The Mystery of Mary. Grace Livingston Hill
this was the time that Dunham had counted upon for an acquaintance with the great judge who might hold a future career in his power, he could not but wish that he might follow them to the other room. He felt entire confidence in his new friend's ability to play her part to the end, but he wanted to watch her, to study her and understand her, if perchance he might solve the mystery that was ever growing more intense about her.
As she left the room, his eyes followed her. His hostess, in passing behind his chair, had whispered:
"I don't wonder you feel so about her. She is lovely. But please don't begrudge her to us for a few minutes. I promise you that you shall have your innings afterwards."
Then, without any warning and utterly against his will, this young man of much experience and self-control blushed furiously, and was glad enough when the door closed behind Mrs. Bowman.
Miss Remington walked into the drawing-room with a steady step, but with a rapidly beating heart. Her real ordeal had now come. She cast about in her mind for subjects of conversation which should forestall unsafe topics, and intuitively sought the protection of the Judge's wife. But immediately she saw her hostess making straight for the little Chippendale chair beside her.
"My dear, it is too lovely," she began. "So opportune! Do tell me how long you have known Tryon?"
The girl caught her breath and gathered her wits together. She looked up shyly into the pleasantly curious eyes of Mrs. Bowman, and a faint gleam of mischief came into her face.
"Why——" Her hesitation seemed only natural, and Mrs. Bowman decided that there must be something very special between these two. "Why, not so very long, Mrs. Bowman—not as long as you have known him." She finished with a smile which Mrs. Bowman decided was charming.
"Oh, you sly child!" she exclaimed, playfully tapping the round cheek with her fan. "Did you meet him when he was abroad this summer?"
"Oh, no, indeed!" said the girl, laughing now in spite of herself. "Oh, no; it was after his return."
"Then it must have been in the Adirondacks," went on the determined interlocutor. "Were you at——" But the girl interrupted her. She could not afford to discuss the Adirondacks, and the sight of the grand piano across the room had given her an idea.
"Mr. Dunham told me that you would like me to play something for you, as your musician friend has failed you. I shall be very glad to, if it will help you any. What do you care for? Something serious or something gay? Are you fond of Chopin, or Beethoven, or something more modern?"
Scenting a possible musical prodigy, and desiring most earnestly to give her guests a treat, Mrs. Bowman exclaimed in enthusiasm:
"Oh, how lovely of you! I hardly dared to ask, as Tryon was uncertain whether you would be willing. Suppose you give us something serious now, and later, when the men come in, we'll have the gay music. Make your own choice, though I'm very fond of Chopin, of course."
Without another word, the girl moved quietly over to the piano and took her seat. For just a moment her fingers wandered caressingly over the keys, as if they were old friends and she were having an understanding with them, then she began a Chopin Nocturne. Her touch was firm and velvety, and she brought out a bell-like tone from the instrument that made the little company of women realize that the player was mistress of her art. Her graceful figure and lovely head, with its simple ripples and waves of hair, were more noticeable than ever as she sat there, controlling the exquisite harmonies. Even Mrs. Blackwell stopped fanning and looked interested. Then she whispered to Mrs. Bowman: "A very sweet young girl. That's a pretty piece she's playing." Mrs. Blackwell was sweet and commonplace and old-fashioned.
Mrs. Parker Bowman sat up with a pink glow in her cheeks and a light in her eyes. She began to plan how she might keep this acquisition and exploit her among her friends. It was her delight to bring out new features in her entertainments.
"We shall simply keep you playing until you drop from weariness," she announced ecstatically, when the last wailing, sobbing, soothing chord had died away; and the other ladies murmured, "How delightful!" and whispered their approval.
The girl smiled and rippled into a Chopin Valse, under cover of which those who cared to could talk in low tones. Afterwards the musician dashed into the brilliant movement of a Beethoven Sonata.
It was just as she was beginning Rubinstein's exquisite tone portrait, Kamennoi-Ostrow, that the gentlemen came in.
Tryon Dunham had had his much desired talk with the famous judge, but it had not been about law.
They had been drawn together by mutual consent, each discovering that the other was watching the young stranger as she left the dining-room.
"She is charming," said the old man, smiling into the face of the younger. "Is she an intimate friend?"
"I—I hope so," stammered Dunham. "That is, I should like to have her consider me so."
"Ah!" said the old man, looking deep into the other's eyes with a kindly smile, as if he were recalling pleasant experiences of his own. "You are a fortunate fellow. I hope you may succeed in making her think so. Do you know, she interests me more than most young women, and in some way I cannot disconnect her with an occurrence which happened in my office this afternoon."
The young man showed a deep interest in the matter, and the Judge told the story again, this time more in detail.
They drew a little apart from the rest of the men. The host, who had been warned by his wife to give young Dunham an opportunity to talk with the Judge, saw that her plans were succeeding admirably.
When the music began in the other room the Judge paused a moment to listen, and then went on with his story.
"There is a freight elevator just opposite that left door of my office, and somehow I cannot but think it had something to do with the girl's disappearance, although the door was closed and the elevator was down on the cellar floor all the time, as nearly as I can find out."
The young man asked eager questions, feeling in his heart that the story might in some way explain the mystery of the young woman in the other room.
"Suppose you stop in the office to-morrow," said the Judge. "Perhaps you'll get a glimpse of her, and then bear me out in the statement that she's like your friend. By the way, who is making such exquisite music? Suppose we go and investigate. Mr. Bowman, will you excuse us if we follow the ladies? We are anxious to hear the music at closer range."
The other men rose and followed.
The girl did not pause or look up as they came in, but played on, while the company listened with the most rapt and wondering look. She was playing with an empressement which could not fail to command attention.
Tryon Dunham, standing just behind the Judge, was transfixed with amazement. That this delicate girl could bring forth such an entrancing volume of sound from the instrument was a great surprise. That she was so exquisite an artist filled him with a kind of intoxicating elation—it was as though she belonged to him.
At last she played Liszt's brilliant Hungarian Rhapsody, her slender hands taking the tremendous chords and octave runs with a precision and rapidity that seemed inspired. The final crash came in a shower of liquid jewels of sound, and then she turned to look at him, her one friend in that company of strangers.
He could see that she had been playing under a heavy strain. Her face looked weary and flushed, and her eyes were brilliant with feverish excitement. Those eyes seemed to be pleading with him now to set her free from the kindly scrutiny of these good-hearted, curious strangers. They gathered about her in delight, pouring their questions and praises upon her.
"Where did you study? With some great master, I am sure. Tell us all about yourself. We are dying to know, and will sit at your feet with great delight while you discourse."
Tryon Dunham interrupted these disquieting questions, by drawing his watch from his pocket with apparent hasty remembrance, and giving a well feigned exclamation of dismay.
"I'm sorry, Mrs. Bowman; it is too bad to interrupt this delightful