Mare Nostrum (Our Sea). Vicente Blasco Ibanez
anxious that this only son, as spoiled and coddled as though he were a Crown Prince, should become a priest. To see him intone his first Mass! … Then a canon; then a prelate! Who knew if perhaps when she was no longer living, other women might not admire him when preceded by a cross of gold, trailing the red state robe of a cardinal-archbishop, and surrounded by a robed staff—envying the mother who had given birth to this ecclesiastical magnate! …
In order to guide the inclinations of her son she had installed a chapel in one of the empty rooms of the great old house. Ulysses' school companions on free afternoons would hasten thither, doubly attracted by the enchantment, of "playing priest" and by the generous refreshment that Doña Cristina used to prepare for all the parish clergy.
This solemnity would begin with the furious pealing of some bells hanging over the parlor door, causing the notary's clients, seated in the vestibule waiting for the papers that the clerks were just scribbling off at full speed, to raise their heads in astonishment. The metallic uproar rocked the edifice whose corners had seemed so full of silence, and even disturbed the calm of the street through which a carriage only occasionally passed.
While some of his chums were lighting the candles on the shrines and unfolding the sacred altar cloths of beautiful lace work made by Doña Cristina, the son and his more intimate friends were arraying themselves before the faithful, covering themselves with surplices and gold-worked vestments and putting wonderful caps on their heads. The mother, who was peeping from behind one of the doors, had to make a great effort not to rush in and devour Ulysses with kisses. With what grace he was imitating the mannerisms and genuflections of the chief priest! …
Up to this point all went perfectly. The three officiating near the pyramid of lights were singing at the top of their lungs, and the chorus of the faithful were responding from the end of the room with tremors of impatience. Suddenly surged forth Protest, Schism and Heresy. Those at the altar had already done more than enough. They must now give up their chasubles to those who were looking on in order that they, in their turn, might exercise the sacred ministry. That was what they had agreed upon. But the clergy resisted with the haughtiness and majesty of acquired right, and impious hands began pulling off the garb of the saints, profaning them and even tearing them. Yells, kicks, images and wax candles on the floor! … Scandal and abominations as though the Anti-Christ were already born! … The prudence of Ulysses put an end to the struggle: "What if we should go up in the pòrche to play? … "
The pòrche was the immense garret of the great old house, so all accepted the plan with enthusiasm. Church was over! And like a flock of birds they went flying up the stairs over the landings of multi-colored tiles with their chipped glaze, disclosing the red brick underneath. The Valencian potters of the eighteenth century had adorned these tiles with Berber and Christian galleys, birds from nearby Albufera, white-wigged hunters offering flowers to a peasant girl, fruits of all kinds, and spirited horsemen on steeds that were half the size of their bodies parading before houses and trees that scarcely reached to the knees of their prancing coursers.
The noisy group spread themselves over the upper floor as in the most terrible invasions of history. Cats and mice fled together to the far-away corners. The terrified birds sped like arrows through the skylights of the roof.
The poor notary! … He had never returned empty-handed when called outside of the city by the confidence of the rich farmers, incapable of believing in any other legal science than his. That was the time when the antique dealers had not yet discovered rich Valencia, where the common people dressed in silks for centuries, and furniture, clothing and pottery seemed always to be impregnated with the light of steady sunshine and with the blue of an always clear atmosphere.
Don Esteban, who believed himself obliged to be an antiquarian by virtue of his membership in various local societies, was continually filling up his house with mementoes of the past picked up in the villages, or that his clients freely gave him. He was not able to find wall space enough for the pictures, nor room in his salons for the furniture. Therefore, the latest acquisitions were provisionally taking their way to the pòrche to await definite installation. Years afterward, when he should retire from his profession, he might be able to construct a medieval castle—the most medieval possible on the coasts of the Marina; near to the village where he had been born, he would put each object in a place appropriate to its importance.
Whatever the notary deposited in the rooms of the first floor would soon make its appearance in the garret as mysteriously as though it had acquired feet; for Doña Cristina and her servants, obliged to live in a continual struggle with the dust and cobwebs of an edifice that was slowly dropping to pieces, were beginning to feel a ferocious hatred of everything old.
Up here on the top floor, discords and battles because of lack of things to dress up in, were not possible among the boys. They had only to sink their hands into any one of the great old chests, pulsing with the dull gnawing of the wood-borers, whose iron fretwork, pierced like lace, was dropping away from its supports. Some of the youngsters, brandishing short, small swords with hilts of mother-of-pearl, or long blades such as the Cid carried, would then wrap themselves in mantles of crimson silk darkened by ages. Others would throw over their shoulders damask counterpanes of priceless old brocade, peasant skirts with great flowers of gold, farthingales of richly woven texture that crackled like paper.
When they grew tired of imitating comedians with noisy clashing of spades and death-blows, Ulysses and the other active lads would propose the game of "Bandits and Bailiffs." But thieves could not go clad in such rich cloths; their attire ought to be inconspicuous. And so they overturned some mountains of dull-colored stuffs that appeared like mere sacking in whose dull woven designs could be dimly discerned legs, arms, heads, and branching sprays of metallic green.
Don Esteban had found these fragments already torn by the farmers into covers for their large earthen jars of oil or into blankets for the work-mules. They were bits of tapestry copied from cartoons of Titian and Rubens which the notary was keeping only out of historic respect. Tapestry then, like all things that are plentiful, had no special merit. The old-clothes dealers of Valencia had in their storehouses dozens of the same kind of remnants and when the festival of Corpus Christi approached they used them to cover the natural barricades formed by the ground, instead of building new ones in the street followed by the processions.
At other times, Ulysses repeated the same game under the name of "Indians and Conquerors." He had found in the mountains of books stored away by his father, a volume that related in double columns, with abundant wood cuts, the navigations of Columbus, the wars of Hernando Cortez, and the exploits of Pizarro.
This book cast a glamor over the rest of his existence. Many times afterwards, when a man, he found this image latent in the background of his likes and desires. He really had read few of its paragraphs, but what interested him most were the engravings—in his estimation more worthy of admiration than all the pictures in the garret.
With the point of his long sword he would trace on the ground, just as Pizarro had done before his discouraged companions, ready on the Island of Gallo to desist from the conquest: "Let every good Castilian pass this line. … " And the good Castilians—a dozen little scamps with long capes and ancient swords whose hilts reached up to their mouths—would hasten to group themselves around their chief, who was imitating the heroic gestures of the conqueror. Then was heard the war-cry: "At them! Down with the Indians!"
It was agreed that the Indians should flee and on that account they were modestly clad in scraps of tapestry and cock feathers on their head. But they fled treacherously, and upon finding themselves upon vargueños, tables and pyramids of chairs, they began to shy books at their persecutors. Venerable leather volumes decorated with dull gold, and folios of white parchment fell face downward on the floor, their fastenings breaking apart and spreading abroad a rain of printed or manuscript pages and yellowing engravings—as though tired of living, they were letting their life-blood flow from their bodies.
The uproar of these wars of conquest brought Doña Cristina to the rescue. She no longer cared to harbor little imps who preferred the adventurous whoops of the garret to the mystic delights of the abandoned chapel. The Indians were most worthy of execration. In order to make splendor