The Complete Works of H. C. McNeile "Sapper". Sapper
been murder done," he shouted hoarsely, and dashed out of the room. Doors were flung open, and half a dozen men rushed up the stairs after him. There was no doubt which the room was, and headed by Yulowski they crowded in—only to stop and stare at what lay on the floor.
"It's the Greek," muttered one of them. "He was guarding the girl. And someone has severed the main artery in his arm."
With one accord they dashed across the passage to the room where Phyllis had been. In a second the door was broken in, and they saw the unconscious Italian lying on the bed.
"The Black Gang," muttered someone fearfully, and Yulowski cursed him for a cowardly swine. And it was his hoarse voice that Drummond heard shouting for the power to be switched on, as he turned and darted across the lawn.
Completely ignorant of what had taken place, he was just as ignorant of what was meant by switching on the power. His one thought now was to get away with Phyllis. A start meant everything, and at the best he couldn't hope for a long one. With his arm through hers he urged her forward, while behind him he heard a confused shouting which gradually died away under the peremptory orders of someone who seemed to be in command. And almost subconsciously he noticed that the thudding noise had ceased; only the faint humming of the engine broke the silence.
Suddenly in front of him he saw the fence which had caused him to wonder earlier in the evening. It was just the same in this part as it had been in the other, but he wasn't concerned with speculations about it now. The only thing he was thankful for was that it was easy to get through.
He was not five feet from it, when it happened—the amazing and at the moment inexplicable thing. For months after he used to wake in the night and lie sweating with horror at the nearness of the escape. For it would have been Phyllis who would have gone through first; it would have been Phyllis, who—But it did happen—just in time.
He saw a dark shape dart across the open towards the fence, an animal carrying something in its mouth. It reached the fence, and the next instant it bounded an incredible height in the air, only to fall backwards on to the ground and lie motionless almost at Drummond's feet. It was so utterly unexpected that he paused instinctively and stared at it. It was a fox, and the fowl it had been carrying lay a yard away. It lay there rigid and motionless, and completely bewildered he bent and touched it, only to draw back his hand as if he'd been stung. A sharp stabbing pain shot up his arm, as if he'd had an electric shock—and suddenly he understood, and with a cry of fear he dragged Phyllis back just in time.
The brain moves rapidly at times; the inherent connection of things takes place in a flash. And the words he had used to the Italian, "E pericoloso sporgersi," took him back to Switzerland, where the phrase is written on every railway carriage. And in Switzerland, you may see those heavy steel pylons with curved pointed hooks to prevent people climbing up, and red bands painted with the words 'Danger de mort'. Live wires there are at the top, carried on insulators—even as the fence wires were carried through insulators in the uprights.
Danger de mort. And the fox had been electrocuted. That was what the man had meant by shouting for the power to be switched on. And as he stood there still clutching Phyllis's arm, and shaken for the moment out of his usual calm, there came from the direction of the house, the deep-throated baying of a big hound.
"What is it, Hugh?" said Phyllis in an agonised whisper. With terrified eyes she was staring at the body of the fox, stiff and rigid in death, and with its jaws parted in a hideous snarl.
And again there came from the direction of the house a deep-throated bay.
Then suddenly she realised that her husband was speaking—quietly, insistently. Only too well did he know the danger: only too well did he know that never before in his life had the situation been so tight. But no sign of it showed on his face: not a trace of indecision appeared in his voice. The position was desperate, the remedy must be desperate too.
"We can't climb through the fence, dear," he was saying calmly. "You see they've switched an electric current through the wires, and if you touch one you'll be electrocuted. Also they seem to have turned an unpleasant little animal into the garden, so we can't stay here. At least—you can't. So I'm going to throw you over the top."
In an agony of fear she clung to him for a moment: then as she saw his quiet, set face she pulled herself together and smiled. There was no time for argument now: there was no time for anything except instant action. And being a thoroughbred, she was not going to hinder him by any weakness on her part. Of fear for herself she felt no trace: her faith and trust in her husband was absolute. And so she stood there silently waiting while he measured height and distance with his eye.
Of his ability to get her over he felt no doubt: but when a mistake means death to the woman he loves a man does not take risks. "Come, dear," he said after a moment's pause. "Put your knees close up to your chin, and try to keep like a ball until you feel yourself falling."
She doubled herself up and he picked her up. One hand held both her feet—the other gripped the waistband at the back of her skirt. Once he lifted her above his head to the full extent of his arms to free his muscles: then he took a little run and threw her up and forward with all his strength. And she cleared the top strand by two feet....
She landed unhurt in some bushes, and when she had scrambled to her feet she realised he was speaking again—imperatively, urgently. "Get the gang, darling: somehow or other get the gang. I'll try and get you a good start. But—hurry."
The next instant he had disappeared into the undergrowth, and only just in time. A huge hound running mute had dashed into the clearing where a second or two before they had been standing, and was cautiously approaching the dead fox. She stared at it fascinated, and then with a little cry of terror she pulled herself together and ran. She had forgotten the fence that was between them: for the moment she had forgotten everything except this huge brute that looked the size of a calf. And the hound, seeing the flutter of her dress, forgot things too. A dead fox could wait, a living human was better fun by far. He bounded forward: gave one agonised roar as he hit the fence, and turning a complete somersault lay still. And as Phyllis stumbled blindly on, she suddenly heard Hugh's cheerful voice from the darkness behind her, apparently addressing the world at large.
"Roll up! roll up! roll up! one fox: one Pomeranian: one fowl. No charge for admittance. Visitors are requested not to touch the exhibits."
And then loud and clear the hoot of an owl thrice repeated. It was a message for her, she knew—not a senseless piece of bravado: a message to tell her that he was all right. But the call at the end was the urgent call of the gang, and though he was safe at the moment she knew there was no time to be lost. And, with a little prayer that she would choose the right direction, she broke into the steady run of the girl who beagles when she goes beagling, and doesn't sit on the top of a hill and watch. Hugh had never let her down yet: it was her turn now.
To what extent it was her turn, perhaps it was as well that she did not realise. Even Drummond, hidden in the undergrowth just by the clearing where lay the body of the hound, was ignorant of the nature of the odds against him. He had not the slightest idea how many men there were in the house—and while it remained dark he didn't much care. In the dark he felt confident of dealing with any number, or at any rate of eluding them. It was the thing of all others that his soul loved—that grim fighting at night, when a man looks like a trunk of a tree, and the trunk of a tree looks like a man. It was in that that he was unequalled—superb: and the inmates of Maybrick Hall would have been well advised to have stayed their hands till the light came. Then the position, in military parlance, could have been taken without loss. An unarmed man is helpless when he can be seen.
But since the inmates were ignorant of what they were up against, they somewhat foolishly decided on instant action. They came streaming across in a body in the track of the dead hound, and by so doing they played straight into the hands of the man who crouched in the shadows close by them. He listened for one moment to the babel of tongues of every nationality, and decided that a little more English might adjust the average. So without a sound he faded away from his hiding-place, and emerged from the undergrowth ten yards nearer the house. Then with his collar turned up, and his shoulders