Seth's Brother's Wife: A Study of Life in the Greater New York. Frederic Harold
arm-in-arm with yer brother, when I call, ’n’ then Albert ’n’ his wife, ’n’ John with Annie, ’n’ Seth with—pshaw, there’s odd numbers. Well, Seth can come alone. And dew keep step comin’ daown stairs!”
“ ’N’ naow, gents,” turning to the Rev. Mr. Turner, “your gaown’s in the fust room to the right on the landin’, and if you”—addressing Mr. Bunce—“will go up with him, and arrange ’baout the services, so’s to come daown together—it’ll look pootier than to straggle in by yourselves—‘n’ you, Milton, ain’t you got somethin’ besides overalls to put on?”
Thus the autocrat cleared the living room. Then, going around through the front hall, he entered the parlor to receive, with solemn dignity and a fine eye to their relative social merit, the first comers.
These were almost exclusively women, dressed in Sunday garb. As each buggy or democrat wagon drove up inside the gate, and discharged its burden, the men would lead the horses further on, to be hitched under or near the shed, and then saunter around to the kitchen side of the house, where cider was on tap, and other men were standing in the sunshine, chewing tobacco and conversing in low tones, while the women from each conveyance went straight to the front door, and got seats in the parlor as close to the coffin as possible. The separation of the sexes could hardly have been more rigorous in a synagogue. There were, indeed two or three meek, well-brushed men among the women, sitting, uncomfortable but resigned, in the geranium-scented gloom of the curtained parlor, but, as the more virile brethren outside would have said, they were men who didn’t count.
The task of the undertaker was neither light nor altogether smooth. There were some dozen chairs reserved, nearest the pall, for the mourners, the clergymen and the mixed quartette expected from Thessaly. Every woman on entering made for these chairs, and the more unimportant and “low-down” she was in the rural scale of social values, the more confidently she essayed to get one of them. With all of these more or less argument was necessary—conducted in a buzzing whisper from which some squeak or guttural exclamation would now and again emerge. With some, the undertaker was compelled to be quite peremptory; while one woman—Susan Jane Squires, a slatternly, weak-eyed creature who presumed upon her position as sister-in-law of Milton, the hired man—had actually to be pushed away by sheer force.
Then there was the further labor of inducing all these disappointed ones to take the seats furthest back, so that late comers might not have to push by and over them, but efforts in this direction were only fitful at the best, and soon were practically abandoned.
“Fust come, fust sarved!” said old Mrs. Wimple. “I’m jes ez good ez them that’ll come bimeby, ’n’ ef I don’ mind their climbin’ over me, you needn’t!” and against this the undertaker could urge nothing satisfactory.
In the intervals of that functionary’s activity, conversation was quite general, carried on in whispers which, in the aggregate, sounded like the rustle of a smart breeze through the dry leaves of a beach tree. Many women were there who had never been in the house before—could indeed, have had no other chance of getting in. These had some fleeting interest in the funeral appointments, and the expense incident thereto, but their chief concern was the furnishing of the house. They furtively scraped the carpet with their feet to test its quality, they felt of the furniture to see if it had been re-varnished, they estimated the value of the curtains, speculated on the cost of the melodeon and its age, wondered when the ceiling had last been whitewashed. Some, who knew the family better, discussed the lamentable decline of the Fairchilds in substance and standing within their recollection, and exchanged hints about the endemic mortgage stretching its sinister hand even to the very chairs they were sitting on. Others, still more intimate, rehearsed the details of the last and fatal illness, commented on the character of individuals in the family, and guessed how long old Lemuel would last, now that Cicely was gone.
In the centre of these circling waves of gossip lay the embodiment of the eternal silence. Listening, one might fain envy such an end to that living death of mental starvation which was the lot of all there, and which forced them, out of their womanhood, to chatter in the presence of death.
The singers came. They were from the village, belonging to the Congregational church there, and it was understood that they came out of liking for John Fairchild. None of the gathering knew them personally, but it was said that the contralto—the woman with the bird on her bonnet, who took her seat at the melodeon—had had trouble with her husband. A fresh buzz of whispering ran round. Some stray word must have reached the contralto, for she colored and pretended to study the music before her intently, and, later, when “Pleyel’s Hymn” was being sung, she played so nervously that there was an utter collapse in the sharps and flats of the third line, which nearly threw the singers out.
The undertaker now stalked in, and stood on tiptoe to see if the back room was also filled. He had been out with the men at the kitchen door, fixing crape on the arms of six of the best dressed and most respectable looking farmers in an almost jocular mood, and drilling them affably in their duties; drinking cider, exchanging gossip with one or two acquaintances, and conducting himself generally like an ordinary mortal. He had now resumed his dictatorship.
Most of the men had followed him around to the front of the house, and clustered now in the hall, or in a group about the outer door, holding their hats on a level with their shoulders.
A rustle on the stairs told that the mourners were descending. Then came the strains of the melodeon, and the singing, very low, solemn and sweet.
A little pause, and the full voice of the Baptist preacher was heard in prayer—then in some eulogistic remarks. What he said was largely nonsense, from any point of view, but the voice was that of the born exhorter, deep, clear-toned, melodious; there seemed to be a stop in it, as in an organ, which at pathetic parts gave forth a tremulous, weeping sound, and when this came not a dry eye could be found. He was over-fond of using this effect, as are most men possessing the trick, but no one noticed it, not even Isabel, who from sitting sternly intolerant of the whispering women around her, and indignant at Mr. Bunce for his dinner performance, found herself sobbing with all the rest when the tremulo stop was touched.
There was more singing, this time fine, simple old “St. Denis” and then the bearers were summoned in.
The men asked one another in murmurs outside if the Episcopal clargyman was to take no part in the services. Within, Mrs. Wimple went straighter to the point. She plucked him by the sleeve of his robe and leaning over with some difficulty, for she was a corpulent body, whispered to the hearing of a score of her neighbours:
“What air you here fer, mister, if you ain’t goin’ to say nor dew nothin’?”
“I officiate at the grave,” he had said, and then regretted all the remainder of the day having answered her at all.
On the return of the procession from the little knoll where the slate and marble tomb-stones of long dead Fairchilds bent over the new brown mound, Annie and Seth walked together. There was silence between them for a time, which he broke suddenly.
“It’s all very hard, Annie, for you know how much mother and I loved each other. But, truly, the hardest thing of all is to think of staying here among these narrow dolts. While she was here I could stand it. But I can’t any more.”
Annie said nothing. She felt his arm trembling against hers, and his voice was strained and excited. What could she say?
“They’re not like me,” he went on; “I have nothing in common with them. I hate the sight of the whole of them. I never realised till to-day how big a gulf there was between them and me. Didn’t you see it—what a mean, narrow-contracted lot they all were?”
“Who do you mean, Seth?”
“Why all of them. The Burrells, the Wimples, old Elhanan Pratt, old Lyman Tenney, that fellow Bunce—the whole lot of them. And the women too! Did you watch them—or, what’s worse, did you hear them? I wonder you can bear them yourself, Annie, any more than I can.”
“Sometimes