The Greatest Works of E. Nesbit (220+ Titles in One Illustrated Edition). Эдит Несбит

The Greatest Works of E. Nesbit (220+ Titles in One Illustrated Edition) - Эдит Несбит


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make yourself as small as you can for gracious' sake!"

      This was not very small, and a crowd gathered quickly, so that it was at the head of an enthusiastic procession that Robert entered the trampled meadow where the Fair was held, and passed over the stubby yellow dusty grass to the door of the biggest tent. He crept in, and the woman went to call her Bill. He was the big sleeping man, and he did not seem at all pleased at being awakened. Cyril, watching through a slit in the tent, saw him scowl and shake a heavy fist and a sleepy head. Then the woman went on speaking very fast. Cyril heard "Strewth," and "biggest draw you ever, so help me!" and he began to share Robert's feeling that fifteen shillings was indeed far too little. Bill slouched up to the tent and entered. When he beheld the magnificent proportions of Robert he said but little,—"Strike me pink!" were the only words the children could afterwards remember,—but he produced fifteen shillings, mainly in sixpences and coppers, and handed it to Robert.

      "We'll fix up about what you're to draw when the show's over to-night," he said with hoarse heartiness. "Lor' love a duck! you'll be that happy with us you'll never want to leave us. Can you do a song now—or a bit of a breakdown?"

      "Not to-day," said Robert, rejecting the idea of trying to sing "As once in May," a favourite of his mother's, and the only song he could think of at the moment.

      "Get Levi and clear them bloomin' photos out. Clear the tent. Stick out a curtain or suthink," the man went on. "Lor', what a pity we ain't got no tights his size! But we'll have 'em before the week's out. Young man, your fortune's made. It's a good thing you came to me, and not to some chaps as I could tell you on. I've known blokes as beat their giants, and starved 'em too; so I'll tell you straight, you're in luck this day if you never was afore. 'Cos I'm a lamb, I am—and I don't deceive you."

      "I'm not afraid of anyone beating me," said Robert, looking down on the "lamb." Robert was crouched on his knees, because the tent was not big enough for him to stand upright in, but even in that position he could still look down on most people. "But I'm awfully hungry—I wish you'd get me something to eat."

      "Here, 'Becca," said the hoarse Bill. "Get him some grub—the best you've got, mind!" Another whisper followed, of which the children only heard, "Down in black and white—first thing to-morrow."

      Then the woman went to get the food—it was only bread and cheese when it came, but it was delightful to the large and empty Robert; and the man went to post sentinels round the tent, to give the alarm if Robert should attempt to escape with his fifteen shillings.

      "As if we weren't honest," said Anthea indignantly when the meaning of the sentinels dawned on her.

      Then began a very strange and wonderful afternoon.

      Bill was a man who knew his business. In a very little while, the photographic views, the spyglasses you look at them through so that they really seem rather real, and the lights you see them by, were all packed away. A curtain—it was an old red-and-black carpet really—was run across the tent. Robert was concealed behind, and Bill was standing on a trestle-table outside the tent making a speech, It was rather a good speech. It began by saying that the giant it was his privilege to introduce to the public that day was the eldest son of the Emperor of San Francisco, compelled through an unfortunate love affair with the Duchess of the Fiji Islands to leave his own country and take refuge in England—the land of liberty—where freedom was the right of every man, no matter how big he was. It ended by the announcement that the first twenty who came to the tent door should see the giant for threepence apiece. "After that," said Bill, "the price is riz, and I don't undertake to say what it won't be riz to. So now's yer time."

      A young man with his sweetheart on her afternoon out was the first to come forward. For this occasion his was the princely attitude—no expense spared—money no object. His girl wished to see the giant? Well, she should see the giant, even though seeing the giant cost threepence each and the other entertainments were all penny ones.

      image When the girl came out she was pale and trembling

      The flap of the tent was raised—the couple entered. Next moment a wild shriek from the girl thrilled through all present. Bill slapped his leg. "That's done the trick!" he whispered to 'Becca. It was indeed a splendid advertisement of the charms of Robert.

      When the young girl came out she was pale and trembling, and a crowd was round the tent.

      "What was it like?" asked a farm-hand.

      "Oh!—horrid!—you wouldn't believe," she said. "It's as big as a barn, and that fierce. It froze the blood in my bones. I wouldn't ha' missed seeing it for anything."

      The fierceness was only caused by Robert's trying not to laugh. But the desire to do that soon left him, and before sunset he was more inclined to cry than laugh, and more inclined to sleep than either. For, by ones and twos and threes, people kept coming in all the afternoon, and Robert had to shake hands with those who wished it, and to allow himself to be punched and pulled and patted and thumped, so that people might make sure he was really real.

      The other children sat on a bench and watched and waited, and were very bored indeed. It seemed to them that this was the hardest way of earning money that could have been invented. And only fifteen shillings! Bill had taken four times that already, for the news of the giant had spread, and trades-people in carts, and gentlepeople in carriages, came from far and near. One gentleman with an eyeglass, and a very large yellow rose in his buttonhole, offered Robert, in an obliging whisper, ten pounds a week to appear at the Crystal Palace. Robert had to say "No."

      "I can't," he said regretfully. "It's no use promising what you can't do."

      "Ah, poor fellow, bound for a term of years, I suppose! Well, here's my card; when your time's up come to me."

      "I will—if I'm the same size then," said Robert truthfully.

      "If you grow a bit, so much the better," said the gentleman.

      image "When your time's up come to me"

      When he had gone, Robert beckoned Cyril and said—

      "Tell them I must and will have a rest. And I want my tea."

      Tea was provided, and a paper hastily pinned on the tent. It said—

      CLOSED FOR HALF AN HOUR

       WHILE THE GIANT GETS HIS TEA

      Then there was a hurried council.

      "How am I to get away?" said Robert.

      "I've been thinking about it all the afternoon."

      "Why, walk out when the sun sets and you're your right size. They can't do anything to us."

      Robert opened his eyes. "Why, they'd nearly kill us," he said, "when they saw me get my right size. No, we must think of some other way. We must be alone when the sun sets."

      "I know," said Cyril briskly, and he went to the door, outside which Bill was smoking a clay pipe and talking in a low voice to 'Becca. Cyril heard him say—"Good as havin' a fortune left you."

      "Look here," said Cyril, "you can let people come in again in a minute. He's nearly finished tea. But he must be left alone when the sun sets. He's very queer at that time of day, and if he's worried I won't answer for the consequences."

      "Why—what comes over him?" asked Bill.

      "I don't know; it's—it's sort of a change" said Cyril candidly. "He isn't at all like himself—you'd hardly know him. He's very queer indeed. Someone'll get hurt if he's not alone about sunset." This was true.

      "He'll pull round for the evening, I s'pose?"

      "Oh yes—half an hour after sunset he'll be quite himself again."

      "Best humour him," said the woman.

      And so, at what Cyril judged was about half an hour before sunset, the tent was again closed "whilst the giant


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