CLAYHANGER. Arnold Bennett
state of ignorance concerning the origin of the clay from which the crocks of his native district were manufactured. That the Sunday should have been able to inform him did not cause him any shame, for he guessed from the peculiar eager tone of voice in which the facts had been delivered, that the Sunday was merely retailing some knowledge recently acquired by chance. He knew all the Sunday’s tones of voice; and he also was well aware that the Sunday’s brain was not on the whole better stored than his own. Further, the Sunday was satisfied with his bit of accidental knowledge. Edwin was not. Edwin wanted to know why, if the clay for making earthenware was not got in the Five Towns, the Five Towns had become the great seat of the manufacture. Why were not pots made in the South, where the clay came from? He could not think of any answer to this enigma, nor of any means of arriving by himself at an answer. The feeling was that he ought to have been able to arrive at the answer as at the answer to an equation.
He did not definitely blame his education; he did not think clearly about the thing at all. But, as a woman with a vague discomfort dimly fears cancer, so he dimly feared that there might be something fundamentally unsound in this sound education of his. And he had remorse for all the shirking that he had been guilty of during all his years at school. He shook his head solemnly at the immense and nearly universal shirking that continually went on. He could only acquit three or four boys, among the hundreds he had known, of the shameful sin. And all that he could say in favour of himself was that there were many worse than Edwin Clayhanger. Not merely the boys, but the masters, were sinners. Only two masters could he unreservedly respect as having acted conscientiously up to their pretensions, and one of these was an unpleasant brute. All the cleverness, the ingenuities, the fakes, the insincerities, the incapacitaties, the vanities, and the dishonesties of the rest stood revealed to him, and he judged them by the mere essential force of character alone. A schoolmaster might as well attempt to deceive God as a boy who is watching him every day with the inhuman eye of youth.
“All this must end now!” he said to himself, meaning all that could be included in the word “shirk.”
Five.
He was splendidly serious. He was as splendidly serious as a reformer. By a single urgent act of thought he would have made himself a man, and changed imperfection into perfection. He desired—and there was real passion in his desire—to do his best, to exhaust himself in doing his best, in living according to his conscience. He did not know of what he was capable, nor what he could achieve. Achievement was not the matter of his desire; but endeavour, honest and terrific endeavour. He admitted to himself his shortcomings, and he did not under-estimate the difficulties that lay before him; but he said, thinking of his father: “Surely he’ll see I mean business! Surely he’s bound to give in when he sees how much in earnest I am!” He was convinced, almost, that passionate faith could move mountainous fathers.
“I’ll show ’em!” he muttered.
And he meant that he would show the world... He was honouring the world; he was paying the finest homage to it. In that head of his a flame burnt that was like an altar-fire, a miraculous and beautiful phenomenon, than which nothing is more miraculous nor more beautiful over the whole earth. Whence had it suddenly sprung, that flame? After years of muddy inefficiency, of contentedness with the second-rate and the dishonest, that flame astoundingly bursts forth, from a hidden, unheeded spark that none had ever thought to blow upon. It bursts forth out of a damp jungle of careless habits and negligence that could not possibly have fed it. There is little to encourage it. The very architecture of the streets shows that environment has done naught for it: ragged brickwork, walls finished anyhow with saggars and slag; narrow uneven alleys leading to higgledy-piggledy workshops and kilns; cottages transformed into factories and factories into cottages, clumsily, hastily, because nothing matters so long as “it will do;” everywhere something forced to fulfil, badly, the function of something else; in brief, the reign of the slovenly makeshift, shameless, filthy, and picturesque. Edwin himself seemed no tabernacle for that singular flame. He was not merely untidy and dirty—at his age such defects might have excited in a sane observer uneasiness by their absence; but his gestures and his gait were untidy. He did not mind how he walked. All his sprawling limbs were saying: “What does it matter, so long as we get there?” The angle of the slatternly bag across his shoulders was an insult to the flame. And yet the flame burned with serene and terrible pureness.
It was surprising that no one saw it passing along the mean, black, smoke-palled streets that huddle about Saint Luke’s Church. Sundry experienced and fat old women were standing or sitting at their cottage doors, one or two smoking cutties. But even they, who in child-bed and at gravesides had been at the very core of life for long years, they, who saw more than most, could only see a fresh lad passing along, with fair hair and a clear complexion, and gawky knees and elbows, a fierce, rapt expression on his straightforward, good-natured face. Some knew that it was “Clayhanger’s lad,” a nice-behaved young gentleman, and the spitten image of his poor mother. They all knew what a lad is—the feel of his young skin under his “duds,” the capricious freedom of his movements, his sudden madnesses and shoutings and tendernesses, and the exceeding power of his unconscious wistful charm. They could divine all that in a glance. But they could not see the mysterious and holy flame of the desire for self-perfection blazing within that tousled head. And if Edwin had suspected that anybody could indeed perceive it, he would have whipped it out for shame, though the repudiation had meant everlasting death. Such is youth in the Five Towns, if not elsewhere.
Chapter Three.
Entry into the World.
Edwin came steeply out of the cinder-strewn back streets by Woodisun Bank [hill] into Duck Square, nearly at the junction of Trafalgar Road and Wedgwood Street. A few yards down Woodisun Bank, cocks and hens were scurrying, with necks horizontal, from all quarters, and were even flying, to the call of a little old woman who threw grain from the top step of her porch. On the level of the narrow pavement stood an immense constable, clad in white trousers, with a gun under his arm for the killing of mad dogs; he was talking to the woman, and their two heads were exactly at the same height. On a pair of small double gates near the old woman’s cottage were painted the words, “Steam Printing Works. No admittance except on business.” And from as far as Duck Square could be heard the puff-puff which proved the use of steam in this works to which idlers and mere pleasure-seekers were forbidden access.
Duck Square was one of the oldest, if the least imposing, of all the public places in Bursley. It had no traffic across it, being only a sloping rectangle, like a vacant lot, with Trafalgar Road and Wedgwood Street for its exterior sides, and no outlet on its inner sides. The buildings on those inner sides were low and humble and, as it were, withdrawn from the world, the chief of them being the ancient Duck Inn, where the hand-bell ringers used to meet. But Duck Square looked out upon the very birth of Trafalgar Road, that wide, straight thoroughfare, whose name dates it, which had been invented, in the lifetime of a few then living, to unite Bursley with Hanbridge. It also looked out upon the birth of several old pack-horse roads which Trafalgar Road had supplanted. One of these was Woodisun Bank, that wound slowly up hill and down dale, apparently always choosing the longest and hardest route, to Hanbridge; and another was Aboukir Street, formerly known as Warm Lane, that reached Hanbridge in a manner equally difficult and unhurried. At the junction of Trafalgar Road and Aboukir Street stood the Dragon Hotel, once the great posting-house of the town, from which all roads started. Duck Square had watched coaches and waggons stop at and start from the Dragon Hotel for hundreds of years. It had seen the Dragon rebuilt in brick and stone, with fine bay windows on each storey, in early Georgian times, and it had seen even the new structure become old and assume the dignity of age. Duck Square could remember strings of pack-mules driven by women, ‘trapesing’ in zigzags down Woodisun Bank and Warm Lane, and occasionally falling, with awful smashes of the crockery they carried, in the deep, slippery, scarce passable mire of the first slants into the valley. Duck Square had witnessed the slow declension of these roads into mere streets, and slum streets at that, and the death of all mules, and the disappearance of all coaches and all neighing