The Human Comedy - La Comédie humaine (Complete Edition). Honore de Balzac
than narrative. From his real debut with Le Dernier Chouan to his departure for Poland on the long visit, or brace of visits, from which he returned finally to die, this life consisted solely of work. One of his earliest utterances, "Il faut piocher ferme," was his motto to the very last, varied only by a certain amount of traveling. Balzac was always a considerable traveler; indeed if he had not been so his constitution would probably have broken down long before it actually did; and the expense of these voyagings (though by his own account he generally conducted his affairs with the most rigid economy), together with the interruption to his work which they occasioned, entered no doubt for something into his money difficulties. He would go to Baden or Vienna for a day's sight of Madame Hanska; his Sardinian visit has been already noted; and as a specimen of others it may be mentioned that he once journeyed from Paris to Besancon, then from Besancon right across France to Angouleme, and then back to Paris on some business of selecting paper for one of the editions of his books, which his publishers would probably have done much better and at much less expense.
Still his actual receipts were surprisingly small, partly, it may be, owing to his expensive habits of composition, but far more, according to his own account, because of the Belgian piracies, from which all popular French authors suffered till the government of Napoleon the Third managed to put a stop to them. He also lived in such a thick atmosphere of bills and advances and cross-claims on and by his publishers, that even if there were more documents than there are it would be exceedingly difficult to get at facts which are, after all, not very important. He never seems to have been paid much more than 500 pounds for the newspaper publication (the most valuable by far because the pirates could not interfere with its profits) of any one of his novels. And to expensive fashions of composition and complicated accounts, a steady back-drag of debt and the rest, must be added the very delightful, and to the novelist not useless, but very expensive mania for the collector. Balzac had a genuine taste for, and thought himself a genuine connoisseur in, pictures, sculpture, and objects of art of all kinds, old and new; and though prices in his day were not what they are in these, a great deal of money must have run through his hands in this way. He calculated the value of the contents of the house, which in his last days he furnished with such loving care for his wife, and which turned out to be a chamber rather of death than of marriage, at some 16,000 pounds. But part of this was Madame Hanska's own purchasing, and there were offsets of indebtedness against it almost to the last. In short, though during the last twenty years of his life such actual "want of pence" as vexed him was not due, as it had been earlier, to the fact that the pence refused to come in, but only to imprudent management of them, it certainly cannot be said that Honore de Balzac, the most desperately hard worker in all literature for such time as was allotted him, and perhaps the man of greatest genius who was ever a desperately hard worker, falsified that most uncomfortable but truest of proverbs—"Hard work never made money."
If, however, he was but scantily rewarded with the money for which he had a craving (not absolutely, I think, devoid of a touch of genuine avarice, but consisting chiefly of the artist's desire for pleasant and beautiful things, and partly presenting a variety or phase of the grandiose imagination, which was his ruling characteristic), Balzac had plenty of the fame, for which he cared quite as much as he cared for money. Perhaps no writer except Voltaire and Goethe earlier made such a really European reputation; and his books were of a kind to be more widely read by the general public than either Goethe's or Voltaire's. In England (Balzac liked the literature but not the country, and never visited England, though I believe he planned a visit) this popularity was, for obvious reasons, rather less than elsewhere. The respectful vogue which French literature had had with the English in the eighteenth century had ceased, owing partly to the national enmity revived and fostered by the great war, and partly to the growth of a fresh and magnificent literature at home during the first thirty years of the nineteenth in England. But Balzac could not fail to be read almost at once by the lettered; and he was translated pretty early, though not perhaps to any great extent. It was in England, moreover, that by far his greatest follower appeared, and appeared very shortly. For it would be absurd in the most bigoted admirer of Thackeray to deny that the author of Vanity Fair, who was in Paris and narrowly watching French literature and French life at the very time of Balzac's most exuberant flourishing and education, owed something to the author of Le Pere Goriot. There was no copying or imitation; the lessons taught by Balzac were too much blended with those of native masters, such as Fielding, and too much informed and transformed by individual genius. Some may think—it is a point at issue not merely between Frenchmen and Englishmen, but between good judges of both nations on each side—that in absolute veracity and likeness to life, in limiting the operation of the inner consciousness on the outward observation to strictly artistic scale, Thackeray excelled Balzac as far as he fell short of him in the powers of the seer and in the gigantic imagination of the prophet. But the relations of pupil and master in at least some degree are not, I think, deniable.
So things went on in light and in shade, in homekeeping and in travel, in debts and in earnings, but always in work of some kind or another, for eighteen years from the turning point of 1829. By degrees, as he gained fame and ceased to be in the most pressing want of money, Balzac left off to some extent, though never entirely, those miscellaneous writings—reviews (including puffs), comic or general sketches, political diatribes, "physiologies" and the like—which, with his discarded prefaces and much more interesting matter, were at last, not many years ago, included in four stout volumes of the Edition Definitive. With the exception of the Physiologies (a sort of short satiric analysis of this or that class, character, or personage), which were very popular in the reign of Louis Philippe in France, and which Albert Smith and others introduced into England, Balzac did not do any of this miscellaneous work extremely well. Very shrewd observations are to be found in his reviews, for instance his indication, in reviewing La Touche's Fragoletta, of that common fault of ambitious novels, a sort of woolly and "ungraspable" looseness of construction and story, which constantly bewilders the reader as to what is going on. But, as a rule, he was thinking too much of his own work and his own principles of working to enter very thoroughly into the work of others. His politics, those of a moderate but decided Royalist and Conservative, were, as has been said, intelligent in theory, but in practice a little distinguished by that neglect of actual business detail which has been noticed in his speculations.
At last, in the summer of 1847, it seemed as if the Rachel for whom he had served nearly if not quite the full fourteen years already, and whose husband had long been out of the way, would at last grant herself to him. He was invited to Vierzschovnia in the Ukraine, the seat of Madame Hanska, or in strictness of her son-in-law, Count Georges Mniszech; and as the visit was apparently for no restricted period, and Balzac's pretensions to the lady's hand were notorious, it might have seemed that he was as good as accepted. But to assume this would have been to mistake what perhaps the greatest creation of Balzac's great English contemporary and counterpart on the one side, as Thackeray was his contemporary and counterpart on the other, considered to be the malignity of widows. What the reasons were which made Madame Hanska delay so long in doing what she did at last, and might just as well, it would seem, have done years before, is not certainly known, and it would be quite unprofitable to discuss them. But it was on the 8th of October 1847 that Balzac first wrote to his sister from Vierzschovnia, and it was not till the 14th of March 1850 that, "in the parish church of Saint Barbara at Berditchef, by the Count Abbe Czarski, representing the Bishop of Jitomir (this is as characteristic of Balzac in one way as what follows is in another) a Madame Eve de Balzac, born Countess Rzevuska, or a Madame Honore de Balzac or a Madame de Balzac the elder" came into existence.
It does not appear that Balzac was exactly unhappy during this huge probation, which was broken by one short visit to Paris. The interest of uncertainty was probably much for his ardent and unquiet spirit, and though he did very little literary work for him, one may suspect that he would not have done very much if he had stayed at Paris, for signs of exhaustion, not of genius but of physical power, had shown themselves before he left home. But it is not unjust or cruel to say that by the delay "Madame Eve de Balzac" (her actual baptismal name was Evelina) practically killed her husband. These winters in the severe climate of Russian Poland were absolutely fatal to a constitution, and especially to lungs, already deeply affected. At Vierzschovnia itself he had illnesses, from which he narrowly escaped with life, before the marriage; his heart broke down after it; and he and