The Collected Novels of Algernon Blackwood (11 Titles in One Edition). Algernon Blackwood
came close up. "Spinny," she said, "it's come!"
Thus all three were standing round that dinner table on the verge of some very vigorous action not yet disclosed, as people, vigilant and alert, stand up at a cry of fire, when the door from the passage opened noisily and in rushed Mrs. Mawle, surrounded by an atmosphere of light such as might come from a furnace door suddenly thrown wide in some dark foundry. Only the light was not steady; it was whirling.
She ran across the floor as though dancing—the dancing of a child—propelled, it seemed, by an irresistible drive of force behind; while with her through the opened door came a roaring volume of sound that was terrible as Niagara let loose, yet at the same time exquisitely sweet, as birds or children singing. Upon these two incongruous qualities Spinrobin always insists.
"The deaf shall hear—!" came sharply from the clergyman's lips, the sentence uncompleted, for the housekeeper cut him short.
"They're out!" she cried with a loud, half-frightened jubilance; "Mr. Skale's prisoners are bursting their way about the house. And one of them," she added with a scream of joy and terror mingled, "is in my throat…!"
If the odd phrase she made use of stuck vividly in Spinrobin's memory, the appearance she presented impressed him even more. For her face was shining and alight, radiant as when Skale had called her true name weeks before. Flashes of flame-like beauty ran about the eyes and mouth; and she looked eighteen—eternally eighteen—with a youth that was permanent and unchanging. Moreover, not only was hearing restored to her, but her left arm, withered for years, was in the act of pointing to the ceiling, instinct with vigorous muscular life. Her whole presentment was splendid, intense—redeemed.
"The deaf hear!" repeated Skale in a shout, and was across the room with the impetus of a released projectile. "The Letters are out and alive! To your appointed places! The syllable has caught us! Quick, quick! If you love your soul and truth … fly!"
Deafening thunders rushed and crashed and blew about the room, interpenetrated everywhere at the same time by that searching strain of sweetness Spinrobin had first noticed. The sense of life, running free and abundant, was very remarkable. The same moment he found his hand clasped, and felt himself torn along by the side of the rushing clergyman into the hall. Behind them "danced" Mrs. Mawle, her cap awry, her apron flying, her elastic-side boots taking the light, dancing step of youth. With quick, gliding tread Miriam, still silent, was at his heels. He remembers her delicate, strange perfume reaching him faintly through all the incredible turmoil of that impetuous exit.
In the hall the roar increased terrifically about his ears. Skale, in his biggest booming voice, was uttering the names of Hebrew "angels"—invoking forces, that is, to his help; and behind him Mrs. Mawle was singing—singing fragments apparently of the "note" she had to utter, as well as fragments of her own "true name" thus magically recovered. Her restored arm gyrated furiously, her tripping youth spelt witchery. Yet the whole madness of the scene came to Spinrobin with a freezing wind of terror; for about it was a lawless, audacious blasphemy, that must surely win for itself a quite appalling punishment….
Yet nothing happened at once—nothing destructive, at least. Skale and the housekeeper, he saw, were hurriedly robing themselves in the red and yellow surplices that hung from nails in the hall, and the instinct to laugh at the sight was utterly overwhelmed when he remembered that these were the colors which were used for safety in their respective "rooms." … It was a scene of wild confusion and bewilderment which the memory refuses to reproduce coherently. In his own throat already began a passionate rising of sound that he knew was the "note" he had to utter attempting to escape, summoned forth automatically by these terrible vibrating Letters in the air. A cataract of sound seemed to fill the building and made it shake to its very foundations.
But the hall, he saw, was not only alive with "music," it was ablaze with light—a white and brilliant glory that at first dazzled him to the point of temporary blindness.
The same second Mr. Skale's voice, storming its way somehow above the tumult, made itself heard:
"To the rooms upstairs, Spinrobin! To the corridor with Miriam! And when you hear my voice from the cellar—utter! We may yet be in time to unite the Letters…!"
He released the secretary's hand, flinging it from him, and was off with a bounding, leaping motion like an escaped animal towards the stone passage that led to the cellar steps; and Spinrobin, turning about himself like a top in a perfect frenzy of bewilderment, heard his great voice as he disappeared round the corner:
"It has come upon me like a thief in the night! Before I am fully prepared it has called me! May the powers of the Name have mercy upon my soul…!" And he was gone. For the last time had Spinrobin set his eyes upon the towering earthly form of the Rev. Philip Skale.
IV
Then, at first, it seems, the old enthusiasm caught him, and with him, therefore, caught Miriam, too. That savage and dominant curiosity to know clutched him, overpowering even the assaults of a terror that fairly battered him. Through all the chaos and welter of his dazed mind he sought feverishly for the "note" he had to utter, yet found it not, for he was too horribly confused. Fiddles, sand-patterns, colored robes, gongs, giant tuning-forks, wax-sheeted walls, aged-faces-turned-young and caverns-by-the-sea jostled one another in his memory with a jumble of disproportion quite inextricable.
Next, impelled by that driving sense of duty to Skale, he turned to the girl at his side: "Can you do it?" he cried.
Unable to make her voice heard above the clamor she nodded quickly in acquiescence. Spinrobin noticed that her little mouth was set rather firmly, though there was a radiance about her eyes and features that made her sweetly beautiful. He remembers that her loveliness and her pluck uplifted him above all former littlenesses of hesitation; and, seizing her outstretched hand, they flew up the main staircase and in less than a minute reached the opening of the long corridor where the rooms were.
Here, however, they stopped with a gasp, for a hurricane of moving air met them in the face like the draught from some immense furnace. Again the crest of a wave in the colossal sound-vibration had caught them. Staggering against the wall, they tried again and again to face the tempest of sound and light, but the space beyond them was lit with the same unearthly brilliance as the hall, and out of the whole long throat of that haunted corridor issued such a passion of music and such a torrent of gorgeous color, that it seemed impossible for any aggregation of physical particles—least of all poor human bodies—to remain coherent for a single instant before the concentrated onslaught.
Yet, game to the inmost core of his little personality, and raised far above his normal powers by the evidence of Miriam's courage and fidelity, he struggled with all his might and searched through the chambers of his being for the note he was ordained to utter in the chord. The ignominy of failure, now that the great experiment was full upon him—failure in Miriam's eyes, too—was simply impossible to contemplate. Yet, in spite of every effort, the memory of that all-important note escaped him utterly, for the forces of his soul floundered, helpless and disheveled, before the too mighty splendors that were upon him at such close quarters. The sounds he actually succeeded in emitting between dry and quivering lips were pitiful and feeble beyond words.
Down that living corridor, meanwhile, he saw the doors of the four rooms were gone, consumed like tissue paper; and through the narrow portals there shouldered forward, bathed in light ineffable, the separate outlines of the Letters so long imprisoned in inactivity. And with their appearance the sounds instantly ceased, having overpassed the limits of what is audible to human ears. A great stillness dropped about them with an abrupt crash of utter silence. For a "crash" of silence it was—all-shattering.
And then, from the categories of the incomprehensible and unmanifest, "something" loomed forth towards them where, limp and shaking, they leaned against the wall, and they witnessed the indescribable operation by which the four Letters, whirling and alive, ran together and melted into a single terrific semblance of a FORM … the sight of which entered the heart of Spinrobin and threatened to split it asunder with the joy of the most sublime terror and adoration a human soul has ever known.