The Greatest Works of E. M. Delafield (Illustrated Edition). E. M. Delafield
cold chicken and strawberries and then adjourn to garden, of which there are acres and acres, and everybody very enthusiastic except myself. Just as I select comfortable chair next to Anne--whom I have, after all, come to see--perfectly unknown couple surge up out of the blue, and are introduced as General and Mrs. St. Something--cannot catch what--and General immediately says Wouldn't I like to go round the garden? Have not strength of mind enough to reply baldly No I wouldn't, and he conducts me up and down steps and in and out of paths and at intervals we say Just look at those lupins! and That's a good splash of colour--but mostly he tells me about Lord Rothermere. Try not to betray that I have never yet been able to distinguish between Lord R. and Lord Beaverbrook. General St. ? evidently thinks ill of both, and I make assenting sounds and am inwardly perfectly certain that Anne's party is being amused at my progress. Can hear them in shrieks of laughter in different parts of garden, which I now perceive to be the size of Hampton Court, more or less.
Rose suddenly appears round a yew hedge, and I give her a look that I hope she appreciates, and we gradually work our way back via more lupins, to deck-chairs. Anne still sitting there, looking extraordinarily amused. General St. Something instantly says that his wife would so like to have a talk with me about books, she materialises at his elbow, and at once declares that she must show me the garden. I demur, on the ground of having seen it already, and she assures me breezily that it will well bear seeing twice, or even more often, and that she herself could never get tired of that Blaze of Colour.
We accordingly pursue blaze of colour, while Mrs. St. ? talks to me about poetry, which she likes and I don't, Siamese cats, that both of us like, and the lace-making industry.
Garden now definitely acquires dimensions of the Zoo at least, and I give up all hope of ever being allowed to sit down again. Can see Anne talking to Rose in the distance, and both appear to be convulsed with mirth.
Distant clock strikes four--should not have been surprised if it had been eight--and I break in on serious revelations about lack of rear-lights on bicycles in country districts, and say that I am perfectly certain I ought to be going. Civil regrets are exchanged--entirely hypocritical on my part, and probably on hers as well--and we walk about quarter of a mile and find Rose. Mrs. St. Something disappears (probably going round the garden again) and I am very angry indeed and say that I have never had such a day in all my life. Everybody else laughs heartily, and appears to feel that afternoon has been highly successful and Rose hysterically thanks Anne for inviting us. Make no pretence whatever of seconding this. Drive home is very much shorter than drive out, and I do not attempt to make myself either useful or agreeable in any way.
June 23rd.--Am pleased and astonished at being taken at my word by Robert, who appears at the flat, and undertakes to conduct me, and Vicky, to half-term Sports at Robin's school. In the meantime, he wants a hair-cut. I say that there is a place quite near Southampton Row, at which Robert looks appalled, and informs me that there is No place nearer than Bond Street. He accordingly departs to Bond Street, after telling me to meet him at twelve at his Club in St. James's. Am secretly much impressed by nonchalance with which Robert resumes these urban habits, although to my certain knowledge he has not been near Club in St. James's for years.
Reflection here on curious dissimilarity between the sexes as exemplified by self and Robert: in his place, should be definitely afraid of not being recognised by hall-porter of Club, and quite possibly challenged as to my right to be there at all. Robert, am perfectly well aware, will on the contrary ignore hall-porter from start to finish with probable result that h.-p. will crawl before him, metaphorically if not literally.
This rather interesting abstract speculation recurs to me with some violence when I actually do go to Club, and enter imposing-looking hall, presided over by still more imposing porter in uniform, to whom I am led up by compassionate-looking page, who evidently realises my state of inferiority. Am made no better by two elderly gentlemen talking together in a corner, both of whom look at me with deeply suspicious faces and evidently think I have designs on something or other--either the Club statuary, which is looming above me, or perhaps themselves? Page is despatched to look for Robert--feel as if my only friend had been taken from me--and I wait, in state of completely suspended animation, for what seems like a long week-end. This comes to an end at last, and am moved to greet Robert by extraordinary and totally unsuitable quotation: Time and the hour runs through the roughest day--which I hear myself delivering, in an inward voice, exactly as if I were talking in my sleep. Robert--on the whole wisely--takes not the faintest notice, beyond looking at me with rather an astonished expression, and receives his hat and coat, which page-boy presents as if they were Coronation robes and sceptre at the very least. We walk out of Club, and I resume customary control of my senses.
Day is one of blazing sunlight, streets thronged with people, and we walk along Piccadilly and Robert says Let's lunch at Simpson's in the Strand, to which I agree, and add Wouldn't it be heavenly if we were rich? Conversation then ensues on more or less accustomed lines, and we talk about school-bills, inelastic spirit shown by the Bank, probabilities that new house-parlourmaid will be giving notice within the next few weeks, and unlikelihood of our having any strawberries worth mentioning in the garden this year. Robert's contribution mostly consists of ejaculations about the traffic--he doesn't know what the streets are coming to, but it can't go on like this--and a curt assurance to the effect that we shall all be in the workhouse together before so very long. After this we reach Simpson's in the Strand, and Robert says that we may as well have a drink--which we do, and feel better.
Am impressed by Simpson's, where I have never been before, and lunch is agreeable. In the middle of it perceive Pamela Pringle, wearing little black-and-white hat exactly like old-fashioned pill-box, and not much larger, and extraordinarily effective black frock--also what looks like, and probably is, a collection of at least nine real-diamond bracelets. She is, needless to say, escorted by young gentleman, who looks totally unsuited to his present surroundings, as he has side-whiskers, a pale green face, and general aspect that reminds me immediately of recent popular song entitled: "My Canary has Circles under His Eyes".
Pamela deeply absorbed in conversation, but presently catches sight of me, and smiles--smile a very sad one, which is evidently tone of the interview--and then sees Robert, at which she looks more animated, and eventually gets up and comes towards us, leaving Canary with Circles under His Eyes throwing bits of bread about the table in highly morose and despairing fashion.
Robert is introduced; Pamela opens her eyes very widely and says she has heard so very much about him--(who from? Not me)--and they shake hands. Can see from Robert's expression exactly what he thinks of Pamela's finger-nails, which are vermilion. P. P. says that we must come and see her--can we dine together tonight, Waddell will be at home and one or two people are looking in afterwards?--No, we are very sorry, but this is impossible. Then Pamela will ring up this dear thing--evidently myself, but do not care about the description--and meanwhile she simply must go back. The boy she is lunching with is Hipps, the artist. Robert looks perfectly blank and I--not at all straightforwardly--assume an interested expression and say Oh really, as if I knew all about Hipps, and Pamela adds that the poor darling is all decadent and nervy, and she thought this place would do him good, but really he's in such a state that Paris is the only possible thing for him. She gives Robert her left hand, throws me a kiss with the other, and rejoins the Canary--whose face is now buried in his arms. Robert says Good God and asks why that woman doesn't wash that stuff off those nails. This question obviously rhetorical, and do not attempt any reply, but enquire if he thought Pamela pretty. Robert, rather strangely, makes sound which resembles Tchah! from which I deduce a negative, and am not as much distressed as I ought to be at this obvious injustice to P. P.'s face and figure. Robert follows this by further observation, this time concerning the Canary with Circles under His Eyes, which would undoubtedly lead to libel action, if not to charge of using obscene language in public, if overheard, and I say Hush, and make enquiries as to the well-being of Our Vicar and Our Vicar's Wife, in order to change the subject.
That reminds Robert: there is to be a concert in the Village next month for most deserving local object, and he has been asked to promise my services as performer, which he has done. Definite conviction