The Innocents Abroad (Illustrated). Mark Twain
a dozen sickly trees into unaccustomed shapes in a little yard no bigger than a dining room, and then surely they look absurd enough. But here they take two hundred thousand tall forest trees and set them in a double row; allow no sign of leaf or branch to grow on the trunk lower down than six feet above the ground; from that point the boughs begin to project, and very gradually they extend outward further and further till they meet overhead, and a faultless tunnel of foliage is formed. The arch is mathematically precise. The effect is then very fine. They make trees take fifty different shapes, and so these quaint effects are infinitely varied and picturesque. The trees in no two avenues are shaped alike, and consequently the eye is not fatigued with anything in the nature of monotonous uniformity. I will drop this subject now, leaving it to others to determine how these people manage to make endless ranks of lofty forest trees grow to just a certain thickness of trunk (say a foot and two-thirds); how they make them spring to precisely the same height for miles; how they make them grow so close together; how they compel one huge limb to spring from the same identical spot on each tree and form the main sweep of the arch; and how all these things are kept exactly in the same condition and in the same exquisite shapeliness and symmetry month after month and year after year—for I have tried to reason out the problem and have failed.
We walked through the great hall of sculpture and the one hundred and fifty galleries of paintings in the palace of Versailles, and felt that to be in such a place was useless unless one had a whole year at his disposal. These pictures are all battle scenes, and only one solitary little canvas among them all treats of anything but great French victories. We wandered, also, through the Grand Trianon and the Petit Trianon, those monuments of royal prodigality, and with histories so mournful—filled, as it is, with souvenirs of Napoleon the First, and three dead kings and as many queens. In one sumptuous bed they had all slept in succession, but no one occupies it now. In a large dining room stood the table at which Louis XIV and his mistress Madame Maintenon, and after them Louis XV, and Pompadour, had sat at their meals naked and unattended—for the table stood upon a trapdoor, which descended with it to regions below when it was necessary to replenish its dishes. In a room of the Petit Trianon stood the furniture, just as poor Marie Antoinette left it when the mob came and dragged her and the King to Paris, never to return. Near at hand, in the stables, were prodigious carriages that showed no color but gold—carriages used by former kings of France on state occasions, and never used now save when a kingly head is to be crowned or an imperial infant christened. And with them were some curious sleighs, whose bodies were shaped like lions, swans, tigers, etc.—vehicles that had once been handsome with pictured designs and fine workmanship, but were dusty and decaying now. They had their history. When Louis XIV had finished the Grand Trianon, he told Maintenon he had created a Paradise for her, and asked if she could think of anything now to wish for. He said he wished the Trianon to be perfection—nothing less. She said she could think of but one thing—it was summer, and it was balmy France—yet she would like well to sleigh ride in the leafy avenues of Versailles! The next morning found miles and miles of grassy avenues spread thick with snowy salt and sugar, and a procession of those quaint sleighs waiting to receive the chief concubine of the gaiest and most unprincipled court that France has ever seen!
From sumptuous Versailles, with its palaces, its statues, its gardens, and its fountains, we journeyed back to Paris and sought its antipodes—the Faubourg St. Antoine. Little, narrow streets; dirty children blockading them; greasy, slovenly women capturing and spanking them; filthy dens on first floors, with rag stores in them (the heaviest business in the Faubourg is the chiffonier's); other filthy dens where whole suits of second and third-hand clothing are sold at prices that would ruin any proprietor who did not steal his stock; still other filthy dens where they sold groceries—sold them by the half-pennyworth—five dollars would buy the man out, goodwill and all. Up these little crooked streets they will murder a man for seven dollars and dump the body in the Seine. And up some other of these streets—most of them, I should say—live lorettes.
All through this Faubourg St. Antoine, misery, poverty, vice, and crime go hand in hand, and the evidences of it stare one in the face from every side. Here the people live who begin the revolutions. Whenever there is anything of that kind to be done, they are always ready. They take as much genuine pleasure in building a barricade as they do in cutting a throat or shoving a friend into the Seine. It is these savage-looking ruffians who storm the splendid halls of the Tuileries occasionally, and swarm into Versailles when a king is to be called to account.
But they will build no more barricades, they will break no more soldiers' heads with paving-stones. Louis Napoleon has taken care of all that. He is annihilating the crooked streets and building in their stead noble boulevards as straight as an arrow—avenues which a cannon ball could traverse from end to end without meeting an obstruction more irresistible than the flesh and bones of men—boulevards whose stately edifices will never afford refuges and plotting places for starving, discontented revolution breeders. Five of these great thoroughfares radiate from one ample centre—a centre which is exceedingly well adapted to the accommodation of heavy artillery. The mobs used to riot there, but they must seek another rallying-place in future. And this ingenious Napoleon paves the streets of his great cities with a smooth, compact composition of asphaltum and sand. No more barricades of flagstones—no more assaulting his Majesty's troops with cobbles. I cannot feel friendly toward my quondam fellow-American, Napoleon III., especially at this time,—(July, 1867.)—when in fancy I see his credulous victim, Maximilian, lying stark and stiff in Mexico, and his maniac widow watching eagerly from her French asylum for the form that will never come—but I do admire his nerve, his calm self-reliance, his shrewd good sense.
Chapter XVII.
We had a pleasant journey of it seaward again. We found that for the three past nights our ship had been in a state of war. The first night the sailors of a British ship, being happy with grog, came down on the pier and challenged our sailors to a free fight. They accepted with alacrity, repaired to the pier, and gained—their share of a drawn battle. Several bruised and bloody members of both parties were carried off by the police and imprisoned until the following morning. The next night the British boys came again to renew the fight, but our men had had strict orders to remain on board and out of sight. They did so, and the besieging party grew noisy and more and more abusive as the fact became apparent (to them) that our men were afraid to come out. They went away finally with a closing burst of ridicule and offensive epithets. The third night they came again and were more obstreperous than ever. They swaggered up and down the almost deserted pier, and hurled curses, obscenity, and stinging sarcasms at our crew. It was more than human nature could bear. The executive officer ordered our men ashore—with instructions not to fight. They charged the British and gained a brilliant victory. I probably would not have mentioned this war had it ended differently. But I travel to learn, and I still remember that they picture no French defeats in the battle-galleries of Versailles.
It was like home to us to step on board the comfortable ship again and smoke and lounge about her breezy decks. And yet it was not altogether like home, either, because so many members of the family were away. We missed some pleasant faces which we would rather have found at dinner, and at night there were gaps in the euchre-parties which could not be satisfactorily filled. "Moult" was in England, Jack in Switzerland, Charley in Spain. Blucher was gone, none could tell where. But we were at sea again, and we had the stars and the ocean to look at, and plenty of room to meditate in.
In due time the shores of Italy were sighted, and as we stood gazing from the decks, early in the bright summer morning, the stately city of Genoa rose up out of the sea and flung back the sunlight from her hundred palaces.
Here we rest for the present—or rather, here we have been trying to rest, for some little time, but we run about too much to accomplish a great deal in that line.
I would like to remain here. I had rather not go any further. There may be prettier women in Europe, but I doubt it. The population of Genoa is 120,000; two-thirds of these are women, I think, and at least two-thirds of the women are beautiful. They are as dressy and as tasteful and as graceful as they could possibly be without being angels.