60 Plays: The George Bernard Shaw Edition (Illustrated). GEORGE BERNARD SHAW
and his painted moustache has run in little streaks down his chin and round his neck except where it has dried in stiff japanned flakes, and had its sweeping outline chipped off in grotesque little bays and headlands, making him unspeakably ridiculous in the eye of History a hundred years later, but monstrous and horrible to the contemporary north Italian infant, to whom nothing would seem more natural than that he should relieve the monotony of his guard by pitchforking a stray child up on his bayonet, and eating it uncooked. Nevertheless one girl of bad character, in whom an instinct of privilege with soldiers is already dawning, does peep in at the safest window for a moment, before a glance and a clink from the sentinel sends her flying. Most of what she sees she has seen before: the vineyard at the back, with the old winepress and a cart among the vines; the door close down on her right leading to the inn entry; the landlord’s best sideboard, now in full action for dinner, further back on the same side; the fireplace on the other side, with a couch near it, and another door, leading to the inner rooms, between it and the vineyard; and the table in the middle with its repast of Milanese risotto, cheese, grapes, bread, olives, and a big wickered flask of red wine.
The landlord, Giuseppe Grandi, is also no novelty. He is a swarthy, vivacious, shrewdly cheerful, black-curled, bullet headed, grinning little man of 40. Naturally an excellent host, he is in quite special spirits this evening at his good fortune in having the French commander as his guest to protect him against the license of the troops, and actually sports a pair of gold earrings which he would otherwise have hidden carefully under the winepress with his little equipment of silver plate.
Napoleon, sitting facing her on the further side of the table, and Napoleon’s hat, sword and riding whip lying on the couch, she sees for the first time. He is working hard, partly at his meal, which he has discovered how to dispatch, by attacking all the courses simultaneously, in ten minutes (this practice is the beginning of his downfall), and partly at a map which he is correcting from memory, occasionally marking the position of the forces by taking a grapeskin from his mouth and planting it on the map with his thumb like a wafer. He has a supply of writing materials before him mixed up in disorder with the dishes and cruets; and his long hair gets sometimes into the risotto gravy and sometimes into the ink.
GIUSEPPE. Will your excellency —
NAPOLEON (intent on his map, but cramming himself mechanically with his left hand). Don’t talk. I’m busy.
GIUSEPPE (with perfect goodhumor). Excellency: I obey.
NAPOLEON. Some red ink.
GIUSEPPE. Alas! excellency, there is none.
NAPOLEON (with Corsican facetiousness). Kill something and bring me its blood.
GIUSEPPE (grinning). There is nothing but your excellency’s horse, the sentinel, the lady upstairs, and my wife.
NAPOLEON. Kill your wife.
GIUSEPPE. Willingly, your excellency; but unhappily I am not strong enough. She would kill me.
NAPOLEON. That will do equally well.
GIUSEPPE. Your excellency does me too much honor. (Stretching his hand toward the flask.) Perhaps some wine will answer your excellency’s purpose.
NAPOLEON (hastily protecting the flask, and becoming quite serious). Wine! No: that would be waste. You are all the same: waste! waste! waste! (He marks the map with gravy, using his fork as a pen.) Clear away. (He finishes his wine; pushes back his chair; and uses his napkin, stretching his legs and leaning back, but still frowning and thinking.)
GIUSEPPE (clearing the table and removing the things to a tray on the sideboard). Every man to his trade, excellency. We innkeepers have plenty of cheap wine: we think nothing of spilling it. You great generals have plenty of cheap blood: you think nothing of spilling it. Is it not so, excellency?
NAPOLEON. Blood costs nothing: wine costs money. (He rises and goes to the fireplace. )
GIUSEPPE. They say you are careful of everything except human life, excellency.
NAPOLEON. Human life, my friend, is the only thing that takes care of itself. (He throws himself at his ease on the couch.)
GIUSEPPE (admiring him). Ah, excellency, what fools we all are beside you! If I could only find out the secret of your success!
NAPOLEON. You would make yourself Emperor of Italy, eh?
GIUSEPPE. Too troublesome, excellency: I leave all that to you. Besides, what would become of my inn if I were Emperor? See how you enjoy looking on at me whilst I keep the inn for you and wait on you! Well, I shall enjoy looking on at you whilst you become Emperor of Europe, and govern the country for me. (Whilst he chatters, he takes the cloth off without removing the map and inkstand, and takes the corners in his hands and the middle of the edge in his mouth, to fold it up.)
NAPOLEON. Emperor of Europe, eh? Why only Europe?
GIUSEPPE. Why, indeed? Emperor of the world, excellency! Why not? (He folds and rolls up the cloth, emphasizing his phrases by the steps of the process.) One man is like another (fold): one country is like another (fold): one battle is like another. (At the last fold, he slaps the cloth on the table and deftly rolls it up, adding, by way of peroration) Conquer one: conquer all. (He takes the cloth to the sideboard, and puts it in a drawer.)
NAPOLEON. And govern for all; fight for all; be everybody’s servant under cover of being everybody’s master: Giuseppe.
GIUSEPPE (at the sideboard). Excellency.
NAPOLEON. I forbid you to talk to me about myself.
GIUSEPPE (coming to the foot of the couch). Pardon. Your excellency is so unlike other great men. It is the subject they like best.
NAPOLEON. Well, talk to me about the subject they like next best, whatever that may be.
GIUSEPPE (unabashed). Willingly, your excellency. Has your excellency by any chance caught a glimpse of the lady upstairs?
(Napoleon promptly sits up and looks at him with an interest which entirely justifies the implied epigram.)
NAPOLEON. How old is she?
GIUSEPPE. The right age, excellency.
NAPOLEON. Do you mean seventeen or thirty?
GIUSEPPE. Thirty, excellency.
NAPOLEON. Goodlooking?
GIUSEPPE. I cannot see with your excellency’s eyes: every man must judge that for himself. In my opinion, excellency, a fine figure of a lady. (Slyly.) Shall I lay the table for her collation here?
NAPOLEON (brusquely, rising). No: lay nothing here until the officer for whom I am waiting comes back. (He looks at his watch, and takes to walking to and fro between the fireplace and the vineyard.)
GIUSEPPE (with conviction). Excellency: believe me, he has been captured by the accursed Austrians. He dare not keep you waiting if he were at liberty.
NAPOLEON (turning at the edge of the shadow of the veranda). Giuseppe: if that turns out to be true, it will put me into such a temper that nothing short of hanging you and your whole household, including the lady upstairs, will satisfy me.
GIUSEPPE. We are all cheerfully at your excellency’s disposal, except the lady. I cannot answer for her; but no lady could resist you, General.
NAPOLEON (sourly, resuming his march). Hm! You will never be hanged. There is no satisfaction in hanging a man who does not object to it.
GIUSEPPE (sympathetically). Not the least in the world, excellency: is there? (Napoleon again looks at his watch, evidently growing anxious.) Ah, one can see that you are a great man, General: you know how to wait. If it were a corporal now, or a sub-lieutenant, at the end of three minutes he would be swearing, fuming, threatening, pulling the house about our ears.
NAPOLEON. Giuseppe: your flatteries are insufferable. Go and talk outside. (He sits down again at the table, with his jaws in his hands, and his elbows propped on the map, poring over it with a troubled expression.)
GIUSEPPE. Willingly, your excellency. You