The Complete Novels. Nathaniel Hawthorne
did not wish that it should be revived, or mourn over its event.
There were many who felt an interest in Fanshawe; but the influence of none could prevail upon him to lay aside the habits, mental and physical, by which he was bringing himself to the grave. His passage thither was consequently rapid, terminating just as he reached his twentieth year. His fellow-students erected to his memory a monument of rough-hewn granite, with a white marble slab for the inscription. This was borrowed from the grave of Nathanael Mather, whom, in his almost insane eagerness for knowledge, and in his early death, Fanshawe resembled.
THE ASHES OF A HARD STUDENT AND A GOOD SCHOLAR.
Many tears were shed over his grave; but the thoughtful and the wise, though turf never covered a nobler heart, could not lament that it was so soon at rest. He left a world for which he was unfit; and we trust, that, among the innumerable stars of heaven, there is one where he has found happiness.
Of the other personages of this tale, — Hugh Crombie, being exposed to no strong temptations, lived and died an honest man. Concerning Dr. Melmoth, it is unnecessary here to speak. The reader, if he have any curiosity upon the subject, is referred to his Life, which, together with several sermons and other productions of the doctor, was published by his successor in the presidency of Harley College, about the year 1768.
It was not till four years after Fanshawe’s death, that Edward Walcott was united to Ellen Langton. Their future lives were uncommonly happy. Ellen’s gentle, almost imperceptible, but powerful influence drew her husband away from the passions and pursuits that would have interfered with domestic felicity; and he never regretted the worldly distinction of which she thus deprived him. Theirs was a long life of calm and quiet bliss; and what matters it, that, except in these pages, they have left no name behind them?
The Scarlet Letter: A Romance (1850)
The Custom-House: Introductory to “The Scarlet Letter”
VIII. The Elf-Child and the Minister
XVII. The Pastor and His Parishioner
XIX. The Child at the Brookside
XXIII. The Revelation of the Scarlet Letter
THE CUSTOM-HOUSE
INTRODUCTORY TO “THE SCARLET LETTER”
It is a little remarkable, that — though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends — an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader — inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine — with a description of my way of life in the deep quietude of an Old Manse. And now — because, beyond my deserts, I was happy enough to find a listener or two on the former occasion — I again seize the public by the button, and talk of my three years’ experience in a Custom-House. The example of the famous “P. P., Clerk of this Parish,” was never more faithfully followed. The truth seems to be, however, that when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him better than most of his schoolmates or lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed only and exclusively to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer’s own nature, and complete his circle of existence by bringing him into communion with it. It is scarcely decorous, however, to speak all, even where we speak impersonally. But, as thoughts are frozen and utterance benumbed, unless the speaker stand in some true relation with his audience, it may be pardonable to imagine that a friend, a kind and apprehensive, though not the closest friend, is listening to our talk; and then, a native reserve being thawed by this genial consciousness, we may prate of the circumstances that lie around us, and even of ourself, but still keep the inmost Me behind its veil. To this extent, and within these limits, an author, methinks, may be autobiographical, without violating either the reader’s rights or