Famous Women: George Sand. Bertha Thomas
"I became a Protestant without knowing it." That purer and more liberal Christianity she dreamed of had, she discovered, been the ideal of many great men. The step brought her face to face with fresh and grave problems of which, she truly observes, the solutions were beyond her years, and beyond that era. There came to her rare moments of celestial calm and concord, but she owed them to other and indirect sources of inspiration. The study of philosophy, indeed, was not much more congenial to her at sixteen than arithmetic had been at six. In what merely exercised memory and attention she took comparatively but languid interest. Instruction, to bring her its full profit, must be conveyed through the medium of moral emotion, but the mysterious power of feeling to stimulate intellect was with her immense. She turned now to the poets—Shakespeare, Byron, Dante, Milton, Virgil, Pope. A poet herself, she discovered that these had more power than controversialists to strengthen her religious convictions, as well as to enlarge her mind. Above all, the writings of the poet-moralist, Jean-Jacques Rousseau, helped her towards resolving the question that occupied her, of her true vocation in life, now that her determination to take the veil was not a little shaken.
The midnight student was by turns Amazon and sick-nurse as well. From the fatigue of long watches over her books or by the invalid's bedside, she found a better and more invigorating refreshment than sleep in solitary morning rides across country. Her fearlessness on horseback was madness in the eyes of the neighbors. Riding, then and there, was almost unheard of for ladies, a girl in a riding-habit regarded as simply a Cossack in petticoats, and Mademoiselle Dupin's delight in horse-exercise sufficed to stamp her as eccentric and strong-minded in the opinion of the country gentry and the towns-folk of La Châtre. They had heard of her studies, too, and disapproved of them as unlady-like in character. Philosophy was bad enough, but anatomy, which she had been encouraged to take up by Deschartres, himself a proficient in medical science, was worse—sacrilegious, for a person understood to be professedly of a devotional turn of mind. She went game-shooting with the old tutor; he had a mania for the sport, which she humored though she did not share. But when quails were the object, she owns to have enjoyed her part in the chase, which was to crouch in the furrows among the green corn, imitating the cry of the birds to entice them within gunshot of the sportsman. Lastly, finding in the feminine costume-fashions of that period a dire impediment to out-door enterprise of the sort, in a region of no roads, or bad roads, of rivers perpetually in flood, turning the lanes into water-courses for three-fourths of the year, of miry fields and marshy heaths, she procured for herself a suit of boy's clothes, donning blouse and gaiters now and then without compunction for these rough country walks and rambles.
Here, indeed, was more than enough to raise a hue-and-cry at La Châtre, a small provincial town, probably neither better nor worse than the rest of its class, a class never yet noted for charity or liberality of judgment. The strangest stories began to be circulated concerning her, stories for the most part so false and absurd as to inspire her with a sweeping contempt for public opinion. By a very common phenomenon, she was to incur throughout her life far more censure through freaks, audacious as breaches of custom, but intrinsically harmless, nor likely to set the fashion to others, than is often reserved for errors of a graver nature. The conditions of ordinary middle-class society are designed, like ready-made clothes, to fit the vast majority of human beings, who live under them without serious inconvenience. For the future George Sand to confine her activities within the very narrow restrictions laid down by the social code of La Châtre was, it must be owned, hardly to be expected. It was perhaps premature to throw down the gauntlet at sixteen, but her inexperience and isolation were complete. The grandmother in her dotage was no counsellor at all. Deschartres, an oddity himself, cared for none of these things. Those best acquainted with her at La Châtre, families the heads of which had known her father well and whose younger members had fraternized with her from childhood upwards, liked her none the less for her unusual proceedings, and defended her stoutly against her detractors.
"You are losing your best friend," said her dying grandmother to her when the end came, in December, 1821. Aurore was, indeed, placed in a difficult and painful situation. She had inherited all the property of the deceased, who, in her will, expressed her desire that her own nearest relations by her marriage with M. Dupin, a family of the name of de Villeneuve, well-off and highly connected, should succeed her as guardians to her ward. But it was impossible to dispute the claims of Madame Maurice Dupin to the care of her own daughter if she chose to assert them, which she quickly did, bearing off the girl with her to Paris—Nohant being left under the stewardship of Deschartres—and by her unconciliatory behavior further alienating the other side of the family from whom Aurore, through no fault of her own, was virtually estranged at the moment when she stood most in need of a friend. Twenty years later they came forward to claim kinship and friendship again: it was then with George Sand, the illustrious writer, become one of the immortals.
Thus her lot was cast for her in her mother's home and plebeian circle of acquaintance. So much the worse, it was supposed, for her prospects, social and matrimonial. This did not distress her, but none the less was the time that followed an unhappy one. The mother whom she had idolized, and of whom she always remained excessively fond, appears to have been something of a termagant in her later years. The heavy troubles of her life had aggravated one of those irascible and uncontrollable tempers that can only be soothed by superior violence. Aurore, saddened, gentle, and submissive, only exasperated her. Her fitful affection and fitful rages combined to make her daughter's life miserable, and to incline the girl unconsciously to look over-favorably on any recognized mode of escape that should present itself.
A long visit to the country-house of some friends near Melun, was hailed as a real relief by both. Here there were young people, and plenty of cheerful society. Aurore became like one of the family, and her mother was persuaded to allow her to prolong her stay indefinitely. Among the new acquaintance she formed whilst on this visit was one that decided her future.
M. Casimir Dudevant was a young man on terms of intimacy with her hosts, the Duplessis family. From the first he was struck by Mlle. Dupin, who on his further acquaintance was not otherwise than pleased with him. The sequel, before long, came in an offer of marriage on his part, which she accepted with the approval of her friends.
He was seven-and-twenty, had served in the army, and studied for the law; but had expectations which promised an independence. His father, Colonel Dudevant, a landed proprietor in Gascony, whose marriage had proved childless, had acknowledged Casimir, though illegitimate, and made him his heir. It was reckoned not a brilliant parti for the châtelaine of Nohant, but a perfectly eligible one. It was not a mariage de convenance; the young people had chosen freely. Still less was it a love match. Romantic sentiment—counted out of place in such arrangements by the society they belonged to—seems not to have been dreamed of on either side. But they had arranged it for themselves, which to Aurore would naturally seem, as indeed it was, an improvement on the usual mode of procedure, according to which the burden of choice would have rested with her guardians. It was a mariage de raison founded, as she and he believed, on mutual friendliness; in reality on a total and fatal ignorance of each other's characters, and probably, on Aurore's side, of her own as well. She was only just eighteen, and had a wretched home.
The match was sanctioned by their parents, respectively. In September, 1822, Aurore Dupin became Madame Dudevant, and shortly afterwards she and her husband established themselves at Nohant, there to settle down to quiet country life.
If tranquillity did not bring all the happiness that was expected, it was at least unbroken by such positive trials as those to come, and whatever was lacking to Madame Dudevant's felicity she forgot for a while in her joy over the birth of her son Maurice, in the summer of 1823—a son for whom more than ordinary treasures of maternal affection were in store, and who, when his childhood was past, was to become and remain until the time of her death a sure consolation and compensation to her for the troubles of her life.
The first two years after her marriage were spent almost without interruption in the still monotony of Nohant. "We live here as quietly as possible," she writes to her mother in June, 1825, "seeing very few people, and occupying ourselves with rural cares." That absolute dependence on each other's society that might have had its charm for a really well-assorted couple was, however, not calculated to prolong any illusions that might exist as to the perfect harmony of their