Mare Nostrum (Our Sea). Vicente Blasco Ibanez

Mare Nostrum (Our Sea) - Vicente Blasco Ibanez


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union of Olympian goddesses and simple mortals; but an obliging dolphin came and went, carrying messages between Poseidon and the Nereid, until, overwhelmed by the eloquence of this restless rover of the wave, Amphitrite agreed to become the wife of the god, and the Mediterranean appeared to take on still greater beauty.

      She was the aurora that shows her rosy finger-tips through the immense cleft between sky and sea, the warm hour of midday that makes the waters drowsy under its robe of restless gold, the bifurcated tongue of foam that laps the two faces of the hissing prow, the aroma-laden breeze that like a virgin's breath swells the sail, the compassionate kiss that lulls the drowned to rest, without wrath and without resistance, before sinking forever into the fathomless abyss.

      Her husband—Poseidon on the Greek coast and Neptune on the Latin—on mounting his chariot, used to awaken the tempest. The brazen-hoofed horses with their stamping would paw up the huge waves and swallow up the ships. The tritons of his cortege would send forth from their white shells the bellowing blasts that snap off the masts like reeds.

      O, mater Amphitrite! … and Ferragut would describe her as though she were just passing before his eyes. Sometimes when swimming around the promontories, feeling himself enveloped like primitive man in the blind forces of Nature, he used to believe that he saw the white goddess issuing forth from the rocks with all her smiling train after a rest in some marine cave.

      A shell of pearl was her chariot and six dolphins harnessed with purpling coral used to draw it along. The tritons, her sons, handled the reins. The Naiads, their sisters, lashed the sea with their scaly tails, lifting their mermaid bodies wrapped in the magnificence of their sea-green tresses between whose ringlets might be seen their heaving bosoms. White seagulls, cooing like the doves of Aphrodite, fluttered around their nude sea-queen, serenely contemplating them from her movable throne, crowned with pearls and phosphorescent stars drawn from the depths of her dominion. White as the cloud, white as the sail, white as the foam, entirely, dazzlingly white was her fair majesty except where a rosy blush tinted the petal-like skin of her heels or her bosom.

      The entire history of European man—forty centuries of wars, emigrations, and racial impact—was due, according to the doctor, to the desire of possessing this harmoniously framed sea, of enjoying the transparency of its atmosphere and the vivacity of its light.

      The men from the North who needed the burning log and alcoholic drink in order to defend their life from the clutches of the cold, were always thinking of these Mediterranean shores. All their warlike or pacific movements were with intent to descend from the coasts of the glacial seas to the beaches of the warm mare nostrum. They were eager to gain possession of the country where the sacred olive alternates its stiff old age with the joyous vineyard; where the pine rears its cupola and the cypress erects its minaret. They longed to dream under the perfumed snow of the interminable orange groves; to be masters of the sheltered valleys where the myrtle and the jasmine spice the salty air; where the aloe and the cactus grow between the stones of extinct volcanoes; where the mountains of marble extend their white veins down even into the depths of the sea and refract the African heat emitted by the opposite coast.

      The South had replied to the invasion from the North with defensive wars that had extended even into the center of Europe. And thus history had gone on repeating itself with the same flux and reflux of human waves—mankind struggling for thousands of years to gain or hold the blue vault of Amphitrite.

      The Mediterranean peoples were to Ferragut the aristocracy of humanity. Its potent climate had tempered mankind as in no other part of the planet, giving him a dry and resilient power. Tanned and bronzed by the profound absorption of the sun and the energy of the atmosphere, its navigators were transmuted into pure metal. The men from the North were stronger, but less robust, less acclimitable than the Catalan sailor, the Provençal, the Genoese or the Greek. The sailors of the Mediterranean made themselves at home in all parts of the world. Upon their sea man had developed his highest energies. Ancient Greece had converted human flesh into spiritual steel.

      Exactly the same landscapes and races bordered the two shores. The mountains and the flowers on both shores were identical. The Catalan, the Provençal and the South Italian were more like the inhabitants of the African coast than their kindred who lived inland back of them. This fraternity had shown itself instinctively in the thousand-year war. The Berber pirates, the Genoese sailors, the Spaniards, and the Knights of Malta used implacably to behead each other on the decks of their galleys and, upon becoming conquerors, would respect the life of their prisoners, treating them like gentlemen. The Admiral Barbarossa, eighty-four years of age, used to call Doria, his eternal rival nearly ninety years old, "my brother." The Grand Master of Malta clasped the hand of the terrible Dragut upon finding him his captive.

      The Mediterranean man, fixed on the shores that gave him birth, was accustomed to accept all the changes of history, as the mollusks fastened to the rocks endure the tempests. For him the only important thing was not to lose sight of his blue sea. The Spaniard used to pull an oar on the Liburnian felucca, the Christian would join the crews of the Saracen ships of the Middle Ages; the subjects of Charles V would pass through the fortunes of war from the galleys of the Cross to those of the Crescent, and would end by becoming rulers of Algiers, rich captains of the sea, or by making their names famous as renegades.

      In the eighth century the inhabitants of the Valencian coast united with the Andalusian Moors to carry the war to the ends of the Mediterranean and to the island of Crete, taking possession of it and giving it the name of Candia. This nest of pirates was the terror of Byzantium, taking Salonica by assault and selling as slaves the patricians and most important ladies of the realm. Years afterwards, when dislodged from Candia, the Valencian adventurers returned to their native shores and there established a town in a fertile valley, giving it the name of the distant island which was changed to Gandia.

      Every type of human vigor had sprung from the Mediterranean race—fine, sharp and dry as flint, doing good and evil on a large scale with the exaggeration of an ardent character that discounts halfway measures and leaps from duplicity to the greatest extremes of generosity. Ulysses was the father of them all, a discreet and prudent hero, yet at the same time complex and malicious. So was old Cadmus with his Phoenician miter and curled beard, a great old sea-wolf, scattering by means of his various adventures the art of writing and the first notions of commerce.

      In one of the Mediterranean islands Hannibal was born, and twenty centuries after, in another of them, the son of a lawyer without briefs embarked for France, with no other outfit than his cadet's uniform, in order to make famous his name of Napoleon.

      Over the Mediterranean waves had sailed Roger de Lauria, knight-errant of vast tracts of sea, who wished to clothe even the fishes with the colors of Aragon. A visionary of obscure origin named Columbus had recognized as his country the republic of Genoa. A smuggler from the coasts of Laguria came to be Messina, the marshal beloved by Victory, and the last personage of this stock of Mediterranean heroes associated with the heroes of fabulous times was a sailor from Nice, simple and romantic, a warrior called Garibaldi, an heroic tenor of all seas and lands who cast over his century the reflection of his red shirt, repeating on the coast of Marseilles the remote epic of the Argonauts.

      Then Ferragut summed up the various defects of his race. Some had been bandits and others saints, but none mediocre. Their most audacious undertakings had much about them that was prudent and practical. When they devoted themselves to business they were at the same time serving civilization. In them the hero and the trader were so intermingled that it was impossible to discern where one ended and the other began. They had been pirates and cruel men, but the navigators from the foggy seas when imitating the Mediterranean discoveries in other continents had not shown themselves any more gentle or loyal.

      After these conversations, Ulysses felt greater esteem for the old pottery and the shabby little figures that adorned his uncle's bedroom.

      They were objects vomited up by the sea, Grecian amphoras wrested from the shells of mollusks after a submarine interment centuries long. The deep waters had embossed these petrified ornaments with strange arabesques that made one think of the art of another planet, and, twined in with the pottery that had held the wine and water of a shipwrecked Liburnian felucca, were bits of rope


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