His Masterpiece. Emile Zola
to founder around him—the pride of work, the dreamt-of glory, the whole of his existence!
‘Look here, old boy,’ said Sandoz at last, ‘we don’t want to worry you, but it’s half-past six, and we are starving. Be reasonable, and come down with us.’
Claude was cleaning a corner of his palette. Then he emptied some more tubes on it, and, in a voice like thunder, replied with one single word, ‘No.’
For the next ten minutes nobody spoke; the painter, beside himself, wrestled with his picture, whilst his friends remained anxious at this attack, which they did not know how to allay. Then, as there came a knock at the door, the architect went to open it.
‘Hallo, it’s Papa Malgras.’
Malgras, the picture-dealer, was a thick-set individual, with close-cropped, brush-like, white hair, and a red splotchy face. He was wrapped in a very dirty old green coat, that made him look like an untidy cabman. In a husky voice, he exclaimed: ‘I happened to pass along the quay, on the other side of the way, and I saw that gentleman at the window. So I came up.’
Claude’s continued silence made him pause. The painter had turned to his picture again with an impatient gesture. Not that this silence in any way embarrassed the new comer, who, standing erect on his sturdy legs and feeling quite at home, carefully examined the new picture with his bloodshot eyes. Without any ceremony, he passed judgment upon it in one phrase—half ironic, half affectionate: ‘Well, well, there’s a machine.’
Then, seeing that nobody said anything, he began to stroll round the studio, looking at the paintings on the walls.
Papa Malgras, beneath his thick layer of grease and grime, was really a very cute customer, with taste and scent for good painting. He never wasted his time or lost his way among mere daubers; he went straight, as if from instinct, to individualists, whose talent was contested still, but whose future fame his flaming, drunkard’s nose sniffed from afar. Added to this he was a ferocious hand at bargaining, and displayed all the cunning of a savage in his efforts to secure, for a song, the pictures that he coveted. True, he himself was satisfied with very honest profits, twenty per cent., thirty at the most. He based his calculations on quickly turning over his small capital, never purchasing in the morning without knowing where to dispose of his purchase at night. As a superb liar, moreover, he had no equal.
Pausing near the door, before the studies from the nude, painted at the Boutin studio, he contemplated them in silence for a few moments, his eyes glistening the while with the enjoyment of a connoisseur, which his heavy eyelids tried to hide. Assuredly, he thought, there was a great deal of talent and sentiment of life about that big crazy fellow Claude, who wasted his time in painting huge stretches of canvas which no one would buy. The girl’s pretty legs, the admirably painted woman’s trunk, filled the dealer with delight. But there was no sale for that kind of stuff, and he had already made his choice—a tiny sketch, a nook of the country round Plassans, at once delicate and violent—which he pretended not to notice. At last he drew near, and said, in an off-hand way:
‘What’s this? Ah! yes, I know, one of the things you brought back with you from the South. It’s too crude. I still have the two I bought of you.’
And he went on in mellow, long-winded phrases. ‘You’ll perhaps not believe me, Monsieur Lantier, but that sort of thing doesn’t sell at all—not at all. I’ve a set of rooms full of them. I’m always afraid of smashing something when I turn round. I can’t go on like that, honour bright; I shall have to go into liquidation, and I shall end my days in the hospital. You know me, eh? my heart is bigger than my pocket, and there’s nothing I like better than to oblige young men of talent like yourself. Oh, for the matter of that, you’ve got talent, and I keep on telling them so—nay, shouting it to them—but what’s the good? They won’t nibble, they won’t nibble!’
He was trying the emotional dodge; then, with the spirit of a man about to do something rash: ‘Well, it sha’n’t be said that I came in to waste your time. What do you want for that rough sketch?’
Claude, still irritated, was painting nervously. He dryly answered, without even turning his head: ‘Twenty francs.’
‘Nonsense; twenty francs! you must be mad. You sold me the others ten francs a-piece—and to-day I won’t give a copper more than eight francs.’
As a rule the painter closed with him at once, ashamed and humbled at this miserable chaffering, glad also to get a little money now and then. But this time he was obstinate, and took to insulting the picture-dealer, who, giving tit for tat, all at once dropped the formal ‘you’ to assume the glib ‘thou,’ denied his talent, overwhelmed him with invective, and taxed him with ingratitude. Meanwhile, however, he had taken from his pocket three successive five-franc pieces, which, as if playing at chuck-farthing, he flung from a distance upon the table, where they rattled among the crockery.
‘One, two, three—not one more, dost hear? for there is already one too many, and I’ll take care to get it back; I’ll deduct it from something else of thine, as I live. Fifteen francs for that! Thou art wrong, my lad, and thou’lt be sorry for this dirty trick.’
Quite exhausted, Claude let him take down the little canvas, which disappeared as if by magic in his capacious green coat. Had it dropped into a special pocket, or was it reposing on Papa Malgras’ ample chest? Not the slightest protuberance indicated its whereabouts.
Having accomplished his stroke of business, Papa Malgras abruptly calmed down and went towards the door. But he suddenly changed his mind and came back. ‘Just listen, Lantier,’ he said, in the honeyest of tones; ‘I want a lobster painted. You really owe me that much after fleecing me. I’ll bring you the lobster, you’ll paint me a bit of still life from it, and keep it for your pains. You can eat it with your friends. It’s settled, isn’t it?’
At this proposal Sandoz and Dubuche, who had hitherto listened inquisitively, burst into such loud laughter that the picture-dealer himself became gay. Those confounded painters, they did themselves no good, they simply starved. What would have become of the lazy beggars if he, Papa Malgras, hadn’t brought a leg of mutton now and then, or a nice fresh plaice, or a lobster, with its garnish of parsley?
‘You’ll paint me my lobster, eh, Lantier? Much obliged.’ And he stationed himself anew before the large canvas, with his wonted smile of mingled derision and admiration. And at last he went off, repeating, ‘Well, well, there’s a machine.’
Claude wanted to take up his palette and brushes once more. But his legs refused their service; his arms fell to his side, stiff, as if pinioned there by some occult force. In the intense melancholy silence that had followed the din of the dispute he staggered, distracted, bereft of sight before his shapeless work.
‘I’m done for, I’m done for,’ he gasped. ‘That brute has finished me off!’
The clock had just struck seven; he had been at work for eight mortal hours without tasting anything but a crust of bread, without taking a moment’s rest, ever on his legs, shaken by feverish excitement. And now the sun was setting, shadows began to darken the studio, which in the gloaming assumed a most melancholy aspect. When the light went down like this on the crisis of a bad day’s work, it seemed to Claude as if the sun would never rise again, but had for ever carried life and all the jubilant gaiety of colour away.
‘Come,’ implored Sandoz, with all the gentleness of brotherly compassion. ‘Come, there’s a good fellow.’
Even Dubuche added, ‘You’ll see more clearly into it to-morrow. Come and dine.’
For a moment Claude refused to surrender. He stood rooted to the spot, deaf to their friendly voices, and fiercely obstinate.
What did he want to do then, since his tired fingers were no longer able to grasp the brush? He did not know, but, however powerless he might be, he was gnawed by a mad craving to go on working still and to create in spite of everything. Even if he did nothing, he would at least stay there, he would not vacate the spot. All at once, however, he made up his mind, shaken the while as by a big