The Complete Works of H. C. McNeile "Sapper". Sapper

The Complete Works of H. C. McNeile


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seen him for a few seconds on the other side of the sacred pool, and they all three stood motionless staring at Molly.

      I heard her terrified whisper—"Dick! Help me, Dick," and I lay there sprawling, helpless. And still they stood there—staring at my adored girl. Hypnotism, of course—I realised that after. They were hypnotising her in front of my eyes, and, poor child, it didn't take long. Even though time is jumbled in my mind, just as it is in a dream, it cannot have been more than a minute before I saw her—my Molly—walking towards them round the table with little, short, jerky steps. I could see her hands clenched rigidly at her sides; I could see her dear eyes fixed on the central man with a dreadful glassy stare.

      As she advanced they backed away—step by step—till they passed out of the range of vision. A moment or two later she, too, vanished. I heard her footsteps on the deck—then silence. She had gone— without anyone to help her—gone to that devilish house. And even as wave after wave of the drug surged over me it seemed to me that I gave one desperate shout.

      "Jim—save her! Save Molly!"

      Maybe I did; maybe it was only mental. But my last coherent thought was a prayer to the man who had never failed me yet. And then I slept.

      The lamp was smoking and guttering in its final gasp when I opened my eyes again. For a moment or two I remembered nothing; I felt as if I had just woken from some awful nightmare. And then the table-cloth, which still covered me, the broken coffee-cups, the debris on the floor brought me to my feet with a dreadful terror clutching at my heart. I pulled out my watch; it showed a quarter-past twelve. And we had sat down to dinner at half-past eight. For more than three hours Molly had been in the hands of those devils.

      I slipped my hand into my pocket and cursed foolishly. Someone had taken my revolver, and at that moment with a final splutter the lamp went out. But there was no time to look for any weapon; there was no time for anything except to get to Molly at once.

      And was there even time for that? As I raced through the orange grove towards the house the thought hammered at my brain. Was I too late?

      I had made no plan. I had no clear idea of anything except getting to Molly. What would happen when I got there—how I, unarmed and alone, was going to help her was beside the point.

      A man sprang at me as I reached the door, and I hit him on the point of the jaw with all my weight behind the blow. He went straight down like a log, and I felt a little better. Then I flung open the door and dashed into the passage, to pause for a moment in sheer amazement at the spectacle.

      The braziers still poured forth their choking clouds of incense; the innumerable lamps were lit as they had been that afternoon. But now the passage was not empty, it was crowded with natives. And one and all were bleeding from self-inflicted wounds.

      They lay about on the floor in varying degrees of consciousness. Some were in a state of coma; others writhed in a condition of frenzied madness. And suddenly quivering in the air came the deep note of a drum, It was the signal for a wild outburst. They became as maniacs—stabbing themselves in the legs and arms, tearing out handfuls of hair till they ran with blood and looked like devils. And once again the deep note came quivering through the stifling air and died away.

      Drum madness: that strange phenomenon of Africa. A sickening, horrible scene—and in my mind the sickening, horrible thought that for three hours my Molly had been in this ghastly house—alone.

      Dodging between the writhing men, I rushed to the second door. It opened without difficulty—so that I stumbled forward on my face. And the next moment half a dozen men had hurled themselves on top of me. I fought wildly with the strength of despair; I even bit—but it was no good. They got me up and they held me—two of them to each arm, and what I saw almost snapped my reason.

      Facing me were the three natives who had come to the dahabeah that night. They were on the other side of the pool—clad now in robes even more gorgeous than before. Behind them was the drum beater, rocking to and fro in a sort of ecstasy, and ranged on each side of them were other natives intoning a monotonous dirge. It rose and fell in a strange cadence, culminating each time with the beat of the drum. And at each beat I could feel the men holding me shiver in their excitement.

      Below, in the pool, swirl after swirl of the stinking black water showed that the crocodile was waiting for the culmination of the ceremony. But the foul brute knew what that culmination was—even as the fouler brutes opposite knew—even as I knew. For standing on the platform, with her eyes still fixed on the leading native in that same glassy stare, was Molly—my Molly.

      In a frenzy of madness I screamed her name. She took no notice, and once again I struggled desperately. If only I could get to her—pull her back—save her somehow. But they held me—there were six of them now—and when I shouted at her again one of them jammed my handkerchief into my mouth.

      Suddenly the leader raised his hand, and Molly took another faltering step forward. One step more along the platform of death; one step nearer the end—the end where there would be no more board for her feet but only the pool below.

      The drum became more insistent; the singers' voices rose to a harsh screaming.

      And then it happened. Jim—Jim the superb, Jim the incomparable—was there on the other side of the pool. Jim with a jagged wound on his cheek, and his clothes in tatters. Jim with his eye- glass—and such cold, devilish fury in his face as I have never seen in any man's before or since.

      I heard the dull smash of breaking bone as he hit the drum beater, and then I went mad with the sheer, tense excitement of it, for Jim had gone berserk. With a great shout he seized the centre native—the leader—and with one stupendous heave he lifted him above his head. And there for a moment he stood holding the struggling native at the full extent of his arms, while the others watched in stupefied silence. Then with cries of fury they closed in on him, only to stop as his voice rang out, speaking their own language.

      "If anyone touches me, this man goes into the pool!"

      He threw back his head and laughed, and the natives watched him, snarling and impotent.

      "Go to her, Dick," he cried, and the next instant Molly was in my arms—a dazed, hypnotised Molly who didn't know me—but still Molly. I dragged her off that damnable platform; I took her to the door— and then I looked back at Jim.

      The sweat was gleaming on his forehead; the strain of holding that full- grown native was taxing even his great strength. But once again he laughed—that wonderful cheery laugh of his.

      "To the boat, old Dick. Good luck."

      And in his heart of hearts that great-souled sportsman thought it was good-bye. Once—years after—he told me that he never thought he would see me again: that the odds would be too great. For even now, heedless of his threat, the natives were closing in on him from each side, and suddenly one of them seized his arm.

      "So be it," he roared, and with a mighty heave he threw the leader of that cult into the pool below. There was one frenzied shriek of agonised terror; a dreadful swirling rush through the water: the snap of great jaws. And suddenly the blackness of the pool was stained a vivid crimson. To the crocodile it mattered not whether it was priest or victim.

      I waited no longer. Taking advantage of the momentary stupefaction, Jim had vanished, and the next instant I was rushing Molly along the passage outside. With the cessation of the drum the natives there had become quieter, and none interfered with us. We reached the outer door and, half dragging, half carrying Molly, I ran on towards the boat. Behind us I could hear a frenzied babel of cursing and shrieking, but it seemed to come from the other side of the house. They were after Jim—the whole pack of them—and gradually the noise grew fainter and fainter. He was leading them away from us, which was just what Jim would do.

      I darted on board to find the Captain and two of the crew standing there.

      "Quick, sir," he cried, and I realised the engine was going, Already he was casting off, and I shouted to him to stop. Once Molly was safe I had to go back to help Jim.

      I took her below and laid her on the berth


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