But he was so horrid and patronizing to you, I couldn't help scratching. I believe I'm the worst cat in London.'
'No, this is,' said Beverley, pointing to the canvas. 'At least, according to the late Sellers. But, I say, tell me, isn't the deceased a great artist, then? He came curveting in here with his chest out and started to slate my masterpiece, so I naturally said, "What-ho! 'Tis a genius!" Isn't he?'
'He can't sell his pictures anywhere. He lives on the little he can get from illustrating advertisements. And I t-taunt—'
'Please!' said Beverley, apprehensively.
She recovered herself with a gulp.
'I can't help it,' she said, miserably. 'I rubbed it in. Oh, it was hateful of me! But I was all on edge from teaching one of my awful pupils, and when he started to patronize you—'
She blinked.
'Poor devil!' said Beverley. 'I never guessed. Good Lord!'
Annette rose.
'I must go and tell him I'm sorry,' she said. 'He'll snub me horribly, but I must.'
She went out. Beverley lit a pipe and stood at the window looking thoughtfully down into the street.
It is a good rule in life never to apologize. The right sort of people do not want apologies, and the wrong sort take a mean advantage of them. Sellers belonged to the latter class. When Annette, meek, penitent, with all her claws sheathed, came to him and grovelled, he forgave her with a repulsive magnanimity which in a less subdued mood would have stung her to renewed pugnacity. As it was, she allowed herself to be forgiven, and retired with a dismal conviction that from now on he would be more insufferable than ever.
Her surmise proved absolutely correct. His visits to the newcomer's studio began again, and Beverley's picture, now nearing completion, came in for criticism enough to have filled a volume. The good humour with which he received it amazed Annette. She had no proprietary interest in the painting beyond what she acquired from a growing regard for its parent (which disturbed her a good deal when she had time to think of it); but there were moments when only the recollection of her remorse for her previous outbreak kept her from rending the critic. Beverley, however, appeared to have no artistic sensitiveness whatsoever. When Sellers savaged the cat in a manner which should have brought the S.P.C.A. down upon him, Beverley merely beamed. His long-sufferingness was beyond Annette's comprehension.
She began to admire him for it.
To make his position as critic still more impregnable, Sellers was now able to speak as one having authority. After years of floundering, his luck seemed at last to have turned. His pictures, which for months had lain at an agent's, careened like crippled battleships, had at length begun to find a market. Within the past two weeks three landscapes and an allegorical painting had sold for good prices; and under the influence of success he expanded like an opening floweret. When Epstein, the agent, wrote to say that the allegory had been purchased by a Glasgow plutocrat of the name of Bates for one hundred and sixty guineas, Sellers' views on Philistines and their crass materialism and lack of taste underwent a marked modification. He spoke with some friendliness of the man Bates.
'To me,' said Beverley, when informed of the event by Annette, 'the matter has a deeper significance. It proves that Glasgow has at last produced a sober man. No drinker would have dared face that allegory. The whole business is very gratifying.'
Beverley himself was progressing slowly in the field of Art. He had finished the 'Child and Cat', and had taken it to Epstein together with a letter of introduction from Sellers. Sellers' habitual attitude now was that of the kindly celebrity who has arrived and wishes to give the youngsters a chance.
Since its departure Beverley had not done much in the way of actual execution. Whenever Annette came to his studio he was either sitting in a chair with his feet on the window-sill, smoking, or in the same attitude listening to Sellers' views on art. Sellers being on the upgrade, a man with many pounds to his credit in the bank, had more leisure now. He had given up his advertisement work, and was planning a great canvas—another allegorical work. This left him free to devote a good deal of time to Beverley, and he did so. Beverley sat and smoked through his harangues. He may have been listening, or he may not. Annette listened once or twice, and the experience had the effect of sending her to Beverley, quivering with indignation.
'Why do you let him patronize you like that?' she demanded. 'If anybody came and talked to me like that about my music, I'd—I'd—I don't know what I'd do. Yes, even if he were really a great musician.'
'Don't you consider Sellers a great artist, then, even now?'
'He seems to be able