Littlepage Manuscripts: Satanstoe, The Chainbearer & The Redskins (Complete Edition). James Fenimore Cooper
In 1829, he brought out the novel entitled the Wept of Wishton-Wish, one of the few of his works which we now rarely hear mentioned. He was engaged in the composition of a third nautical tale, which he afterwards published under the name of the Water-Witch, when the memorable revolution of the Three Days of July broke out. He saw a government, ruling by fear and in defiance of public opinion, overthrown in a few hours, with little bloodshed; he saw the French nation, far from being intoxicated with their new liberty, peacefully addressing themselves to the discussion of the institutions under which they were to live. A work which Cooper afterwards published, his Residence in Europe, gives the outline of a plan of government for France furnished by him at that time, to La Fayette, with whom he was in habits of close and daily intimacy. It was his idea to give permanence to the new order of things by associating two strong parties in its support, the friends of legitimacy and the republicans. He suggested that Henry V. should be called to the hereditary throne of France, a youth yet to be educated as the head of a free people, that the peerage should be abolished, and a legislature of two chambers established, with a constituency of at least a million and a half of electors; the senate to be chosen by the general vote, as the representative of the entire nation, and the members of the other house to be chosen by districts, as the representatives of the local interests. To the middle ground of politics so ostentatiously occupied by Louis Philippe at the beginning of his reign, he predicted a brief duration, believing that it would speedily be merged in despotism, or supplanted by the popular rule. His prophecy has been fulfilled more amply than he could have imagined—fulfilled in both its alternatives.
In one of the controversies of that time, Cooper bore a distinguished part. The Revue Britannique, a periodical published in Paris, boldly affirmed the government of the United States to be one of the most expensive in the world, and its people among the most heavily taxed of mankind. This assertion was supported with a certain show of proof, and the writer affected to have established the conclusion that a republic must necessarily be more expensive than a monarchy. The partisans of the court were delighted with the reasoning of the article, and claimed a triumph over our ancient friend La Fayette, who, during forty years, had not ceased to hold up the government of the United States as the cheapest in the world. At the suggestion of La Fayette, Cooper replied to this attack upon his country in a letter which was translated into French, and, together with, another from General Bertrand, for many years a resident in America, was laid before the people of France.
These, two letters provoked a shower of rejoinders, in which, according to Cooper, misstatements were mingled with scurrility. He commenced a series of letters on the question in dispute, which were published in the National, a daily sheet, and gave the first evidence of that extraordinary acuteness in controversy which was no less characteristic of his mind than the vigor of his imagination. The enemies of La Fayette pressed into their service Mr. Leavitt Harris, of New Jersey, afterwards our chargé d’affaires at the court of France, but Cooper replied to Mr. Harris in the National of May 2d, 1832, closing a discussion in which he had effectually silenced those who objected to our institutions on the score of economy. Of these letters, which would form an important chapter in political science, no entire copy, I have been told, is to be found in this country.
One of the consequences of earnest controversy is almost invariably personal ill-will. Cooper was told by one who held an official station under the French government, that the part he had taken in this dispute concerning taxation would neither be forgotten nor forgiven. The dislike he had incurred in that quarter was strengthened by his novel of the Bravo, published in the year 1831, while he was in the midst of his quarrel with the aristocratic party. In that work, of which he has himself justly said that it was thoroughly American in all that belonged to it, his object was to show how institutions, professedly created to prevent violence and wrong, become, when perverted from their natural destination, the instruments of injustice; and how, in every system which makes power the exclusive property of the strong, the weak are sure to be oppressed. The work is written with all the vigor and spirit of his best novels; the magnificent city of Venice, in which the scene of the story is laid, stands continually before the imagination; and from time to time the gorgeous ceremonies of the Venetian republic pass under our eyes, such as the marriage of the Doge with the Adriatic, and the, contest of the gondolas for the prize of speed. The Bravo himself and several of the other characters are strongly conceived and distinguished, but the most remarkable of them all is the spirited and generous-hearted daughter of the jailer.
It has been said by some critics, who judge of Cooper by his failures, that he had no skill in drawing female characters. By the same process, it might, I suppose, be shown that Raphael was but an ordinary painter. It must be admitted that when Cooper drew a lady of high breeding, he was apt to pay too much attention to the formal part of her character, and to make her a mere bundle of cold proprieties. But when he places his heroines in some situation in life which leaves him nothing to do but to make them natural and true, I know of nothing finer, nothing more attractive or more individual than the portraitures he has given us.
Figaro, the wittiest of the French periodicals, and at that time on the liberal side, commended the Bravo; the journals on the side of the government censured it. Figaro afterwards passed into the hands of the aristocratic party, and Cooper became the object of its attacks. He was not, however, a man to be driven from any purpose which he had formed, either by flattery or abuse, and both were tried with equal ill success. In 1832 he published his Heidenmauer, and in 1833 his Headsman of Berne, both with a political design similar to that of the Bravo, though neither of them takes the same high rank among his works.
In 1833, after a residence of seven years in different parts of Europe, but mostly in France, Cooper returned to his native country. The welcome which met him here was somewhat chilled by the effect of the attacks made upon him in France, and remembering with what zeal, and at what sacrifice of the universal acceptance which his works would otherwise have met, he had maintained the cause of his country against the wits and orators of the court party in France, we cannot wonder that he should have felt this coldness as undeserved. He published, shortly after his arrival in this country, A Letter to his Countrymen in which he complained of the censures cast upon him in the American newspapers, gave a history of the part he had taken in exposing the misstatements of the Révue Britannique, and warned his countrymen against the too common error of resorting, with a blind deference, to foreign authorities, often swayed by national or political prejudices, for our opinions of American authors. Going beyond this topic, he examined and reprehended the habit of applying to the interpretation of our own constitution maxims derived from the practice of other governments, particularly that of Great Britain. The importance of construing that instrument by its own principles, he illustrated by considering several points in dispute between parties of the day, on which he gave very decided opinions.
The principal effect of this pamphlet, as it seemed to me, was to awaken in certain quarters a kind of resentment that a successful writer of fiction should presume to give lessons in politics. I meddle not here with the conclusions to which he arrived, though must be allowed to say that they were stated and argued with great ability. In 1835 Cooper published The Monnikins, a satirical work, partly with a political aim; and in the same year appeared his American Democrat, a view of the civil and social relations of the United States, discussing more gravely various topics touched upon in the former work, and pointing out in what respects he deemed the American people in their practice to have fallen short of the excellence of their institutions.
He found time, however, for a more genial task—that of giving to the world his observations on foreign countries. In 1836 appeared his Sketches of Switzerland, a series of letters in four volumes, the second part published about two months after the first, a delightful work, written in a more fluent and flexible style than his Notions of the Americans. The first part of Gleanings in Europe, giving an account of his residence in France, followed in the same year; and the second part of the same work, containing his observations on England, was published in April, 1837. In these works, forming a series of eight volumes, he relates and describes with much of the same distinctness as in his novels; and his remarks on the manners and institutions of the different countries, often sagacious, and always peculiarly his own, derive, from their frequent reference