The Real Adventure. Henry Kitchell Webster

The Real Adventure - Henry Kitchell Webster


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of, what were the symptoms he had enumerated as if he had been talking about a disease—the obsession with her, the inability to get her further away than the middle ground of his thoughts, and then only temporarily; the necessity of saying everything he said and doing everything he did, with reference to her; the fact that his mind could focus itself sharply on nothing in the world but just herself?—What was all that but the veritable description, though in hostile terms, of the love he had promised to feel for her till death should—part them; of the very love she felt for him, this moment stronger than ever?

      Recurrent waves of the panic broke over her, during which she would catch up her paddle again and drive ahead, blindly, without any conscious knowledge of where she was going. And in the intervals, she drifted.

      The relief of tears didn't come to her until she saw, just ahead, the island where, for two paradisiacal weeks, she and Rodney had made their camp. Here she beached her canoe and went ashore; crept into a little natural shelter under a jutting rock, where they had lain one day while, for three hours, a violent unheralded storm had whipped the lake to lather. The heap of hemlock branches he had cut for a couch for them was still there.

      At the end of half an hour, she observed with a sort of apathetic satisfaction, that the weather conditions of their former visit were going to be repeated now—a sudden darkness, a shriek of wind, a wild squall flashing across the surface of the little lake, and a driving rain so thick that small as the lake was, it veiled the shore of it.

      She watched it for an hour before it occurred to her to wonder what Rodney would be doing—whether he'd have discovered her absence from the house and begun to worry about her. She told herself that he wouldn't—that he'd sit there until he finished his book, or until they called him for lunch, without, as he himself had boasted that morning, a thought of her entering his mind.

      She wept again over this notion, luxuriating rather, it must be confessed, in the pathos of it, until she caught herself in the act and, disgustedly, dried her eyes. Of course he'd worry about her. Only there was nothing either of them could do about it until the storm should be over; then she'd paddle back to the house as fast as she could and set his mind at rest.

      Suddenly she sat erect, looked, rubbed her eyes, looked again, then sprang to her feet and went out into the driving rain. A spot of white, a larger one of black, two moving pin-points of light, was what she saw. The white was Rodney's shirt, the black the canoe, the pin-points the reflection from the two-bladed paddle as, recklessly, he forced his way with it into the teeth of the storm. He wanted her, after all.

      So, with a racing heart and flushed cheeks, she watched him. It was not until he had come much nearer that she went white with the realization of his danger—not until she could see how desperately it needed all his strength and skill to keep his little cockle-shell from broaching to and being swamped.

      "Oh, my dear! I didn't know!"

      She went as far to meet him as she could—out to the end of the point, and then actually into the water to help him with the half-filled boat.

      They emptied it and hauled it up on the beach. Then, looking up at him a little tremulously, between a smile and tears, she saw how white he was, caught him in her arms and felt how he was trembling.

      "I thought you were gone," he said, but couldn't manage any more than that because of a great shuddering sob that stopped him.

      "Don't!" she cried. "Don't.—Oh, my dear! I didn't know!"

      Presently, back in the shelter again, she drew his head down on her breast and held him tight.

      Logically, of course, the situation wasn't essentially changed. It couldn't be a part of their daily married routine that he should think he'd lost her and come through perils to the rescue. When the storm had blown over and they'd come back to the house—still more, when after another few weeks they'd gone back to town, he'd still have a world of his own to withdraw into, a business of his own to absorb him, and she, with no world at all except the one he was the principal inhabitant of, would be left outside. But you couldn't have expected her to think of that while she held him, quivering, in her arms.

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       Table of Contents

       Table of Contents

      When the society editor of "America's foremost newspaper," as in its trademark it proclaims itself to be, announced that the Rodney Aldriches had taken the Allison McCreas' house, furnished, for a year, beginning in October, she spoke of it as an ideal arrangement. As everybody knew, it was an ideal house for a young married couple, and it was equally evident that the Rodney Aldriches were an ideal couple for it.

      In the sense that it left nothing to further realization, it was an ideal house; an old house in the Chicago sense, built over into something very much older still—Tudor, perhaps—Jacobean, anyway—by a smart young society architect who wore soft collars and an uptwisted mustache, and who, by a perfectly reciprocal arrangement which almost deserves to be called a form of perpetual motion, owed the fact that he was an architect to his social position, and maintained his social position by being an architect.

      He had cooperated enthusiastically with Florence McCrea, not only in the design of the house, but in the supplementary matters of furniture, hangings, rugs and pictures, with the effect that the establishment presented the last politely spoken word in things as they ought to be. The period furniture was accurate almost to the minute, and the arrangement of it, the color schemes and the lighting, had at once the finality of perfection and the perfection of finality. If you happened to like that sort of thing, it was precisely the sort of thing you'd like.

      The same sort of neat, fully acquired perfection characterized the McCreas' domestic arrangements. Allison McCrea's income, combined with his wife's, was exactly enough to enable them to live in this house and entertain on the scale it very definitely prescribed, just half the time. Every other year they went off around the world in one direction or another, and rented their house furnished for exactly enough to pay all their expenses. They had no children, and his business, which consisted in allowing his bank to collect his invariable quarterly dividends for him and credit them to his account, offered no obstacle to this arrangement. On the alternate years, they came back and spent two years' income living in their house.

      Florence was an old friend of Rodney's and it was her notion that it would be just the thing he'd want. She made no professions of altruism—admitted she was fussy about whom she rented her darling house to, and that Rodney and his wife would be exactly right. Still, she didn't believe he could do better. They'd have to have some sort of place to live in, in the autumn. It would be such a mistake to buy a lot of stuff in a hurry and find out later that they didn't want it! The arrangement she proposed would leave him an idyllically untroubled summer—nothing to fuss about, and provide … Well, Rodney knew for himself what the house was—complete down to the cork-screws.

      Even the servant question was eliminated. "Ours are so good," Florence said, "that the last time we rented the house, we put them in the lease. I wouldn't do


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