Ernest Linwood; or, The Inner Life of the Author. Caroline Lee Hentz

Ernest Linwood; or, The Inner Life of the Author - Caroline Lee Hentz


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and the latest. We had fruit, we had flowers, all the result of Peggy's untiring, providing hand. The surplus vegetables and fruit she carried to the village market, and though they brought but a trifle in a country town, where every thing was so abundant, yet Peggy said, "we must not despise the day of small gains." She took the lead in all business matters in-doors and out-doors. She never asked my mother if she had better do this and that; she went right ahead, doing what she thought right and best, in every thing pertaining to the drudgery of life.

      When I was a little child, I used to ask her many a question about the mystery of my life. I asked her about my father, of my kindred, and the place of my birth.

      "Miss Gabriella," she would answer, "you mustn't ask questions. Your mother does not wish it. She has forbidden me to say one word of all you want to know. When you are old enough you shall learn every thing. Be quiet—be patient. It is best that you should be. But of one thing rest assured, if ever there was a saint in this world, your mother is one."

      I never doubted this. I should have doubted as soon the saintliness of those who wear the golden girdles of Paradise. I am glad of this. I have sometimes doubted the love and mercy of my Heavenly Father, but never the purity and excellence of my mother. Ah, yes! once when sorely tempted.

      We retired very early in our secluded, quiet home. We had no evening visitors to charm away the sober hours, and time marked by the sands of the hour-glass always seems to glide more slowly. That solemn-looking hour-glass! How I used to gaze on each dropping particle, watching the upward segment gradually becoming more and more transparent, and the lower as gradually darkening. It was one of Peggy's inherited treasures, and she reverenced it next to her Bible. The glass had been broken and mended with putty, which formed a dark, diagonal line across the venerable crystal. This antique chronometer occupied the central place on the mantel-piece, its gliding sands, though voiceless, for ever whispering of ebbing time and everlasting peace. "Passing away, passing away," seemed continually issuing from each meeting cone. I have no doubt the contemplation of this ancient, solemn instrument, which old Father Time is always represented as grasping in one unclenching hand, while he brandishes in the other the merciless scythe, had a lasting influence on my character.

      That night, it was long before I fell asleep. I lay awake thinking of the morning's dawn. The starlight abroad, that came in through the upper part of the windows, glimmered on the dark frame and glassy surface of the old timepiece, which stood out in bold relief from the whitewashed wall behind it. Before I knew it, I was composing a poem on that old hour-glass. It was a hoary pilgrim, travelling on a lone and sea-beat shore, towards a dim and distant goal, and the print of his footsteps on the wave-washed sands, guided others in the same lengthening journey. The scene was before me. I saw the ancient traveller, his white locks streaming in the ocean blast; I heard the deep murmur of the restless tide; I saw the footsteps; and they looked like sinking graves; when all at once, in the midst of my solemn inspiration, a stern mocking face came between me and the starlight night, the jeering voice of my master was in my ears, a dishonored fragment was fluttering in my hand. The vision fled; I turned my head on my pillow and wept.

      You may say such thoughts and visions were strangely precocious in a child of twelve years old. I suppose they were; but I never remember being a child. My sad, gentle mother, the sober, earnest, practical Peggy, were the companions of my infancy, instead of children of my own age. The sunlight of my young life was not reflected from the golden locks of childhood, its radiant smile and unclouded eye. I was defrauded of the sweetest boon of that early season, a confidence that this world is the happiest, fairest, best of worlds, the residence of joy, beauty, and goodness.

      A thoughtful child! I do not like to hear it. What has a little child to do with thought? That sad, though glorious reversion of our riper and darker years?

      Ah me! I never recollect the time that my spirit was not travelling to grasp some grown idea, to fathom the mystery of my being, to roll away the shadows that surrounded me, groping for light, toiling, then dreaming, not resting. It was no wonder I was weary before my journey was well begun.

      "What a remarkable countenance Gabriella has!" I then often heard it remarked. "Her features are childish, but her eyes have such a peculiar depth of expression—so wild, and yet so wise."

      I wish I had a picture of myself taken at this period of my life. I have no doubt I looked older then than I do now.

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      I knew the path which led from the boarding-place of Mr. Regulus crossed the one which I daily traversed. I met him exactly at the point of intersection, under the shadow of a great, old oak. The dew of the morning glittered on the shaded grass. The clear light blue of the morning sky smiled through upward quivering leaves. Every thing looked bright and buoyant, and as I walked on, girded with a resolute purpose, my spirit caught something of the animation and inspiration of the scene.

      The master saw me as I approached, and I expected to see a frown darken his brow. I felt brave, however, for I was about to plead for another, not myself. He did not frown, neither did he smile. He seemed willing to meet me—he even slackened his pace till I came up. I felt a sultry glow on my cheek when I faced him, and my breath came quick and short. I was not so very brave after all.

      "Master Regulus," said I, "do not expel Richard Clyde—do not disgrace him, because he thought I was not kindly dealt with. I am sorry I ran from school as I did—I am sorry I wrote the poem—I hardly knew what I was doing when I snatched the paper from your hands. I suppose Richard hardly knew what he was doing when he stopped you at the door."

      I did not look up while I was speaking, for had I met an angry glance I should have rebelled.

      "I am glad I have met you, Gabriella," said he, in a tone so gentle, I lifted my eyes in amazement. His beamed with unusual kindness beneath his shading brows. Gone was the mocking gleam—gone the deriding smile. He looked serious, earnest, almost sad, but not severe. Looking at his watch, and then at the golden vane, as if that too were a chronometer, he turned towards the old oak, and throwing himself carelessly on a seat formed of a broken branch, partially severed from the trunk, motioned me to sit down on the grass beside him. Quick as lightning I obeyed him, untying my bonnet and pushing it back from my head. I could scarcely believe the evidence of my senses. There reclined the formidable master, like a great, overgrown boy, his attitude alone banishing all restraint and fear, and I, perched on a mossy rock, that looked as if placed there on purpose for me to sit down upon, all my wounded and exasperated feelings completely drowned in a sudden overflow of pleasant emotions. I had expected scolding, rebuke, denial—I had armed myself for a struggle of power—I had resolved to hazard a martyr's doom.

      Oh, the magic of kindness on a child's heart!—a lonely, sensitive, proud, yearning heart like mine!—'Tis the witch-hazel wand that shows where the deep fountain is secretly welling. I was ashamed of the tears that would gather into my eyes. I shook my hair forward to cover them, and played with the green leaves within my reach.

      The awful space between me and this tall, stern, learned man seemed annihilated. I had never seen him before, divested of the insignia of authority, beyond the walls of the academy. I had always been compelled to look up to him before; now we were on a level, on the green sward of the wild-wood. God above, nature around, no human faces near, no fear of man to check the promptings of ingenuous feeling. Softly the folded flower petals of the heart began to unfurl. The morning breeze caught their fragrance and bore it up to heaven.

      "You thought me harsh and unkind, Gabriella," said the master in a low, subdued voice, "and I fear I was so yesterday. I intended to do you good. I began sportively, but when I saw you getting excited and angry, I became angry and excited too. My temper, which is by no means gentle, had been previously much chafed, and, as is too often the case, the irritation, caused by the offences of many, burst forth on one, perhaps the most innocent of all. Little girl, you have been studying the history of France; do you remember its Louises?—Louis the Fourteenth was a profligate, unprincipled, selfish king. Louis the Fifteenth, another God-defying,


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