The Greatest Works of E. M. Delafield (Illustrated Edition). E. M. Delafield
my way there?
Know perfectly well that I can't, and say so frankly, and Mr. M. sighs but handsomely offers to escort me himself, and does so.
On the way, we talk about the Papal Encyclical, Uncle A. again, and the B.B.C. Mr. M. is pained about most of the programmes and thinks they are too bright and why so much cinema organ? I defend the B.B.C. and tell him I like most of the popular music, but not the talks to housewives.
Mr. M. sighs heavily and no point of agreement is found, until we find a joint admiration for L. A. G. Strong's short stories.
Just as this desirable stage is reached, we meet with a pallid young man carrying hundreds of files, to whom Mr. M. says compassionately, Hallo, Basil, moving again?
Basil says Yes, wearily, and toils on, and Mr. M. explains that Poor Basil has been moved three times within the last ten days.
Just as he disappears from view Mr. M. recalls him, to ask if he knows whether Captain Skein-Tring is still in Propaganda, 4978. Basil looks utterly bewildered and replies that he has never heard of anybody called Skein-Tring. Anyhow, the Propaganda people have all been transferred now, and the department has been taken over by the people from National Economy.
Mr. M. groans, but pushes valiantly on, and this bulldog spirit is rewarded by totally unexpected appearance—evidently the very last thing he has expected—of Captain S.-T.'s name on the door of Room 4978. He accordingly takes me in and introduces me, assures me that I shall be absolutely all right with Jerry, hopes—I think untruthfully—that we may meet again, and goes.
Jerry—looks about my own age, wears rather defiant aspect and spectacles with preternaturally convex lenses—favours direct method of approach and says instantly that he understands that I write.
Yes, I do.
Then the one thing that those whom he designates as "All You People" have got to realise is that we must all go on exactly as usual. If we are novelists, we must go on writing novels; if poets, write poetry just as before; if our line happens to be light journalism, then let it still be light journalism. But keep away from war topics. Not a word about war.
And what about lecturing, I enquire?
Lecture by all means, replies Jerry benevolently.
Read up something about the past—not history, better keep away from history—but what about such things as Conchology, Philately, the position of Woman in the Ice Age, and so on. Anything, in fact, which may suggest itself to us that has no bearing whatever on the present international situation.
I feel obliged to point out to Jerry that the present international situation is what most people, at the moment, wish to know about.
Jerry taps on his writing-desk very imperatively indeed and tells me that All You People are the same. All anxious to do something about the war. Well, we mustn't. We must keep right out of it. Forget about it. Go on writing just as though it didn't exist.
Cannot, at this, do less than point out to Jerry that most of us are writing with a view to earning our living and those of our dependents, and this is difficult enough already without deliberately avoiding the only topic which is likely, at the present juncture, to lead to selling our works.
It won't do, says Jerry, shaking his head, it won't do at all. Authors, poets, artists—(can see that the word he really has in mind is riff-raff)—and All You People must really come into line and be content to carry on exactly as usual. Otherwise, simply doing more harm than good.
Am by this time more than convinced that Jerry has no work of national significance to offer me, and that I had better take my leave. Final flicker of spirit leads me to ask whether he realises that it is very difficult indeed to find a market for any writings just now, and Jerry replies off-handedly that, of course, the paper shortage is very severe and will get much worse—much, much worse.
At the same time it is quite on the cards that people will take to reading when they find there's absolutely nothing else to do. Old ladies, for instance, or women who are too idle and incompetent to do any war work. They may quite likely take to reading light novels in the long evenings, so as to help kill time. So long as I remember to carry on just exactly as I should if we weren't at war at all, Jerry feels sure that I shall be quite all right.
Can only get up and say Goodbye without informing him that I differ from this conclusion root and branch, and Jerry shakes hands with me with the utmost heartiness, driving ring inherited from great-aunt Julia into my finger with extremely painful violence.
Goodbye, he says, he is only too glad to have been of any help to me, and if I want advice on any other point I am not to hesitate for one moment to come and see him again.
Walk out completely dazed, with result that I pay no heed to my direction and find myself almost at once on ground floor, opposite entrance, without the slightest idea of how I got there.
(Note: Promptings of the unconscious, when it comes to questions of direction, incomparably superior to those of the conscious mind. Have serious thoughts of working this up into interesting article for any publication specialising in Psychology Made Easy.)
Rain pours down; I have no umbrella and am reluctantly compelled to seek shelter in a tea-shop where I ask for coffee and get some with skin on it. Tell myself in a fury that this could never happen in America, or any other country except England.
In spite of this, am deeply dejected at the thought that the chances of my serving my country are apparently non-existent.
November 2nd.—Tremendous outbreak of knitting overtakes the underworld—cannot say why or how. Society Deb. works exclusively in Air-Force blue, and Muriel—who alone can understand her muttered utterances—reports that Jennifer has never done any knitting before and isn't really any good at it, but her maid undoes it all when she has a night at home and knits it up again before Jennifer wakes.
Muriel is herself at work on a Balaclava helmet, elderly Messenger very busy with navy-blue which it is thought will turn into socks sooner or later, and everybody compares stitches, needles and patterns. Mrs. Peacock (reappeared, leg now well again but she still has tendency to retire to upturned box as often as possible) knits very rapidly and continuously but says nothing, until she privately reveals to me that she is merely engaged on shawl for prospective grandchild but does not like to talk about it as it seems unpatriotic.
Am sympathetic about grandchild, but inwardly rather overcome as Mrs. P. is obviously contemporary of my own and have not hitherto viewed myself as potential grandmother, but quite see that better accustom myself to this idea as soon as possible.
(Have not yet succeeded in doing so, all the same.)
Serena, also knitting—stout khaki muffler, which she says is all she can manage, and even so, broader at one end than at the other—comes and leans against Canteen counter at slack moments and tells me that she doesn't know what to do about J. L. If his novel had been accepted by publishers, she declares, it would all be quite easy because she wouldn't mind hurting his feelings, but with publishers proving discouraging and poor J. L. in deepest depression, it is, says Serena, practically impossible to say No.
Is she, then, engaged to him?
Oh no, says Serena, looking horrified.
But is she going to marry him?
Serena doesn't know. Probably not.
Remind myself that standards have changed and that I must be modern-minded, and enquire boldly whether Serena is considering having An Affair with J. L.
Serena looks unspeakably shocked and assures me that she isn't like that at all. She is very old-fashioned, and so are all her friends, and nowadays it's a wedding ring or nothing.
Am completely taken aback and realise that I have, once again, entirely failed to keep abreast of the times.
Apologise to Serena, who replies that of course it's all right and she knows that in post-last-war and pre-this-war days, people had some rather odd ideas, but