The Extra Day. Algernon Blackwood
come in again. "That's the bother of everything," he agreed with them. "Time always prevents, doesn't it? If only we could make it stop—get behind time, as it were—we might have a chance. Some day, perhaps, we shall."
He left the matter there, but they never forgot that pregnant remark about stopping time and getting in behind it. No, they never forgot about it. At Christmas, Easter, and the like, it came so near that they could almost smell it, but when these wonderful times were past they looked back and knew it had not really come. The holidays cheated them in a similar way. Yet, when it came, they knew it would be as natural and simple as eating honey, though at the same time with immense surprise in it. And all agreed that it was somehow connected with the Dawn, for the Dawn, the opening of a new day, was something they had heard about but never witnessed. Dawn must be exceedingly wonderful, because, while it happened daily, none of them had ever seen it happen. A hundred times they had agreed to wake and have a look, but the Dawn had always been too quick and quiet. It slipped in ahead of them each time. They had never seen the sun come up.
In some such sudden, yet quite natural way, this stupendous thing they expected would come up. It would suddenly be there. Everybody, moreover, expected it. Grown-ups pretended they didn't, but they did. Catch a grown-up when he wasn't looking, and he was looking. He didn't like to be caught, that's all, for as often as not he was smiling to himself, or just going to—cry.
They shared, in other words, the great, common yearning of the world; only they knew they yearned, whereas the rest of the world forgets.
"I think," announced Judy one day—then stopped, as though unsure of herself.
"Yes?" said her Uncle encouragingly.
"I think," she went on, "that the Night-Wind knows an awful lot, if only—" she stopped again.
"If only," he helped her.
"We," she continued.
"Could," he added.
"Catch it!" she finished with a gasp, then stared at him expectantly.
And his answer formed the subject of conversation for fully half an hour in the bedroom later, and for a considerable time after Jackman had tucked them up and taken the candle away. They watched the shadows run across the ceiling as she went along the passage outside; they heard her steps go carefully downstairs; they waited till she had safely disappeared, for the door was ajar, and they could hear her rumbling down into the lower regions of Mrs. Horton's kitchen—and then they sat up in bed, hugged their knees, shuddered with excitement, and resumed the conversation exactly where it had been stopped.
For Uncle Felix had given a marvellous double-barrelled answer. He had said, "We can." And then he had distinctly added, "We will!"
CHAPTER VII
IMAGINATION WAKES
For the Night-Wind already had a definite position in the mythology of the Old Mill House, and since Uncle Felix had taken to reading aloud certain fancy bits from the storicalnovul he was writing at the moment, it had acquired a new importance in their minds.
These fancy bits were generally scenes of action in which the Night-Wind either dropped or rose unexpectedly. He used the children as a standard. "Thank you very much, Uncle," meant failure, the imagination was not touched; but questions were an indication of success, the audience wanted further details. For he knew it was the child in his audience that enjoyed such scenes, and if Tim and Judy felt no interest, neither would Mr. and Mrs. William Smith of Peckham. To squeeze a question out of Maria raised hopes of a second edition!
A Duke, disguised as a woman or priest, landing at night; a dark man stealing documents from a tapestried chamber of some castle, where bats and cobwebs shared the draughty corridors—such scenes were incomplete unless a Night-Wind came in audibly at critical moments. It wailed, moaned, whistled, cried, sang, sighed, soughed or—sobbed. Keyholes and chimneys were its favourite places, but trees and rafters knew it too. The sea, of course, also played a large part in these adventures, for water above all was the element Uncle Felix loved and understood, but this Night-Wind, being born at sea, was also of distinct importance. The sea was terrible, the wind was sad.
To the children it grew more and more distinct with each appearance. It had a personality, and led a curious and wild existence. It had privileges and prerogatives. Owing to its various means of vocal expression—singing, moaning, and the rest—a face belonged to it with lips and mouth; teeth too, since it whistled. It ran about the world, and so had feet; it flew, so wings pertained to it; it blew, and that meant cheeks of sorts. It was a large, swift, shadowy being whose ways were not the ordinary ways of daylight. It struck blows. It had gigantic hands. Moreover, it came out only after dark—an ominous and suspicious characteristic rather.
"Why isn't there a day-wind too?" inquired Judy thoughtfully.
"There is, but it's quite a different thing," Uncle Felix answered. "You might as well ask why midday and midnight aren't the same because they both come at twelve o'clock. They're simply different things."
"Of course," Tim helped him unexpectedly; "and a man can't be a woman, can it?"
The Night-Wind's nature, accordingly, remained a mystery rather, and its sex was also undetermined. Whether it saw with eyes, or just felt its way about like a blind thing, wandering, was another secret matter undetermined. Each child visualised it differently. Its hiding-place in the daytime was equally unknown. Owls, bats, and burglars guessed its habits best, and that it came out of a hole in the sky was, perhaps, the only detail all unanimously agreed upon. It was a pathetic being rather.
This Night-Wind used to come crying round the bedroom windows sometimes, and the children liked it, although they did not understand all its melancholy beauty. They heard the different voices in it, although they did not catch the meaning of the words it sang. They heard its footsteps too. Its way of moving awed them. Moreover, it was for ever trying to get in.
"It's wings," said Judy, "big, dark wings, very soft and feathery."
"It's a woman with sad, black eyes," thought Tim, "that's how I like it."
"It's some one," declared Maria, who was asleep before it came, so rarely heard it at all. And they turned to Uncle Felix who knew all that sort of thing, or at any rate could describe it. He found the words. They lay hidden in his thick back hair apparently—there was little on the top!—for he always scratched his head a good deal when they asked him questions about such difficult matters. "What is it really—the Night-Wind?" they asked gravely; "and why does it sound so very different from the wind in the morning or the afternoon?"
"There is a difference," he replied carefully. "It's a quick, dark, rushing thing, and it moves like—like anything."
"We know that," they told him.
"And it has long hair," he added hurriedly, looking into Tim's staring eyes. "That's what makes it swish. The swishing, rushing, hushing sound it makes—that's its hair against the walls and tiles, you see."
"It is a woman, then?" said Tim proudly. All looked up, wondering. An extraordinary thing was in the air. A mystery that had puzzled them for ages was about to be explained. They drew closer round the sofa, and Maria blundered against the table, knocking some books off with a resounding noise. It was their way of reminding him that he had promised. "Hush, hush!" said Uncle Felix, holding up a finger and glancing over his shoulder into the darkened room. "It may be coming now … Listen!"
"Yes, but it is a woman, isn't it?" insisted Tim, in a hurried whisper. He had to justify himself before his sisters. Uncle Felix must see to that first.
The big man opened his eyes very wide. He shuddered. "It's a—Thing," was the answer, given in a whisper that increased the excitement of anticipation. "It certainly is a—Thing! Now hush! It's coming!"