THE COMPLETE CLAYHANGER SERIES: Clayhanger, Hilda Lessways, These Twain & The Roll Call. Arnold Bennett
music began to engage Edwin’s attention. It was music of a kind quite novel to him. Most of it had no meaning for him, but at intervals some fragment detached itself from the mass, and stood out beautiful. It was as if he were gazing at a stage in gloom, but lighted momentarily by fleeting rays that revealed a lovely detail and were bafflingly cut off. Occasionally he thought he noticed a recurrence of the same fragment. Murmurs came from behind the piano. He looked cautiously. Alicia was making faces of alarm and annoyance. She whispered: “Oh dear! ... It’s no use! ... We’re all wrong, I’m sure!” Tom kept his eyes on the page in front of him, doggedly playing. Then Edwin was conscious of dissonances. And then the music stopped.
“Now, Alicia,” her father protested mildly, “you mustn’t be nervous.”
“Nervous!” exclaimed Alicia. “Tom’s just as nervous as I am! So he needn’t talk.” She was as red as a cock’s crest.
Tom was not talking. He pointed several times violently to a place on Alicia’s half of the open book—she was playing the bass part. “There! There!” The music recommenced.
“She’s always nervous like that,” Janet whispered kindly, “when any one’s here. But she doesn’t like to be told.”
“She plays splendidly,” Edwin responded. “Do you play?”
Janet shook her head.
“Yes, she does,” Charlie whispered.
“Keep on, darling. You’re at the end now.” Edwin heard a low, stern voice. That must be the voice of Hilda. A second later, he looked across, and surprised her glance, which was intensely fixed on himself. She dropped her eyes quickly; he also.
Then he felt by the nature of the chords that the piece was closing. The music ceased. Mr Orgreave clapped his hands. “Bravo! Bravo!”
“Why,” cried Charlie to the performers, “you weren’t within ten bars of each other!” And Edwin wondered how Charlie could tell that. As for him, he did not know enough of music to be able to turn over the pages for others. He felt himself to be an ignoramus among a company of brilliant experts.
“Well,” said Mr Orgreave, “I suppose we may talk a bit now. It’s more than our place is worth to breathe aloud while these Rubinsteins are doing Beethoven!” He looked at Edwin, who grinned.
“Oh! My word!” smiled Mrs Orgreave, supporting her hand.
“Beethoven, is it?” Edwin muttered. He was acquainted only with the name, and had never heard it pronounced as Mr Orgreave pronounced it.
“One symphony a night!” Mr Orgreave said, with irony. “And we’re only at the second, it seems. Seven more to come; What do you think of that, Edwin?”
“Very fine!”
“Let’s have the ‘Lost Chord,’ Janet,” Mr Orgreave suggested.
There was a protesting chorus of “Oh, dad!”
“Very well! Very well!” the father murmured, acting humility. “I’m snubbed!”
Tom had now strolled across the room, smiling to himself, and looking at the carpet, in an effort to behave as one who had done nothing in particular.
“How d’ye do, Clayhanger?” He greeted Edwin, and grasped his hand in a feverish clutch. “You must excuse us. We aren’t used to audiences. That’s the worst of being rotten amateurs.”
Edwin rose. “Oh!” he deprecated. He had never spoken to Tom Orgreave before, but Tom seemed ready to treat him at once as an established acquaintance.
Then Alicia had to come forward and shake hands. She could not get a word out.
“Now, baby!” Charlie teased her.
She tossed her mane, and found refuge by her mother’s side. Mrs Orgreave caressed the mane into order.
“This is Miss Lessways. Hilda—Mr Edwin Clayhanger.” Janet drew the dark girl towards her as the latter hovered uncertainly in the middle of the room, her face forced into the look of elaborate negligence conventionally assumed by every self-respecting person who waits to be introduced. She took Edwin’s hand limply, and failed to meet his glance. Her features did not soften. Edwin was confirmed in the impression of her obdurate ugliness. He just noticed her olive skin and black eyes and hair. She was absolutely different in type from any of the Clayhangers. The next instant she and Charlie were talking together.
Edwin felt the surprised relief of one who has plunged into the sea and discovers himself fairly buoyant on the threatening waves.
“Janet,” asked Mrs Orgreave, “will supper be ready?”
In the obscurer corners of the room grey shadows gathered furtively, waiting their time.
Five.
“Seen my latest, Charlie?” asked Tom, in his thin voice.
“No, what is it?” Charlie replied. The younger brother was flattered by this proof of esteem from the elder, but he did his best by casualness of tone to prevent the fact from transpiring.
All the youths were now standing in a group in the middle of the drawing-room. Their faces showed pale and more distinct than their bodies in the darkening twilight. Mrs Orgreave, her husband, and the girls had gone into the dining-room.
Tom Orgreave, with the gestures of a precisian, drew a bunch of keys from his pocket, and unlocked a rosewood bookcase that stood between the two windows. Jimmie winked to Johnnie, and included Edwin in the fellowship of the wink, which meant that Tom was more comic than Tom thought, with his locked bookcases and his simple vanities of a collector. Tom collected books. As Edwin gazed at the bookcase he perceived that it was filled mainly with rich bindings. And suddenly all his own book-buying seemed to him petty and pitiful. He saw books in a new aspect. He had need of no instruction, of no explanation. The amorous care with which Tom drew a volume from the bookcase was enough in itself to enlighten Edwin completely. He saw that a book might be more than reading matter, might be a bibelot, a curious jewel, to satisfy the lust of the eye and of the hand. He instantly condemned his own few books as being naught; he was ashamed of them. Each book in that bookcase was a separate treasure.
“See this, my boy?” said Tom, handing to Charlie a calf-bound volume, with a crest on the sides. “Six volumes. Picked them up at Stafford— Assizes, you know. It’s the Wilbraham crest. I never knew they’d been selling their library.”
Charlie accepted the book with respect. Its edges were gilt, and the paper thin and soft. Edwin looked over his shoulder, and saw the title-page of Victor Hugo’s “Notre–Dame de Paris,” in French. The volume had a most romantic, foreign, even exotic air. Edwin desired it fervently, or something that might rank equal with it.
“How much did they stick you for this lot?” asked Charlie.
Tom held up one finger.
“Quid?” Charlie wanted to be sure. Tom nodded.
“Cheap as dirt, of course!” said Tom. “Binding’s worth more than that. Look at the other volumes. Look at them!”
“Pity it’s only a second edition,” said Charlie.
“Well, damn it, man! One can’t have everything.”
Charlie passed the volume to Edwin, who fingered it with the strangest delight. Was it possible that this exquisitely delicate and uncustomary treasure, which seemed to exhale all the charm of France and the savour of her history, had been found at Stafford? He had been to Stafford himself. He had read “Notre–Dame” himself, but in English, out of a common book like any common book—not out of a bibelot.
“You’ve read it, of course, Clayhanger?” Tom said.
“Oh!” Edwin answered humbly. “Only in a translation.” Yet there