The Greatest Works of E. M. Delafield (Illustrated Edition). E. M. Delafield
head off at one and the same time, and continues her activities without so much as a glance in my direction.
I contemplate the back of her head—coat collar wants brushing—and reflect that I could (a) throw something at her—nearest available missile is cardboard gas-mask container, which I don't think heavy enough; (b) walk out again; (c) tell her clearly and coldly that I have No Time to Waste.
Am bracing myself for rather modified form of (c) when she snaps out enquiry as to what I want.
I want to leave London for a week or ten days.
Commandant snaps again. This time it is Why.
Because my presence is required in my own house in Devonshire.
Devonshire? replies Commandant in offensively incredulous manner. What do I mean by Devonshire?
Cannot exactly explain why, but at this precise moment am suddenly possessed by spirit of defiance and hear myself replying in superbly detached tones that I am not here to waste either her time or my own and should be much obliged if she would merely note that I shall not be giving my services at Canteen for the next ten days.
Am by no means certain that thunderbolt from Heaven will not strike me where I stand, but it is withheld, and sensation of great exhilaration descends upon me instead.
Commandant looks at me—first time she has ever done so in the whole of our association—and says in tones of ice that I am wasting her time, as the Canteen Time-Sheet is entirely in the hands of Mrs. Peacock and I ought to have made my application for leave through her.
She then slams rubber stamp violently onto inoffensive piece of paper and turns her back again.
I rejoin Serena, to whom I give full account of entire episode—probably too full, as Serena—after highly commending me—says that I couldn't have made half such a long speech in the time. Realise that I couldn't, and that imagination has led me astray, and withdraw about half of what I have told her, but the other half accurate and much applauded by Serena and subsequently by Mrs. Peacock.
Mrs. P. also says that Of course I must go home, and Devonshire sounds lovely, and she wishes she lived there herself. Do I know Ilfracombe? Yes, quite well. Does Mrs. Peacock? No, but she's always heard that it's lovely. I agree that it is, and conversation turns to macaroni-and-tomato, again on the menu to-night, bacon now off, and necessity of holding back the brown bread as it will be wanted for to-morrow's breakfast.
Serena orders coffee and stands drinking it, and says that there is to be a lecture on Fractures at midnight. I ask why midnight, and she replies vaguely, Oh, because they think it'll be dark then.
Am unable to follow this, and do not attempt to do so.
News percolates through Canteen—cannot at all say how—that I am going to Devonshire for ten days and fellow workers tell me how fortunate I am, and enquire whether I know Moretonhampstead, Plymouth Hoe, and the road between Axminster and Charmouth.
Old Granny Bo-Peep appears as usual—have strong suspicion that she never leaves the underworld at all, but stays there all day and all night—and romps up to me with customary air of roguish enjoyment.
What is this, she asks, that a little bird has just told her? That one of our very latest recruits is looking back from the plough already? But that's only her fun—she's delighted, really, to hear that I'm to have a nice holiday in the country. All the way down to Devon, too! Right away from the war, and hard work, and a lovely rest amongst the birds and the flowers.
Explain without any enthusiasm that my presence is required at home and that I am obliged to take long and probably crowded journey in order to look into various domestic problems, put them in order, and then return to London as soon as I possibly can.
Old Mrs. W.-G. says she quite understands, in highly incredulous tones, and proceeds to a long speech concerning her own ability to work for days and nights at a stretch without ever requiring any rest at all. As for taking a holiday—well, such a thing never occurs to her. It just simply doesn't ever cross her mind. It isn't that she's exactly stronger than anybody else—on the contrary, she's always been supposed to be rather fragile—but while there's work to be done, she just has to do it, and the thought of rest never occurs to her.
Beloved Edgar used to say to her: One day you'll break down. You must break down. You cannot possibly go on like this and not break down. But she only laughed and went on just the same. She's always been like that, and she hopes she always will be.
Feel sure that hope will probably be realised
Evening proceeds as usual. Mock air-raid alarm is given at ten o'clock, and have the gratification of seeing Serena race for her tin hat and fly back with it on her head, looking very affairée indeed.
Canteen workers, who are not expected to take any part in manoeuvres, remain at their posts and seize opportunity to drink coffee, clear the table, and tell one another that we are all to be disbanded quite soon and placed under the Home Office—that we are all to be given the sack—that we are all to be put into blue dungarees at a cost of eleven shillings per head—and similar pieces of intelligence.
Stretcher-bearers presently reappear and story goes round that imaginary casualty having been placed on stretcher and left there with feet higher than his head, has been taken off to First Aid Post in a dead faint and hasn't come round yet.
Rather sharp words pass between one of the cooks and young Canteen voluntary helper in flowered cretonne overall, who declares that her orders are not receiving proper attention. Cook asserts that all orders are taken in rotation and Flowered Cretonne replies No, hers aren't. Deadlock appears to have been reached and they glare at one another through the hatch.
Two more cooks in background of kitchen come nearer in support of colleague, or else in hopes of excitement, but Cretonne Overall contents. herself with repeating that she must say it seems rather extraordinary, and then retiring to tea-urn, which I think feeble.
She asks for a cup of tea—very strong and plenty of sugar—which I give her and tells me that she doesn't think this place is properly run, just look how the floor wants sweeping, and I am impelled to point out that there is nothing to prevent her from taking a broom and putting this right at once.
Cretonne Overall gives me a look of concentrated hatred, snatches up her cup of tea and walks away with it to furthest table in the room. Can see her throwing occasional glances of acute dislike in my direction throughout remainder of the night.
Serena returns—tells me that the feature of the practice has been piled-up bodies and that these have amused themselves by hooking their legs and arms together quite inextricably and giving the first-aid men a good deal of trouble, but everyone has seen the funny side of it and it's been a very merry evening altogether.
Better, she adds gloomily, than the concert which we are promised for next week is likely to be.
She then drinks two cups of coffee, eats half a bar of chocolate and a banana, and announces that she is going to bed.
Presently my relief arrives: tiny little creature with bobbed brown hair, who has taken duty from 10 P.M. to 10 A.M. every night since war started. I express admiration at her self-sacrifice, and she says No, it's nothing, because she isn't a voluntary worker at all—she gets paid.
As this no doubt means that she is working part of the day as well, can only feel that grounds for admiration are, if anything, redoubled and tell her so, but produce no effect whatever, as she merely replies that there's nothing to praise her for, she gets paid.
She adds, however, that it is a satisfaction to her to be doing something Against that Man. She said to Dad at the very beginning: Dad, I want to do something against him. So she took this job, and she put herself down at the Hospital for blood-transfusion, and they've took some from her already and will be wanting more later. In this way, she repeats, she can feel she's doing something Against Him—which is what she wants.
Am much struck by contrast between her appearance—tiny