THE COMPLETE CLAYHANGER SERIES: Clayhanger, Hilda Lessways, These Twain & The Roll Call. Arnold Bennett
damaged, as though a Juggernaut had passed that way. Ladders reclined against the walls. Moreover, one of the windows of the office had been taken out of its frame, leaving naught but an oblong aperture. Through this aperture Edwin could see the busy, eager forms of his father, Big James, and Chawner. Through this aperture had been lifted, in parts and by the employment of every possible combination of lever and pulley, the printing machine which Darius Clayhanger had so successfully purchased in Manchester on the day of the free-and-easy at the Dragon.
At the top of the flight of steps two apprentices, one nearly ‘out of his time,’ were ministering to the engine, which that morning did not happen to be running. The engine, giving glory to the entire establishment by virtue of the imposing word ‘steam’, was a crotchety and capricious thing, constant only in its tendency to break down. No more reliance could be placed on it than on a pampered donkey. Sometimes it would run, and sometimes it would not run, but nobody could safely prophesy its moods. Of the several machines it drove but one, the grand cylinder, the last triumph of the ingenuity of man, and even that had to be started by hand before the engine would consent to work it. The staff hated the engine, except during those rare hours when one of its willing moods coincided with a pressure of business. Then, when the steam was sputtering and the smoke smoking and the piston throbbing, and the leathern belt travelling round and round and the complete building a-tremble and a-clatter, and an attendant with clean hands was feeding the sheets at one end of the machine and another attendant with clean hands taking them off at the other, all at the rate of twenty copies per sixty seconds—then the staff loved the engine and meditated upon the wonders of their modern civilisation. The engine had been known to do its five thousand in an afternoon, and its horse-power was only one.
Four.
Edwin could not keep out of the printing office. He went inconspicuously and, as it were, by accident up the stone steps, and disappeared into the interior. When you entered the office you were first of all impressed by the multiplicity of odours competing for your attention, the chief among them being those of ink, oil, and paraffin. Despite the fact that the door was open and one window gone, the smell and heat in the office on that warm morning were notable. Old sheets of the “Manchester Examiner” had been pinned over the skylight to keep out the sun, but, as these were torn and rent, the sun was not kept out. Nobody, however, seemed to suffer inconvenience. After the odours, the remarkable feature of the place was the quantity of machinery on its uneven floor. Timid employes had occasionally suggested to Darius that the floor might yield one day and add themselves and all the machinery to the baker’s stores below; but Darius knew that floors never did yield.
In the middle of the floor was a huge and heavy heating stove, whose pipe ran straight upwards to the visible roof. The mighty cylinder machine stood to the left hand. Behind was a small rough-and-ready binding department with a guillotine cutting machine, a cardboard-cutting machine, and a perforating machine, trifles by the side of the cylinder, but still each of them formidable masses of metal heavy enough to crush a horse; the cutting machines might have served to illustrate the French Revolution, and the perforating machine the Holy Inquisition.
Then there was what was called in the office the ‘old machine,’ a relic of Clayhanger’s predecessor, and at least eighty years old. It was one of those machines whose worn physiognomies, full of character, show at once that they have a history. In construction it carried solidity to an absurd degree. Its pillars were like the piles of a pier. Once, in a historic rat-catching, a rat had got up one of them, and a piece of smouldering brown paper had done what a terrier could not do. The machine at one period of its career had been enlarged, and the neat seaming of the metal was an ecstasy to the eye of a good workman. Long ago, it was known, this machine had printed a Reform newspaper at Stockport. Now, after thus participating in the violent politics of an age heroic and unhappy, it had been put to printing small posters of auctions and tea-meetings. Its movement was double: first that of a handle to bring the bed under the platen, and second, a lever pulled over to make contact between the type and the paper. It still worked perfectly. It was so solid, and it had been so honestly made, that it could never get out of order nor wear away. And, indeed, the conscientiousness and skill of artificers in the eighteenth century are still, through that resistless machine, producing their effect in the twentieth. But it needed a strong hand to bestir its smooth plum-coloured limbs of metal, and a speed of a hundred an hour meant gentle perspiration. The machine was loved like an animal.
Near this honourable and lumbering survival stood pertly an Empire treadle-machine for printing envelopes and similar trifles. It was new, and full of natty little devices. It worked with the lightness of something unsubstantial. A child could actuate it, and it would print delicately a thousand envelopes an hour. This machine, with the latest purchase, which was away at the other end of the room near the large double-pointed case-rack, completed the tale of machines. That case-rack alone held fifty different founts of type, and there were other caseracks. The lead-rack was nearly as large, and beneath the lead-rack was a rack containing all those “furnitures” which help to hold a forme of type together without betraying themselves to the reader of the printed sheet. And under the furniture rack was the ‘random,’ full of galleys. Then there was a table with a top of solid stone, upon which the formes were bolted up. And there was the ink-slab, another solidity, upon which the ink-rollers were inked. Rollers of various weightiness lay about, and large heavy cans, and many bottles, and metal galleys, and nameless fragments of metal. Everything contributed to the impression of immense ponderosity exceeding the imagination. The fancy of being pinned down by even the lightest of these constructions was excruciating. You moved about in narrow alleys among upstanding, unyielding metallic enormities, and you felt fragile and perilously soft.
Five.
The only unintimidating phenomena in the crowded place were the lye-brushes, the dusty job-files that hung from the great transverse beams, and the proof-sheets that were scattered about. These printed things showed to what extent Darius Clayhanger’s establishment was a channel through which the life of the town had somehow to pass. Auctions, meetings, concerts, sermons, improving lectures, miscellaneous entertainments, programmes, catalogues, deaths, births, marriages, specifications, municipal notices, summonses, demands, receipts, subscription-lists, accounts, rate-forms, lists of voters, jury-lists, inaugurations, closures, bill-heads, handbills, addresses, visiting-cards, society rules, bargain-sales, lost and found notices: traces of all these matters, and more, were to be found in that office; it was impregnated with the human interest; it was dusty with the human interest; its hot smell seemed to you to come off life itself, if the real sentiment and love of life were sufficiently in you. A grand, stuffy, living, seething place, with all its metallic immobility!
Six.
Edwin sidled towards the centre of interest, the new machine, which, however, was not a new machine. Darius Clayhanger did not buy more new things than he could help. His delight was to ‘pick up’ articles that were supposed to be ‘as good as new’; occasionally he would even assert that an object bought second-hand was ‘better than new,’ because it had been ‘broken in,’ as if it were a horse. Nevertheless, the latest machine was, for a printing machine, nearly new: its age was four years only. It was a Demy Columbian Press, similar in conception and movement to the historic ‘old machine’ that had been through the Reform agitation; but how much lighter, how much handier, how much more ingenious and precise in the detail of its working! A beautiful edifice, as it stood there, gazed on admiringly by the expert eyes of Darius, in his shirt-sleeves, Big James, in his royally flowing apron, and Chawner, the journeyman compositor, who, with the two apprentices outside, completed the staff! Aided by no mechanic more skilled than a day-labourer, those men had got the machine piecemeal into the office, and had duly erected it. At that day a foreman had to be equal to anything.
The machine appeared so majestic there, so solid and immovable, that it might ever have existed where it then was. Who could credit that, less than a fortnight earlier, it had stood equally majestic, solid, and immovable in Manchester? There remained nothing to show how the miracle had been accomplished, except a bandage of ropes round the lower pillars and some pulley-tackle hanging from one of the transverse beams exactly overhead. The situation of the