Wake-Robin. John Burroughs
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John Burroughs
Wake-Robin
Published by Good Press, 2019
EAN 4064066237592
Table of Contents
PREFACE.
This is mainly a book about the Birds, or more properly an invitation to the study of Ornithology, and the purpose of the author will be carried out in proportion as it awakens and stimulates the interest of the reader in this branch of Natural History.
Though written less in the spirit of exact science than with the freedom of love and old acquaintance, yet I have in no instance taken liberties with facts, or allowed my imagination to influence me to the extent of giving a false impression or a wrong coloring. I have reaped my harvest more in the woods than in the study; what I offer, in fact, is a careful and conscientious record of actual observations and experiences, and is true as it stands written, every word of it. But what has interested me most in Ornithology, is the pursuit, the chase, the discovery; that part of it which is akin to hunting, fishing, and wild sports, and which I could carry with me in my eye and ear, wherever I went.
I cannot answer with much confidence the poet’s inquiry,
“Hast thou named all the birds without a gun?”
but I have done what I could to bring home the “earth and the sky” with the sparrow I heard “singing at dawn on the alder bough.” In other words, I have tried to present a live bird—a bird in the woods or the fields—with the atmosphere and associations of the place, and not merely a stuffed and labeled specimen.
A more specific title for the volume would have suited me better, but not being able to satisfy myself in this direction, I cast about for a word thoroughly in the atmosphere and spirit of the book, which I hope I have found in “Wake-Robin”—the common name of the white Trillium, which blooms in all our woods, and which marks the arrival of all the birds.
THE RETURN OF THE BIRDS.
Spring in our northern climate may fairly be said to extend from the middle of March to the middle of June. At least, the vernal tide continues to rise until the latter date, and it is not till after the summer solstice that the shoots and twigs begin to harden and turn to wood, or the grass to lose any of its freshness and succulency.
It is this period that marks the return of the birds—one or two of the more hardy or half-domesticated species, like the song-sparrow and the bluebird, usually arriving in March, while the rarer and more brilliant wood-birds bring up the procession in June. But each stage of the advancing season gives prominence to certain species, as to certain flowers. The dandelion tells me when to look for the swallow, the dog-toothed violet when to expect the wood-thrush, and when I have found the wake-robin in bloom I know the season is fairly inaugurated. With me this flower is associated, not merely with the awakening of Robin, for he has been awake some weeks, but with the universal awakening and rehabilitation of nature.
Yet the coming and going of the birds is more or less a mystery and a surprise. We go out in the morning, and no thrush or vireo is to be heard; we go out again, and every tree and grove is musical; yet again, and all is silent. Who saw them come? Who saw them depart?
This pert little winter-wren, for instance, darting in and out the fence, diving under the rubbish here and coming up yards away—how does he manage with those little circular wings to compass degrees and zones, and arrive always in the nick of time? Last August I saw him in the remotest wilds of the Adirondacs, impatient and inquisitive as usual; a few weeks later, on the Potomac, I was greeted by the same hardy little busybody. Does he travel by easy stages from bush to bush and from wood to wood? or has that compact little body force and courage to brave the night and the upper air, and so achieve leagues at one pull?
And yonder bluebird with the earth tinge on his breast and the sky tinge on his back—did he come down out of heaven on that bright March morning when he told us so softly and plaintively that if we pleased, spring had come? Indeed, there is nothing in the return of the birds more curious and suggestive than in the first appearance, or rumors of the appearance, of this little blue-coat. The bird at first seems a mere wandering voice in the air; one hears its call or carol on some bright March morning, but is uncertain of its source or direction; it falls like a drop of rain when no cloud is visible; one looks and listens, but to no purpose. The weather changes, perhaps a cold snap with snow comes on, and it may be a week before I hear the note again, and this time or the next perchance see the bird sitting on a stake in the fence lifting his wing as he calls cheerily to his mate. Its notes now become daily more frequent; the birds multiply, and, flitting from point to point, call and warble more confidently and gleefully. Their boldness increases till one sees them hovering with a saucy, inquiring air about barns and out-buildings, peeping into dove-cotes, and stable windows, inspecting knot-holes and pump-trees, intent only on a place to nest. They wage war against robins and wrens, pick quarrels with swallows, and seem to deliberate for days over the policy of taking forcible possession of one of the mud-houses of the latter. But as the season advances they drift more into the background. Schemes of conquest which they at first seemed bent upon are abandoned, and they settle down very quietly in their old quarters in remote stumpy fields.
Not long after the bluebird comes the robin, sometimes in March, but in most of the Northern States April is the month of the robin. In large numbers they scour the fields and groves. You hear their piping in the meadow, in the pasture, on the hill-side. Walk in the woods, and the dry leaves rustle with the whir of their wings, the air is vocal with their cheery call. In excess of joy and vivacity, they run, leap, scream, chase each other through the air, diving and sweeping among the trees with perilous rapidity.
In that free, fascinating, half-work and half-play pursuit—sugar-making—a pursuit which still lingers in many parts of New York, as in New England, the robin is one’s constant companion.