THE AUTOBIOGRAPHY OF A SUPER-TRAMP. W. H. Davies

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      2017 OK Publishing

      ISBN 978-80-272-1812-7

      Preface

       Table of Contents

      I HASTEN to protest at the outset that I have no personal knowledge of the incorrigible Supertramp who wrote this amazing book. If he is to be encouraged and approved, then British morality is a mockery, British respectability an imposture, and British industry a vice. Perhaps they are: I have always kept an open mind on the subject; but still one may ask some better ground for pitching them out of window than the caprice of a tramp.

      I hope these expressions will not excite unreasonable expectations of a thrilling realistic romance, or a scandalous chronicle, to follow. Mr. Davies’ autobiography is not a bit sensational: it might be the Post Office Directory for the matter of that. A less simple minded supertramp would not have thought it worth writing at all; for it mentions nothing that might not have happened to any of us. As to scandal, I, though a most respectable author, have never written half so proper a book. These pudent pages are unstained with the frightful language, the debased dialect, of the fictitious proletarians of Mr. Rudyard Kipling and other genteel writers. In them the patrons of the casual ward and the dosshouse argue with the decorum of Socrates, and narrate in the style of Tacitus. They have that pleasant combination of childish freshness with scrupulous literary conscientiousness only possible to people for whom speech, spoken or written, but especially written, is still a feat to be admired and shewn off for its own sake. Not for the life of me could I capture that boyish charm and combine it with the savoir vivre of an experienced man of the world, much less of an experienced tramp. The innocence of the author’s manner and the perfection of his delicacy is such, that you might read his book aloud in an almshouse without shocking the squeamishness of old age. As for the young, nothing shocks the young. The immorality of the matter is stupendous; but it is purely an industrial immorality. As to the sort of immorality that is most dreaded by schoolmistresses and duennas, there is not a word in the book to suggest that tramps know even what it means. On the contrary, I can quite believe that the author would die of shame if he were asked to write such books as Adam Bede or David Copperfield.

      The manuscript came into my hands under the following circumstances. In the year 1905 I received by post a volume of poems by one William H. Davies, whose address was The Farm House, Kennington S. E. I was surprised to learn that there was still a farmhouse left in Kennington; for I did not then suspect that the Farmhouse, like the Shepherdess Walks and Nightingale Lanes and Whetstone Parks of Bethnal Green and Holborn, is so called nowadays in irony, and is, in fact, a dosshouse, or hostelry where single men can have a night’s lodging for, at most, sixpence.

      I was not surprised at getting the poems. I get a gift of minor poetry once a week or so; and yet, hardened as I am to it, I still, knowing how much these little books mean to their authors, can seldom throw them aside without a twinge of compunction which I allay by a glance at one of the pages in the faint but inextinguishable hope of finding something valuable there. Sometimes a letter accompanies the book; and then I get a rapid impression, from the handwriting and notepaper as well as from the binding and type in the book, or even from the reputation of the publisher, of the class and type of the author. Thus I guess Cambridge or Oxford or Maida Vale or West Kensington or Exeter or the lakes or the east coast; or a Newdigate prizeman, a romantic Jew, a maiden lady, a shy country parson or whom not, what not, where not. When Mr. Davies’ book came to hand my imagination failed me. I could not place him. There were no author’s compliments, no publisher’s compliments, indeed no publisher in the ordinary channel of the trade in minor poetry. The author, as far as I could guess, had walked into a printer’s or stationer’s shop; handed in his manuscript; and ordered his book as he might have ordered a pair of boots. It was marked “price half a crown.” An accompanying letter asked me very civilly if I required a half-crown book of verses; and if so, would I please send the author the half crown: if not, would I return the book. This was attractively simple and sensible. Further, the handwriting was remarkably delicate and individual: the sort of handwriting one might expect from Shelley or George Meredith. I opened the book, and was more puzzled than ever; for before I had read three lines I perceived that the author was a real poet. His work was not in the least strenuous or modern: there was in it no sign that he had ever read anything later than Cowper or Crabbe, not even Byron, Shelley or Keats, much less Morris, Swinburne, Tennyson, or Henley and Kipling. There was indeed no sign of his ever having read anything otherwise than as a child reads. The result was a freedom from literary vulgarity which was like a draught of clear water in a desert. Here, I saw, was a genuine innocent, writing odds and ends of verse about odds and ends of things, living quite out of the world in which such things are usually done, and knowing no better (or rather no worse) than to get his book made by the appropriate craftsman and hawk it round like any other ware.

      Evidently, then, a poor man. It horrified me to think of a poor man spending his savings in printing something that nobody buys: poetry, to wit. I thought of Browning threatening to leave the country when the Surveyor of Taxes fantastically assessed him for an imaginary income derived from his poems. I thought of Morris, who, even after The Earthly Paradise, estimated his income as a poet at a hundred a year. I saw that this man might well be simple enough to suppose that he could go into the verse business and make a living at it as one makes a living by auctioneering or shopkeeping. So instead of throwing the book away as I have thrown so many, I wrote him a letter telling him that he could not live by poetry. Also, I bought some spare copies, and told him to send them to such critics and verse fanciers as he knew of, wondering whether they would recognise a poet when they met one.

      And they actually did. I presently saw in a London newspaper an enthusiastic notice of the poems, and an account of an interview with the author, from which I learnt that he was a tramp; that “the farm house” was a dosshouse; and that he was cut off from ordinary industrial pursuits by two circumstances: first, that he had mislaid one of his feet somewhere on his trampings, and now had to make shift as best he could with the other; second, that he was a man of independent means — a rentier — in short, a gentleman.

      The exact amount of his independent income was ten shillings a week. Finding this too much for his needs, he devoted twenty per cent of it to pensioning necessitous friends in his native place; saved a further percentage to print verses with; and lived modestly on the remainder. My purchase of eight copies of the book enabled him, I gathered, to discard all economy for about three months. It also moved him to offer me the privilege (for such I quite sincerely deem it) of reading his autobiography in manuscript. The following pages will enable the world at large to read it in print.

      All I have to say by way of recommendation of the book is that I have read it through from beginning to end, and would have read more of it had there been any more to read. It is a placid narrative, unexciting in matter and unvarnished in manner, of the commonplaces of a tramp’s life. It is of a very curious quality. Were not the author an approved poet of remarkable sensibility and delicacy I should put down the extraordinary quietness of his narrative to a monstrous callousness. Even as it is, I ask myself with some indignation whether a man should lose a limb with no more to-do than a lobster loses a claw or a lizard his tail, as if he could grow a new one at his next halting place! If such a thing happened to me, I should begin the chapter describing it with “I now come to the event which altered the whole course of my life, and blighted, etc., etc.” In Mr. Davies’ pages the thing happens as unexpectedly