The Human Comedy - La Comédie humaine (Complete Edition). Honore de Balzac
Mademoiselle des Touches always insists on her guests remaining at table till they leave, having frequently remarked the change which a move produces in the spirit of a party. Between the dining-room and the drawing-room the charm is destroyed. According to Sterne, the ideas of an author after shaving are different from those he had before. If Sterne is right, may it not be boldly asserted that the frame of mind of a party at table is not the same as that of the same persons returned to the drawing-room? The atmosphere is not heady, the eye no longer contemplates the brilliant disorder of the dessert, lost are the happy effects of that laxness of mood, that benevolence which comes over us while we remain in the humor peculiar to the well-filled man, settled comfortably on one of the springy chairs which are made in these days. Perhaps we are not more ready to talk face to face with the dessert and in the society of good wine, during the delightful interval when every one may sit with an elbow on the table and his head resting on his hand. Not only does every one like to talk then, but also to listen. Digestion, which is almost always attent, is loquacious or silent, as characters differ. Then every one finds his opportunity.
Was not this preamble necessary to make you know the charm of the narrative, by which a celebrated man, now dead, depicted the innocent jesuistry of women, painting it with the subtlety peculiar to persons who have seen much of the world, and which makes statesmen such delightful storytellers when, like Prince Talleyrand and Prince Metternich, they vouchsafe to tell a story?
De Marsay, prime minister for some six months, had already given proofs of superior capabilities. Those who had known him long were not indeed surprised to see him display all the talents and various aptitudes of a statesman; still it might yet be a question whether he would prove to be a solid politician, or had merely been moulded in the fire of circumstance. This question had just been asked by a man whom he had made a préfet, a man of wit and observation, who had for a long time been a journalist, and who admired de Marsay without infusing into his admiration that dash of acrid criticism by which, in Paris, one superior man excuses himself from admiring another.
“Was there ever,” said he, “in your former life, any event, any thought or wish which told you what your vocation was?” asked Émile Blondet; “for we all, like Newton, have our apple, which falls and leads us to the spot where our faculties develop——”
“Yes,” said de Marsay; “I will tell you about it.”
Pretty women, political dandies, artists, old men, de Marsay’s intimate friends,—all settled themselves comfortably, each in his favorite attitude, to look at the Minister. Need it be said that the servants had left, that the doors were shut, and the curtains drawn over them? The silence was so complete that the murmurs of the coachmen’s voices could be heard from the courtyard, and the pawing and champing made by horses when asking to be taken back to their stable.
“The statesman, my friends, exists by one single quality,” said the Minister, playing with his gold and mother-of-pearl dessert knife. “To wit: the power of always being master of himself; of profiting more or less, under all circumstances, by every event, however fortuitous; in short, of having within himself a cold and disinterested other self, who looks on as a spectator at all the changes of life, noting our passions and our sentiments, and whispering to us in every case the judgment of a sort of moral ready-reckoner.”
“That explains why a statesman is so rare a thing in France,” said old Lord Dudley.
“From a sentimental point of view, this is horrible,” the Minister went on. “Hence, when such a phenomenon is seen in a young man—Richelieu, who, when warned overnight by a letter of Concini’s peril, slept till midday, when his benefactor was killed at ten o’clock—or say Pitt, or Napoleon, he was a monster. I became such a monster at a very early age, thanks to a woman.”
“I fancied,” said Madame de Montcornet with a smile, “that more politicians were undone by us than we could make.”
“The monster of which I speak is a monster just because he withstands you,” replied de Marsay, with a little ironical bow.
“If this is a love-story,” the Baronne de Nucingen interposed, “I request that it may not be interrupted by any reflections.”
“Reflection is so antipathetic to it!” cried Joseph Bridau.
“I was seventeen,” de Marsay went on; “the Restoration was being consolidated; my old friends know how impetuous and fervid I was then. I was in love for the first time, and I was—I may say so now—one of the handsomest young fellows in Paris. I had youth and good looks, two advantages due to good fortune, but of which we are all as proud as of a conquest. I must be silent as to the rest.—Like all youths, I was in love with a woman six years older than myself. No one of you here,” said he, looking carefully round the table, “can suspect her name or recognize her. Ronquerolles alone, at the time, ever guessed my secret. He had kept it well, but I should have feared his smile. However, he is gone,” said the Minister, looking round.
“He would not stay to supper,” said Madame de Nucingen.
“For six months, possessed by my passion,” de Marsay went on, “but incapable of suspecting that it had overmastered me, I had abandoned myself to that rapturous idolatry which is at once the triumph and the frail joy of the young. I treasured her old gloves; I drank an infusion of the flowers she had worn; I got out of bed at night to go and gaze at her window. All my blood rushed to my heart when I inhaled the perfume she used. I was miles away from knowing that woman is a stove with a marble casing.”
“Oh! spare us your terrible verdicts,” cried Madame de Montcornet with a smile.
“I believe I should have crushed with my scorn the philosopher who first uttered this terrible but profoundly true thought,” said de Marsay. “You are all far too keen-sighted for me to say any more on that point. These few words will remind you of your own follies.
“A great lady if ever there was one, a widow without children—oh! all was perfect—my idol would shut herself up to mark my linen with her hair; in short, she responded to my madness by her own. And how can we fail to believe in passion when it has the guarantee of madness?
“We each devoted all our minds to concealing a love so perfect and so beautiful from the eyes of the world; and we succeeded. And what charm we found in our escapades! Of her I will say nothing. She was perfection then, and to this day is considered one of the most beautiful women in Paris; but at that time a man would have endured death to win one of her glances. She had been left with an amount of fortune sufficient for a woman who had loved and was adored; but the Restoration, to which she owed renewed lustre, made it seem inadequate in comparison with her name. In my position I was so fatuous as never to dream of a suspicion. Though my jealousy would have been of a hundred and twenty Othello-power, that terrible passion slumbered in me as gold in the nugget. I would have ordered my servant to thrash me if I had been so base as ever to doubt the purity of that angel—so fragile and so strong, so fair, so artless, pure, spotless, and whose blue eyes allowed my gaze to sound it to the very depths of her heart with adorable submissiveness. Never was there the slightest hesitancy in her attitude, her look, or word; always white and fresh, and ready for the Beloved like the Oriental Lily of the ‘Song of Songs!’ Ah! my friends!” sadly exclaimed the Minister, grown young again, “a man must hit his head very hard on the marble to dispel that poem!”
This cry of nature, finding an echo in the listeners, spurred the curiosity he had excited in them with so much skill.
“Every morning, riding Sultan—the fine horse you sent me from England,” de Marsay went on, addressing Lord Dudley, “I rode past her open carriage, the horses’ pace being intentionally reduced to a walk, and read the order of the day signaled to me by the flowers of her bouquet in case we were unable to exchange a few words. Though we saw each other almost every evening in society, and she wrote to me every day, to deceive the curious and mislead the observant we had adopted a scheme of conduct: never to look at each other; to avoid meeting; to speak ill of each other. Self-admiration, swagger, or playing the disdained swain,—all these old manoeuvres are not to compare on either part with a false passion professed for an indifferent person and an air of indifference