The Woman Who Vowed (The Demetrian). Ellison Harding

The Woman Who Vowed (The Demetrian) - Ellison Harding


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repulsion and perhaps scorn.

      We stood a moment smiling at each other; then she said:

      "Come, you must take off those dreadful things; why, you are wet through"—and she passed her hand over my back—"and you must tell me what you are and where you come from. But you are chilled now and need something warm, so come to the Hall and you can tell me as we go."

      As she spoke she swung to her head a basket I had not before observed; it was heavy, for she straightened herself to support it; and the weight, until she balanced it, brought out the muscles of her neck. She put her arms akimbo and showed the way.

      "Well," she said, as we walked together side by side, "when are you going to begin?"

      "How and where shall I begin?" answered I. "You forget that I too have questions to ask; I am bewildered. Who and what are you? In what country am I? Where did you get that beautiful dress?" I stepped a little away from her to observe the beauty of her form.

      "We try to make all our garments beautiful," she answered, simply; "but this is the common dress of all—or rather the dress commonly worn in the country. We dress a little differently in town—but what do you find peculiar in my attire? What else could I wear out in the fields?"

      I looked at the drapery, which did not hang lower than the knee; at the girdle that barely indicated the waist; at the chiton gathered by a brooch on one shoulder, leaving bare the whole length of her richly moulded arm.

      "I would not have you wear anything else," said I, restraining my admiration; "but our women dress differently."

      "Tell me about them," said she.

      "I will," answered I, "but tell me first where I am and where we are going?"

      "You are near a place called Tyringham," answered she, "and you are going with me to breakfast at the Hall."

      As she spoke we were walking down a grassy slope and came in sight of a meadow on the left, through which meandered a crystal stream; it flowed from the right of the hill on which we stood, and just below where it fell in cascades over successive ledges it was straddled by a mill smothered in jasmine and purple clematis. The moment the mill came in sight my companion uttered a loud call that came echoing back to us from the surrounding hills. Her call was answered by several voices, and soon there came to meet us a youth as handsome in his way as my own companion. He, too, wore the Greek dress; he was about eighteen years of age and so like the girl that I guessed at once he was her brother. He put me out of countenance by staring at me with open-mouthed wonder and then bursting into an uncontrolled roar of laughter. But his sister took him by the arm and shook him.

      "Stop laughing," she said. "Don't you see he doesn't like it?"

      The boy stopped immediately—for I confess his laughter was not as agreeable to me as hers—and there came upon him an expression of the gentlest solicitude.

      "I am sorry," he said, with tears of laughter still in his eyes; "I thought you were playing a joke on us."

      I tried to look pleasant.

      "I cannot at all account for myself," I said, "or for you; I suppose a long time has elapsed since I went to sleep; so long that I hardly remember where it was, though I think it was in Boston—in my bachelor quarters there."

      They both looked puzzled and concerned.

      "And what is your name?" asked the girl.

      "Henry T. Joyce," answered I.

      I could see that my very name amused them though they tried to conceal it.

      "And yours?" asked I of the girl.

      "Lydia—Lydia second, or more correctly, Lydia of Lydia."

      "That means," said the boy, "that her mother's name was Lydia; and so I call myself Cleon of Lydia, because, my mother's name was Lydia. She," he added, pointing to the girl, "is my sister."

      He was dressed, like her, in a simple tunic coming to the knees, and was shod like her also; but the tunic was not pinned up on one shoulder: it had sleeves like our jacket.

      We were walking down the hill and came now in sight of a group of buildings entirely of wood, of a beauty that made them a delight to behold. One much larger than the others reminded me of what Westminster Hall would be if separated from the more recent Houses of Parliament. It was lighted by large Gothic windows that started from above a covered veranda; the veranda offered countless opportunities for surprises in the way of carved pillars, twisting staircases, and subsidiary balconies, every corner being smothered in vines and bursting into blossoms of varied hue. Clearly the upper part of the building was a large hall, and the lower part split up into smaller rooms. Near this Hall and connected with it by covered ways were numerous other buildings, all different, but conforming to the lay of the land on either side of a torrent, upon one level reach of which stood the mill in the same quaint style.

      "Our power house," said Cleon, pointing to it.

      I thought of the hideous masonry that ruined the valley of the Inn between San Moritz and Celerina in the old days, and I wondered. But my eyes were too much bent on the beautiful lines of Lydia's form to linger long on the mill or its adjacent buildings. I had fallen behind her in order to be able to take better account of her. The weight of the basket on her head brought out the strength of her shoulders and the rhythmic movement of her body. Every time she turned to speak to us her hands left the waist in an unconscious effort to maintain her balance, thus throwing into relief the rounded outline of her arm and the delicacy of her wrist. "Alma venus genitrix," thought I, "hominum divumque voluptas."

      Cleon kept talking all the way, interrupted occasionally by Lydia. He explained all the buildings to me and their respective uses. As we approached the Hall we met several other young men and women who joined us, for all were going in the same direction. Each expressed the same surprise and amusement on beholding me; they joined Lydia, who with an air of importance repeated her story to every one. I felt more comfortable between Lydia and Cleon and had therefore joined the brother and sister, so as to have the protection of one of them on either side.

      When we reached the Hall, Cleon suggested that I must feel uncomfortable in my damp clothes and took me to the men's quarters. He provided me with all that was necessary for a complete toilet. A large swimming tank occupied the basement of the building, and into it I was glad to plunge. After I had shaved—for a razor was provided—I assumed the simple garment of my neighbors and for the first time felt ashamed of the whiteness of my skin. By the side of the swarthy limbs about me my arms and legs looked naked and pitiful. I was extremely hungry, however, and my appetite overcame my reluctance at facing the crowd that I felt was awaiting me at the Hall. As we approached it we heard echoes of song and laughter.

      "They have finished breakfast," said Cleon, pushing me through the open doorway.

      Our entrance was unobserved, for they were all engaged in singing; the words I heard in chorus were "The Lightning Calculator!" They all stamped at each alternate syllable and I noticed that Lydia was the centre of observation. She was flushed, half with vexation and half with merriment, and was being held by a crowd of girls who prevented her from interfering with the soloist, who, standing on a chair with a guitar, was improvising.

      I could not hear the words distinctly from where I stood but caught something about a certain Chairo, at the mention of whose name there was a laugh, and the stanza closed, as had the last, with "The Lightning Calculator," whereupon all laughed again and stamped as they repeated in chorus "The Light-ning Cal-cu-la-tor."

      "That's my sister," said Cleon to me in a whisper. "She's the Lightning Calculator."

      In the next stanza, which was quite unintelligible to me, I noticed an allusion to Demeter, at which the women looked shocked and the men delighted. I was wondering at the significance of this when Lydia discovered me, and, delighted to divert attention from herself by directing it toward me, she said to the tormentors who were holding her: "There he is!"—and she nodded in my direction.

      Immediately all eyes were


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