C. N. Williamson & A. N. Williamson: 30+ Murder Mysteries & Adventure Novels (Illustrated). Charles Norris Williamson
am a thousand times sorry," Ruthven Smith persisted. "More sorry than I can ever explain, or you will ever know."
"Indeed it was nothing," the girl comforted him in her soft young voice. But she read in his words a hidden meaning, as she had read one into Knight's. She did know that which he believed she would never know: the meaning of his act, and the effort it had cost to screw his courage to the sticking place.
Also, as the star sapphire with its sparkle of diamonds had flashed into sight, she had seemed to read his mind. She guessed he must be telling himself that his informant—the Countess, or some other—had mistaken one blue stone for another.
"Let's go and join Constance and the Duchess," she went on, quietly. "They're looking at some lovely things you will like to see. And you must forget that Knight was cross. He has lived in wild places, and he has a hot temper."
"I deserved what I got, I'm afraid," murmured Ruthven Smith.
"After all, nothing exciting seems likely to happen to-night in this room, in spite of the Countess's prophecy," said Constance. "Perhaps it may be to-morrow or Monday."
"I hope nothing more exciting will happen then than to-night!" Annesley exclaimed, with a kindly glance at her companion. She pitied him, but she pitied herself more, for by and by she and Knight would have to talk this thing out together.
For the first time she dreaded the moment of being alone with her husband. There was a stain of clay on the feet of her idol, and though she had helped him to hide it from other eyes, nothing could be right between them again until she had told him what she thought—until he had promised to make restitution somehow of the thing he should never have possessed.
Chapter XIX.
The Secret
Knight and Annesley had a suite of rooms on the ground floor in what was known as "the new wing" at Valley House. On the floor above were the rooms occupied by Lord and Lady Annesley-Seton.
This wing was a dreadful anachronism, shocking to architects, for it had been tacked on to the house in the eighteenth century by some member of the family who had made the "grand tour" and fallen in love with Italy. Seeing no reason why a classic addition with a high-pillared loggia should be unsuitable to a house in England built in Elizabethan and Jacobean days, he had made it.
Fortunately it was so situated as not to be seen from the front of the building, or anywhere else except from the one side which it deformed; and there a more artistic grandson had hidden the abortion as much as possible by planting a grove of beautiful stone-pines.
As for the wing itself, the interior was the most "liveable" part of the house, and with the modern improvements put in to please the American bride before her fortune vanished, it had become charming within. Annesley's bedroom and her husband's adjoining had long windows opening out on the loggia and looking between tall, straight trunks of umbrella pines toward the distant sea.
It was late before she could slip away to her own quarters, for she had been wanted for bridge, an amusement which she secretly thought the last refuge for the mentally destitute. She had told her maid not to sit up; and she was thankful to close the door of the small corridor or vestibule which led into the suite, knowing that until Knight came she would be alone.
She wanted him to come, and meant to wait (it did not matter how long) until they could have that talk she wished for yet dreaded intensely. Meanwhile, however, it was good to have a few minutes in which to compose her mind, to decide whether she should begin, or expect Knight to do so; and how she could frankly let him see her state of mind without seeming too harsh, too relentless, to the man who had given her happiness with both hands—the only real happiness she had ever known.
She sat for a while in the boudoir, thinking that Knight might come soon, before she began to undress. There was a dying glow of coal and logs in the fireplace, but staring into the rosy mass brought no inspiration. She could not concentrate her thoughts on the scene which must presently be enacted; they would go straggling wearily to other scenes already acted, even as far back as that hour at the Savoy when a young man who looked to her like the hero of a novel begged to sit at her table.
He still seemed as much as ever like the hero of a novel in which he had splendidly made her the heroine; but it was not a pleasant chapter she had to read now. It reminded her too intensely of the mystery surrounding the hero, and forced her to realize that stories of real life have not always happy endings.
"But ours must!" she said to herself, springing up, unable to rest. "Nothing can break our love; and while we have that we have everything!"
She could no longer sit still, and going into her bedroom she peeped through the door into Knight's room beyond. It was dark, as she expected to find it; for she had been almost sure that she would have heard him if he had entered the vestibule.
Returning to her own rooms, she pulled back the sea-blue curtains which covered the large window looking on to the loggia. The sky was silver-white with moonlight between the black stems of the tall pines, and a flood of radiance poured into the room. It was so beautiful and bright, bringing with it so heavenly a sense of peace, that the girl could not bear to draw the curtains again. She began slowly to undress by moonlight and the faint red glow in the fireplace.
Her first act was to recover the blue diamond ring and to drop it with shrinking fingers into the jewel-case on her dressing table.
Taking off her dinner frock, she put on a white silk gown which turned her into a pale spirit flitting hither and thither in the silver dusk. Still Knight had not come. She pulled out the four great tortoise-shell pins which held up her hair, and let it tumble over her shoulders. As she began to twist it into one heavy plait, she walked to the window and stood looking out.
It seemed to her that the black trunks and outstretched branches of the trees were like prison bars across the moonlight. She wished she had not had that thought, but as it persisted, a figure moved behind the bars, the figure of a man.
At first she was startled, for it was very late, long after one o'clock; but as the man came nearer, she recognized him, although the light was at his back. It was Knight; and as though her thought called to him, he stopped suddenly, pausing on the lawn not far from the loggia. She could not see his face, but it seemed that he was staring straight up at her window.
"He has been walking in the moonlight, thinking things over just as I have in here!" the girl told herself. Surely he could see her! But no, he turned, and was striding away with his head down, when she knocked sharply and impulsively on the pane.
Hearing the sound, yet not knowing whence it came, he stopped again, and so gave Annesley time to open the window.
"Knight!" she called, softly.
Then he came straight to her across the strip of lawn and up the two steps that led to the loggia. She met him on the threshold and saw his face deadly pale in the moonlight. Perhaps it was only an effect of light, but she thought that he looked tired, even ill. Still he did not speak.
"Knight, you almost frightened me!" she said. "I was afraid for an instant you might be—might be——"
"A thief!" he finished for her.
"Or a ghost," she amended. "Weren't you coming in?"
"No," he said. "I hadn't thought of it. Do you want—shall I come in?"
"Yes, please do. I—I've been waiting for you."
"I'm sorry! I hoped you'd have gone to bed. But I might have known you wouldn't."
As she retreated from the window, he followed her, as if reluctantly, into the room.
"Shall I draw the curtains?" he asked. There was weariness in his voice, as in his face. Annesley's heart went out to her beloved sinner with even more tenderness than