Collected Works. Edgar Rice Burroughs
place to conceal the corpse. One of the chests was large enough to hold the body if the knees were bent well up, and with this idea in view Bradley approached the chest to open it. The lid was made in two pieces, each being hinged at an opposite end of the chest and joining nicely where they met in the center of the chest, making a snug, well-fitting joint. There was no lock. Bradley raised one half the cover and looked in. With a smothered "By Jove!" he bent closer to examine the contents—the chest was about half filled with an assortment of golden trinkets. There were what appeared to be bracelets, anklets and brooches of virgin gold.
Realizing that there was no room in the chest for the body of the Wieroo, Bradley turned to seek another means of concealing the evidence of his crime. There was a space between the chests and the wall, and into this he forced the corpse, piling the discarded robes upon it until it was entirely hidden from sight; but now how was he to make good his escape in the bright glare of that early Spring day?
He walked to the door at the far end of the apartment and cautiously opened it an inch. Before him and about two feet away was the blank wall of another building. Bradley opened the door a little farther and looked in both directions. There was no one in sight to the left over a considerable expanse of roof-top, and to the right another building shut off his line of vision at about twenty feet. Slipping out, he turned to the right and in a few steps found a narrow passageway between two buildings. Turning into this he passed about half its length when he saw a Wieroo appear at the opposite end and halt. The creature was not looking down the passageway; but at any moment it might turn its eyes toward him, when he would be immediately discovered.
To Bradley's left was a triangular niche in the wall of one of the houses and into this he dodged, thus concealing himself from the sight of the Wieroo. Beside him was a door painted a vivid yellow and constructed after the same fashion as the other Wieroo doors he had seen, being made up of countless narrow strips of wood from four to six inches in length laid on in patches of about the same width, the strips in adjacent patches never running in the same direction. The result bore some resemblance to a crazy patchwork quilt, which was heightened when, as in one of the doors he had seen, contiguous patches were painted different colors. The strips appeared to have been bound together and to the underlying framework of the door with gut or fiber and also glued, after which a thick coating of paint had been applied. One edge of the door was formed of a straight, round pole about two inches in diameter that protruded at top and bottom, the projections setting in round holes in both lintel and sill forming the axis upon which the door swung. An eccentric disk upon the inside face of the door engaged a slot in the frame when it was desired to secure the door against intruders.
As Bradley stood flattened against the wall waiting for the Wieroo to move on, he heard the creature's wings brushing against the sides of the buildings as it made its way down the narrow passage in his direction. As the yellow door offered the only means of escape without detection, the Englishman decided to risk whatever might lie beyond it, and so, boldly pushing it in, he crossed the threshold and entered a small apartment.
As he did so, he heard a muffled ejaculation of surprise, and turning his eyes in the direction from whence the sound had come, he beheld a wide-eyed girl standing flattened against the opposite wall, an expression of incredulity upon her face. At a glance he saw that she was of no race of humans that he had come in contact with since his arrival upon Caprona—there was no trace about her form or features of any relationship to those low orders of men, nor was she appareled as they—or, rather, she did not entirely lack apparel as did most of them.
A soft hide fell from her left shoulder to just below her left hip on one side and almost to her right knee on the other, a loose girdle was about her waist, and golden ornaments such as he had seen in the blue-and-white chest encircled her arms and legs, while a golden fillet with a triangular diadem bound her heavy hair above her brows. Her skin was white as from long confinement within doors; but it was clear and fine. Her figure, but partially concealed by the soft deerskin, was all curves of symmetry and youthful grace, while her features might easily have been the envy of the most feted of Continental beauties.
If the girl was surprised by the sudden appearance of Bradley, the latter was absolutely astounded to discover so wondrous a creature among the hideous inhabitants of the City of Human Skulls. For a moment the two looked at one another in unconcealed consternation, and then Bradley spoke, using to the best of his poor ability, the common tongue of Caspak.
"Who are you," he asked, "and from where do you come? Do not tell me that you are a Wieroo."
"No," she replied, "I am no Wieroo." And she shuddered slightly as she pronounced the word. "I am a Galu; but who and what are you? I am sure that you are no Galu, from your garments; but you are like the Galus in other respects. I know that you are not of this frightful city, for I have been here for almost ten moons, and never have I seen a male Galu brought hither before, nor are there such as you and I, other than prisoners in the land of Oo-oh, and these are all females. Are you a prisoner, then?"
He told her briefly who and what he was, though he doubted if she understood, and from her he learned that she had been a prisoner there for many months; but for what purpose he did not then learn, as in the midst of their conversation the yellow door swung open and a Wieroo with a robe slashed with yellow entered.
At sight of Bradley the creature became furious. "Whence came this reptile?" it demanded of the girl. "How long has it been here with you?"
"It came through the doorway just ahead of you," Bradley answered for the girl.
The Wieroo looked relieved. "It is well for the girl that this is so," it said, "for now only you will have to die." And stepping to the door the creature raised its voice in one of those uncanny, depressing wails.
The Englishman looked toward the girl. "Shall I kill it?" he asked, half drawing his pistol. "What is best to do?—I do not wish to endanger you."
The Wieroo backed toward the door. "Defiler!" it screamed. "You dare to threaten one of the sacred chosen of Luata!"
"Do not kill him," cried the girl, "for then there could be no hope for you. That you are here, alive, shows that they may not intend to kill you at all, and so there is a chance for you if you do not anger them; but touch him in violence and your bleached skull will top the loftiest pedestal of Oo-oh."
"And what of you?" asked Bradley.
"I am already doomed," replied the girl; "I am cos-ata-lo."
"Cos-ata-lo! cos-ata-lu!" What did these phrases mean that they were so oft repeated by the denizens of Oo-oh? Lu and lo, Bradley knew to mean man and woman; ata; was employed variously to indicate life, eggs, young, reproduction and kindred subjects; cos was a negative; but in combination they were meaningless to the European.
"Do you mean they will kill you?" asked Bradley.
"I but wish that they would," replied the girl. "My fate is to be worse than death—in just a few nights more, with the coming of the new moon."
"Poor she-snake!" snapped the Wieroo. "You are to become sacred above all other shes. He Who Speaks for Luata has chosen you for himself. Today you go to his temple—" the Wieroo used a phrase meaning literally High Place—"where you will receive the sacred commands."
The girl shuddered and cast a sorrowful glance toward Bradley. "Ah," she sighed, "if I could but see my beloved country once again!"
The man stepped suddenly close to her side before the Wieroo could interpose and in a low voice asked her if there was no way by which he might encompass her escape. She shook her head sorrowfully. "Even if we escaped the city," she replied, "there is the big water between the island of Oo-oh and the Galu shore."
"And what is beyond the city, if we could leave it?" pursued Bradley.
"I may only guess from what I have heard since I was brought here," she answered; "but by reports and chance remarks I take it to be a beautiful land in which there are but few wild beasts and no men, for only the Wieroos live upon this island and they dwell always in cities of which there are three, this being the largest. The others are at the far end of the island, which is about three marches from end to end and at its widest point about one march."