The Complete Works of H. C. McNeile "Sapper". Sapper
my heart desireth, saving only one thing. My material possessions grow and increase daily, and, as long as people who ought to know better continue to kill each other, even so long will they continue growing.' I don't think I mentioned, did I, that there was a perfectly 'orrible war on round the corner during the period under consideration?"
"These little details—though trifling—should not be omitted," remarked Vane severely. "It is the duty of all story tellers to get their atmosphere correct. . . ." He sat down facing her and started to refill his pipe. . . . "What was this one thing he lacked?"
"Don't interrupt. It is the duty of all listeners to control their impatience. Only the uninitiated skip."
"I abase myself," murmured Vane. "Proceed, I pray you."
"So the man of great wealth during the rare intervals which he could snatch from amassing more—continued to commune with himself. 'I will look around,' he said to himself, 'and select me a damsel from amongst the daughters of the people. Peradventure, she may be rich—peradventure she may be poor; but since I have enough of the necessary wherewithal to support the entire beauty chorus which appears nightly in the building down the road known as the House of Gaiety—the question of her means is immaterial. Only one thing do I insist upon, that she be passing fair to look upon. Otherwise—nix doing for this child. . . .'"
Joan stirred restlessly, and her fingers drummed idly on the side of the boat. And Vane—because he was a man, and because the girl so close to him was more than passing lovely—said things under his breath. The parable was rather too plain.
"And behold one night," went on Joan after a while, "this man of great wealth partook of his dried rusk and Vichy water—his digestion was not all it might be—at the house of one of the nobility of his tribe. The giver of the feast had permitted his name to be used on the prospectus of some scheme organised by the man of wealth—thereby inspiring confidence in all who read, and incidentally pouching some of the Bradburys. He further considered it possible that by filling his guest with food and much wine, he might continue the good work on other prospectuses, thereby pouching more Bradburys. In the vulgar language in vogue at the period, however, Vichy water put the lid on that venture with a bang. . . . But even with champagne it is doubtful whether there would have been much doing, because—well, because—the man of wealth had his attention for the moment occupied elsewhere. To be exact on the other side of the table. . . ."
"Ah!" said Vane, and his breath came in a sort of sigh. "I'm thinking you had better let me tell this bit. It was just after the slaves had thrown open the doors, and the guests had seated themselves, that the man of great wealth chanced to look up from his rusk. He frequently did look up when consuming these delicacies, otherwise he found they made him excited, and calmness is necessary for the poor digestion. He looked up then, as usual, and suddenly he caught his breath. Over a great silver bowl filled with roses. . . ."
"Carnations sound better," said Joan.
"Filled with carnations he saw a girl. . . . They were pink and red those carnations—glorious in the shaded light; and the silver and the glass with which this tribe was wont to feed its face glittered and shone on the polished table. But the man of wealth had silver and glass as good, and he had no eyes for that. . . . For it had come to him, and he was a man who was used to making up his mind quickly, that he had found the damsel he required. She was dressed—ah! how was she dressed, lady? She was dressed in a sort of grey gauzy stuff, and her neck and shoulders gleamed white—gloriously white. A great mass of brown hair which shimmered as if it was alive; a little oval face, with cheeks that seemed as if the sun had kissed them. A mouth quite small, with lips that parted in a mocking smile; a nose—well, just a nose. But crowning everything—dominating everything—a pair of great grey eyes. What eyes they were! They made the man of wealth bolt his rusk. There was one mouthful he only chewed fifteen times instead of the customary thirty-two. They contained all Heaven, and they contained all Hell; in them lay the glory of a God, the devilment of a Siren, and the peace of a woman . . . . And just once she looked at him during dinner—the look of a stranger—cool and self-possessed. Just casually she wondered whether it was worth while to buy money at the cost of a rusk diet; then she turned to the man next her. . . . Let's see—he was a warrior, snatching a spell of rest from the scrap round the corner. And she didn't even hear the man of great wealth choke as the half-chewed rusk went down wallop."
The girl looked at Vane for a moment. "But you are really rather a dear," she remarked thoughtfully.
"It's your turn now," said Vane shortly.
"The donor of the feast," she resumed at once, "was going a mucker. The possession of extra Bradburys, coupled with a wife who combined a champagne taste with his gin income, had inspired him to give a dance. He hoped that it might help to keep the damn woman quiet for a bit; and, besides everybody was giving dances. It was the thing to do, and warriors fresh from the fierce battle were wont to step lightly on the polished floor. As a matter of historical interest nine out of every ten of the warriors who performed nightly at different houses were fresh from the office stool at the House of War—a large edifice, completely filled with girl scouts and brain-storms. . . ."
"Beautiful," chuckled Vane; "quite beautiful."
"You see the actual warriors didn't get much of a look in. By the time they got to know anybody they had to go back round the corner again and they got tired of propping up the walls and looking on. Besides what made it even more dangerous for them was that kind-hearted women took compassion on them, and their own empty programmes and introduced themselves. And in the vernacular they were the snags. But all these things were hidden from the man of great wealth. . . ."
"Contrary to a life-long habit," said Vane, "he remained after dinner and haunted the door. Just every now and then a girl in grey gauzy stuff floated past him—and once, only once, he found himself looking into those big grey eyes when she passed quite close to him going out to get some lemonade. And the rusk did a somersault. . . ."
"But he didn't haunt the door," gurgled Joan. "He got roped in. He fell an easy victim to the snag parade—and women fainted and men wept when the man of great possessions and the pointed woman took the floor. . . ."
"Pointed?" murmured Vane.
"All jolts and bumps," explained the girl. "Her knees were like steel castings. I think that if the—if the girl in grey gauzy stuff had realised that the man of wealth had stopped behind for her, she might, out of pity, have given him one dance. But instead all she did was to shake with laughter as she saw him quivering in a corner held fast in the clutch of the human steam engine. She heard the blows he was receiving; they sounded like a hammer hitting wood; and then later she saw him limping painfully from the room—probably in search of some Elliman's embrocation. But, as I say, she didn't realise it. . . . She only thought him a silly old man. . . ."
"Old," said Vane slowly. . . . "How old?"
"About fifty," said the girl vaguely. Then she looked at Vane. "She found out later that he was forty-eight, to be exact."
"Not so very old after all," remarked Vane, pitching a used match into the water, and stuffing down the tobacco in his pipe with unusual care.
"It was towards the end of the dance," she resumed, "that the man of great wealth was introduced to the girl in grey, by the donor of the feast. The band had gathered in all the coal-scuttles and pots it could, and was hitting them hard with pokers when the historical meeting took place. You see it was a Jazz band and they always economise by borrowing their instruments in the houses they go to. . . ."
"And did she dance with him?" asked Vane.
"I don't think he even asked her to," said Joan. "But even as she went off with a boy in the Flying Corps she realised that she was face to face with a problem."
"Quick work," murmured Vane.
"Most of the big problems in life are quick," returned the girl. "You see the man of great possessions was not accustomed to disguising his feelings; and the girl—though she didn't show it—was never far removed from the skeleton in her cupboard."
She fell silent, and for a while they neither of them spoke.
"It