The Doomswoman. Gertrude Franklin Horn Atherton
Spain, and never cared much for the priests. And he has been to Mexico and America and Europe! God of my soul! it is said that he knows more than his Excellency himself—that his mind works faster. Ay! but there was a time when he was wild—when the mescal burnt his throat like hornets and the aguardiente was like scorpions in his brain; but that was long ago, before he was twenty; now he is thirty-four. He amuses himself sometimes with the girls—valgame Dios! he has made hot tears flow—but I suppose we do not know enough for him, for he marries none. Ay! but he has a charm."
"Like what does he look? A beautiful caballero, I suppose, with eyes that melt and a mouth that trembles like a woman in the palsy."
"Ay, no, my Chonita; thou art wrong. He is not beautiful at all. He is rather haggard, and wears no mustache, and he has the profile of the great man, fine and aquiline and severe, excepting when he smiles, and then sometimes he looks kind and sometimes he looks like a devil. He has not the beauty of color; his hair is brown, I think, and his eyes are gray, and set far back; but how they flash! I think they could burn if they looked too long. He is tall and straight and very strong, not so indolent as most of our men. They call him The American because he moves so quickly and gets so cross when people do not think fast enough. He thinks like lightning strikes. Ay! they all say that he will be governor in his time; that he would have been long ago, but he has been away so much. It must be that he has seen and admired thee, my Chonita, and discovered thy grating. Thou art happy that thou too hast read the books. Thou and he will be great friends, I know!"
"Yes!" exclaimed Chonita, scornfully. "It is likely. Thou hast forgotten—perhaps—the enmity between the Capulets and the Montagues was a sallow flame to the bitter hatred, born of jealousy in love, politics, and social precedence, which exists between the Estenegas and the Iturbi y Moncadas?"
II.
Delfina, the first child of Alvarado, born in the purple at the governor's mansion in Monterey, was about to be baptized with all the pomp and ceremony of the Church and time. Doña Martina, the wife of a year, was unable to go to the church, but lay beneath her lace and satin coverlet, her heavy black hair half covering the other side of the bed. Beside her stood the nurse, a fat, brown, high-beaked old crone, holding a mass of grunting lace. I stood at the foot of the bed, admiring the picture.
"Be careful for the sun, Tomasa," said the mother. "Her eyes must be strong, like the Alvarados'—black and keen and strong."
"Sure, señora."
"And let her not smother, nor yet take cold. She must grow tall and strong—like the Alvarados."
"Sure, señora."
"Where is his Excellency?"
"I am here." And Alvarado entered the room. He looked amused, and probably had overheard the conversation. He justified, however, the admiration of his young wife. His tall military figure had the perfect poise and suggestion of power natural to a man whose genius had been recognized by the Mexican government before he had entered his twenties. The clean-cut face, with its calm profile and fiery eyes, was not that of the Washington of his emulation, and I never understood why he chose so tame a model. Perhaps because of the meagerness of that early proscribed literature; or did the title "Father of his Country" appeal irresistibly to that lofty and doomed ambition?
He passed his hand over his wife's long white fingers, but did not offer her any other caress in my presence.
"How dost thou feel?"
"Well; but I shall be lonely. Do not stay long at the church, no? How glad I am that Chonita came in time for the christening! What a beautiful comadre she will be! I have just seen her. Ay, poor Diego! he will fall in love with her; and what then?"
"It would have been better had she come too late, I think. To avoid asking Diego to stand for my first child was impossible, for he is the man of men to me. To avoid asking Doña Chonita was equally impossible, I suppose, and it will be painful for both. He serenaded her last night, not knowing who she was, but having seen her at her grating; he only returned yesterday. I hope she plants no thorns in his heart."
"Perhaps they will marry and bind the wounds," suggested the woman.
"An Estenega and an Iturbi y Moncada will not marry. He might forget, for he is passionate and of a nature to break down barriers when a wish is dear; but she has all the wrongs of all the Iturbi y Moncadas on her white shoulders, and all their pride in the carriage of her head; to say nothing of that brother whom she adores. She learned this morning that it was Diego's determined opposition that kept Reinaldo out of the Departmental Junta, and meets him in no tender frame of mind——"
Doña Martina raised her hand. Chonita stood in the door-way. She was quite beautiful enough to plant thorns where she listed. Her tall supple figure was clothed in white, and over her gold hair—lurid and brilliant, but without a tinge of red—she wore a white lace mantilla. Her straight narrow brows and heavy lashes were black; but her skin was more purely white than her gown. Her nose was finely cut, the arch almost indiscernible, and she had the most sculptured mouth I have ever seen. Her long eyes were green, dark, and luminous. Sometimes they had the look of a child, sometimes she allowed them to flash with the fire of an animated spirit. But the expression she chose to cultivate was that associated with crowned head and sceptered hand; and sure no queen had ever looked so calm, so inexorable, so haughty, so terribly clear of vision. She never posed—for any one, at least, but herself. For some reason—a youthful reason probably—the iron in her nature was most admired by her. Wherefore—also, as she had the power, as twin, to heal and curse—I had named her the Doomswoman, and by this name she was known far and wide. By the lower class of Santa Barbara she was called The Golden Señorita, on account of her hair and of her father's vast wealth.
"Come," she said, "every one is waiting. Do not you hear the voices?"
The windows were closed, but through them came a murmur like that of a pine forest.
The governor motioned to the nurse to follow Chonita and myself, and she trotted after us, her ugly face beaming with pride of position. Was not in her arms the oldest-born of a new generation of Alvarados? the daughter of the governor of The Californias? Her smock, embroidered with silk, was new, and looked whiter than fog against her bare brown arms and face. Her short red satin skirt, a gift of her happy lady's, was the finest ever worn by exultant nurse. About her stringy old throat was a gold chain, bright red roses were woven in her black reboso. I saw her admire Chonita's stately figure with scornful reserve of the colorless gown.
We were followed in a moment by the governor, adjusting his collar and smoothing his hair. As he reached the door-way at the front of the house he was greeted with a shout from assembled Monterey. The plaza was gay with beaming faces and bright attire. The men, women, and children of the people were on foot, a mass of color on the opposite side of the plaza: the women in gaudy cotton frocks girt with silken sashes, tawdry jewels, and spotless camisas, the coquettish reboso draping with equal grace faces old and brown, faces round and olive; the men in glazed sombreros, short calico jackets and trousers; Indians wound up in gala blankets. In the foreground, on prancing silver-trapped horses, were caballeros and doñas, laughing and coquetting, looking down in triumph upon the dueñas and parents who rode older and milder mustangs and shook brown knotted fingers at heedless youth. The young men had ribbons twisted in their long black hair, and silver eagles on their soft gray sombreros. Their velvet serapes were embroidered with gold; the velvet knee-breeches were laced with gold or silver cord over fine white linen; long deer-skin botas were gartered with vivid ribbon; flaunting sashes bound their slender waists, knotted over the hip. The girls and young married women wore black or white mantillas, the silken lace of Spain, regardless of the sun which might darken their Castilian fairness. Their gowns were of flowered silk or red or yellow satin, the waist long and pointed, the skirt full; jeweled buckles of tiny slippers flashed beneath the hem. The old people were in rich dress of sober color. A few Americans were there in the ugly garb of their country, a blot on the picture.
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