The Complete Works of H. C. McNeile "Sapper". Sapper
"I wouldn't, my friend," he said quietly, "indeed I wouldn't. Because if you hit me, I shall most certainly hit you. And it will not improve your beauty."
Slowly Peterson sank back in his chair, and the veins which had been standing out on his forehead, became normal again. He even smiled; only the ceaseless tapping of his hand on his left knee betrayed his momentary loss of composure. Drummond's fist unclenched, and he stole a look at the girl. She was in her favourite attitude on the sofa, and had not even looked up.
"I suppose that it is quite useless for me to argue with you," said Peterson after a while.
"I was a member of my school debating society," remarked Hugh reminiscently. "But I was never much good. I'm too obvious for argument, I'm afraid."
"You probably realise from what has happened to-night," continued Peterson, "that I am in earnest."
"I should be sorry to think so," answered Hugh. "If that is the best you can do, I'd cut it right out and start a tomato farm."
The girl gave a little gurgle of laughter and lit another cigarette.
"Will you come and do the dangerous part of the work for us, Monsieur Hugh?" she asked.
"If you promise to restrain the little fellows, I'll water them with pleasure," returned Hugh lightly.
Peterson rose and walked over to the window, where he stood motionless staring out into the darkness. For all his assumed flippancy, Hugh realised that the situation was what in military phraseology might be termed critical. There were in the house probably half a dozen men who, like their master, were absolutely unscrupulous. If it suited Peterson's book to kill him, he would not hesitate to do so for a single second. And Hugh realised, when he put it that way in his own mind, that it was no exaggeration, no façon de parler, but a plain, unvarnished statement of fact. Peterson would no more think twice of killing a man if he wished to, than the normal human being would of crushing a wasp.
For a moment the thought crossed his mind that he would take no chances by remaining in the house; that he would rush Peterson from behind and escape into the darkness of the garden. But it was only momentary—gone almost before it had come, for Hugh Drummond was not that manner of man—gone even before he noticed that Peterson was standing in such a position that he could see every detail of the room behind him reflected in the glass through which he stared.
A fixed determination to know what lay in that sinister brain replaced his temporary indecision. Events up to date had moved so quickly that he had hardly had time to get his bearings; even now the last twenty-four hours seemed almost a dream. And as he looked at the broad back and massive head of the man at the window, and from him to the girl idly smoking on the sofa, he smiled a little grimly. He had just remembered the thumbscrew of the preceding evening. Assuredly the demobilised officer who found peace dull was getting his money's worth; and Drummond had a shrewd suspicion that the entertainment was only just beginning.
A sudden sound outside in the garden made him look up quickly. He saw the white gleam of a shirt front, and the next moment a man pushed open the window and came unsteadily into the room. It was Mr. Benton, and quite obviously he had been seeking consolation in the bottle.
"Have you got him?" he demanded thickly, steadying himself with a hand on Peterson's arm.
"I have not," said Peterson shortly, eyeing the swaying figure in front of him contemptuously.
"Where is he?"
"Perhaps if you ask your daughter's friend Captain Drummond, he might tell you. For Heaven's sake sit down, man, before you fall down." He pushed Benton roughly into a chair, and resumed his impassive stare into the darkness.
The girl took not the slightest notice of the new arrival, who gazed stupidly at Drummond across the table.
"We seem to be moving in an atmosphere of cross-purposes, Mr. Benton," said the soldier affably. "Our host will not get rid of the idea that I am a species of bandit. I hope your daughter is quite well."
"Er—quite, thank you," muttered the other.
"Tell her, will you, that I propose to call on her before returning to London to-morrow. That is, if she won't object to my coming early."
With his hands in his pockets, Peterson was regarding Drummond from the window.
"You propose leaving us to-morrow, do you?" he said quietly.
Drummond stood up.
"I ordered my car for ten o'clock," he answered. "I hope that will not upset the household arrangements," he continued, turning to the girl, who was laughing softly and polishing her nails.
"Vraiment! but you grow on one, my Hugh," she smiled. "Are we really losing you so soon?"
"I am quite sure that I shall be more useful to Mr. Peterson at large, than I am cooped up here," said Hugh. "I might even lead him to this hidden treasure which he thinks I've got."
"You will do that all right," remarked Peterson. "But at the moment I was wondering whether a little persuasion now—might not give me all the information I require more quickly and with less trouble."
A fleeting vision of a mangled, pulplike thumb flashed across Hugh's mind; once again he heard that hideous cry, half animal, half human, which had echoed through the darkness the preceding night, and for an instant his breath came a little faster. Then he smiled, and shook his head.
"I think you are rather too good a judge of human nature to try anything so foolish," he said thoughtfully. "You see, unless you kill me, which I don't think would suit your book, you might find explanations a little difficult to-morrow."
For a while there was silence in the room, broken at length by a short laugh from Peterson.
"For a young man truly your perspicacity is great," he remarked. "Irma, is the blue room ready? If so, tell Luigi to show Captain Drummond to it."
"I will show him myself," she answered, rising. "And then I shall go to bed. Mon Dieu! my Hugh, but I find your country très ennuyeux." She stood in front of him for a moment, and then led the way to the door, glancing at him over her shoulder.
Hugh saw a quick look of annoyance pass over Peterson's face as he turned to follow the girl, and it struck him that that gentleman was not best pleased at the turn of events. It vanished almost as soon as it came, and Peterson waved a friendly hand at him, as if the doings of the night had been the most ordinary thing in the world. Then the door closed, and he followed his guide up the stairs.
The house was beautifully furnished. Hugh was no judge of art, but even his inexperienced eye could see that the prints on the walls were rare and valuable. The carpets were thick, and his feet sank into them noiselessly; the furniture was solid and in exquisite taste. And it was as he reached the top of the stairs that a single deep-noted clock rang a wonderful chime and then struck the hour. The time was just three o'clock.
The girl opened the door of a room and switched on the light. Then she faced him smiling, and Hugh looked at her steadily. He had no wish whatever for any conversation, but as she was standing in the centre of the doorway it was impossible for him to get past her without being rude.
"Tell me, you ugly man," she murmured, "why you are such a fool."
Hugh smiled, and, as has been said before, Hugh's smile transformed his face.
"I must remember that opening," he said. "So many people, I feel convinced, would like to say it on first acquaintance, but confine themselves to merely thinking it. It establishes a basis of intimacy at once, doesn't it?"
She swayed a little towards him, and then, before he realised her intention, she put a hand on his shoulder.
"Don't you understand," she whispered fiercely, "that they'll kill you?" She peered past him half fearfully, and then turned to him again. "Go, you idiot, go—while there's time. Oh! if I could only make you understand; if you'd only believe me! Get out of it—go abroad; do