Mrs. Maxon Protests. Anthony Hope
but rather to exhibit a languid grace, to hint latent forces which it is not the first-comer's lot to wake. There is mystery in latent forces; there is a challenge in composed inactivity. Not every woman who refuses to get hot is painted; not every woman who declines to scamper about is tight-laced. The matter goes deeper. This kind is not idle and lazy; it is about its woman's business; it is looking tranquil, reserved, hard to rouse or to move—with what degree of consciousness or of unconsciousness, how far by calculation, how far by instinct, heaven knows! Of this kind was Winnie Maxon. Though she was guiltless of paint or powder, though her meagre figure could afford to laugh at stays (although arrayed in them), yet it never occurred to her to scamper about a lawn-tennis court and get very hot and very red in the face, as Tora Aikenhead was doing, at half-past eleven on a Sunday morning. (Be it observed, for what it is worth, that in spite of her declaration of the day before Winnie had not gone to church.)
Tora's partner was her husband; she was very agile, he was a trifle slow, but a good placer. Against them Dennehy rather raged than played—a shortish thick-built man of five-and-thirty, with bristling sandy hair and a moustache of like hue, whose martial upward twist was at the moment subdued by perspiration. He could not play anywhere—and he would play at the net. Yet the match was a tight one, for his partner, Godfrey Ledstone, was really a player, though he was obviously not taking this game seriously. A brilliant shot at critical moments, with a laughing apology for such a fluke, betrayed that he was in a different class from his companions.
The game ended in the defeat of the Aikenheads, and the players gathered round Winnie. Dennehy was grossly triumphant, and raged again when his late opponents plainly told him that his share in the victory was less than nothing. He declared that the "moral effect" of his presence at the net was incalculable.
"That quality is certainly possessed by your strokes," Stephen admitted.
Under cover of the friendly wrangle, Winnie turned to Ledstone, who had sat down beside her. She found him already regarding her; a consciousness that she desired his attention made her flush a little.
"How easily you play! I mean, you make the game look so easy."
"Well, if I want to impress the gallery, old Dennehy's rather a useful partner to have, isn't he? But I did use to play a good bit once, before I went into business."
"No time now? I'm told you go to London as much as three days a week!"
"I see Mrs. Aikenhead's been giving me away. Did she tell you anything else?"
"Well, she told me what you looked like, but I know that for myself now."
"Did she do me justice, Mrs. Maxon?" He had pleasant blue eyes, and used them to enhance the value of his words.
"I don't want to put you and her at loggerheads," smiled Winnie.
"Ah, you mean she didn't?"
Winnie's smile remained mysterious. Here was a game that she could play, though she had perforce abstained from it for many many days. It is undeniable that she came back to it with the greater zest.
"I shall ask Mrs. Aikenhead what she said."
"That won't tell you what I think about it."
"Then how am I to find out?"
"Is it so important to you to know?"
"I feel just a sort of—well, mild interest, I must admit." There seemed ground for supposing that lawn-tennis was not the only game that he had played, either.
"Mere good looks don't go for very much in a man, do they?" said Winnie.
"There now, if you've given me anything with one hand, you've taken it away with the other!"
"What is your business, Mr. Ledstone?"
"I draw designs—decorative designs for china, and brocades, and sometimes fans. I can do a lot of my work down here—as Mrs. Aikenhead might have told you, instead of representing me as a lazy dog, doing nothing four days in the week."
"I've been led into doing you an injustice," Winnie admitted with much gravity. "Is it a good business?"
"Grossly underpaid," he laughed.
"And I may have eaten off one of your plates?"
"Yes, or sat on one of my cushions, or fanned yourself with one of my fans."
"It seems to serve as an introduction, doesn't it?"
"Oh, more than that, please! I think it ought to be considered as establishing a friendship."
The other three had strolled off towards the house. Winnie rose, to follow them. As Ledstone took his place by her side, she turned her eyes on him.
"I haven't so many friends as to be very difficult about that," she said, with a note of melancholy in her voice.
The hint of sadness came on the heels of her raillery with sure artistic effect. Yet it was genuine enough. The few minutes of forgetfulness—of engrossed satisfaction in her woman's wit and wiles—were at an end. Few friends had she indeed! She could reckon scarcely one intimate outside Shaylor's Patch itself. Being Mrs. Cyril Maxon was an exacting life; it limited, trammelled, almost absorbed. Husbands are sometimes jealous of women-friends hardly less than of men. Cyril was one of these.
Ledstone's vanity was flattered, his curiosity piqued. The hint of melancholy added a spice of compassion. His susceptible temperament had material enough and to spare for a very memorable first impression of Mrs. Maxon. Though still a young man—he was no more than seven-and-twenty—he was no novice either in the lighter or in the more serious side of love-making; he could appreciate the impression he received and recognize the impression he made.
It is to the credit of Mrs. Maxon's instinctively cunning reserve that as they walked back to the house he still felt more certain that he wanted to please her than that he had already done it to any considerable extent. The reserve was not so much in words—she had let her frank chaff show plainly enough that she liked her companion; it lay rather in manner and carriage. Only on the hint of melancholy—only that once—had she put her eyes to any significant use. He was conscious of having made greater calls on his. That was right enough; he was the man, and he was a bachelor. Ledstone could not be charged with an exaggerated reverence for marriage, but he did know that he paid a married woman a poor compliment if he assumed beforehand that she would underrate the obligation of her status.
When they entered the long, low, panelled parlour that gave on to the garden, Mrs. Lenoir had already arrived and was sitting enthroned in the middle of the room; she had a knack of investing with almost regal dignity any seat she chanced to occupy. She was a tall woman of striking appearance, not stout, but large of frame, with a quantity of white hair (disposed under an enormous black hat), a pale face, dark eyes, and very straight dark eyebrows. She had long slim hands which she used constantly in dramatic gesture. Stephen Aikenhead had credited her with a "really grand" manner. It was possible to think it just a trifle too grand, to find in it too strong a flavour of condescension and of self-consciousness. It might be due to the fact that she had been in her own way almost an historical figure—and had certainly mingled with people who were historical. Or it was possible to see in it an instinct of self-protection, exaggerated into haughtiness, a making haste to exact homage, lest she should fail even of respect. Whatever its origin, there it was, though not in a measure so strong as fatally to mar the effect of her beauty or the attraction of her personality. Save for the hat, she was dressed very simply; nay, even the hat achieved simplicity, when the spectator had enjoyed time to master it. On one hand she wore only her wedding-ring—she had married Mr. Lenoir rather late in life and had now been a widow for several years—on the other a single fine diamond, generally considered to be ante-Lenoirian in date. Lord Hurston was a probable attribution.
Winnie was at sea, but found the breeze exhilarating and was not upset by the motion. She was a responsive being, taking colour from her surroundings. A little less exaction on the part of her husband might have left her for ever an obedient wife; what a more extended liberty of thought, of action, of the exploitation of herself, might do—and