Sally of Missouri. Rose E. Young
voice: "Why don't you try Missouri—Miss Gossamer sails—Why don't you try Missouri—Miss Gossamer sails—" a faint, recedent measure, and intermingling with it the sound of a boy's voice singing gaily on the misty hills:
"A tater's good 'ith 'lasses."
Steering leaned far out of the window, eager for the lad's music. It was so sweet.
Chapter Three
THE PROMISED LAND
From the remotest beginning of things for the Southwest, Canaan had been a "gre't taown." From the beginning she had been the county seat, and from the beginning there had poured through her one long street, with its two or three short tributaries, the whole volume of business of Tigmore County; the strawberries, the chickens, the ginseng. Almost from the beginning, too, she had had the newspaper and the hotel and some talk about a bank. Canaanites held their heads high. So high that when it began to be rumoured that the railroad was showing a disposition to curve down toward Tigmore County, the Canaanites, unable to see past their noses, appointed a committee to go up to Jefferson City to protest to the Legislature against the proposed innovation. The committee contended to the Legislature that the railroad would cut off trade by starting up rival towns. It also contended that ox-teams had been used for many years and were reliable, rain or shine, whereas in wet weather the railroad tracks would get slick and be impracticable. Moreover, and moreunder, there was no danger of an ox-team blowin' up and bustin' and killin' somebody.
The railroad was melted to acquiescence by the appeal, and went its way some ten miles west of Canaan. Towns sprang into being along the line of the serpent's coil. Canaan said all right, but wait till the spring rains come. The rains came, the trains went by over the slick tracks gracefully. Canaan said all right, but wait till something busts. Time passed, nothing busted. The County was careening westward. There was no stopping it. Canaan kept her head high, but her heart grew as cold as ice. Then the paper up at the new railroad station of Shaleville crudely referred to Canaan as "that benighted hamlet." It was too much. When Crittenton Madeira reached Canaan from St. Louis, the first thing that he proposed for the city of his adoption was the Canaan Short Line, and, coming at the opportune moment, the consummation of that proposition placed Madeira at the head of Canaan's municipal life for the rest of his days. In a very short time after he came to Canaan, Canaan not only had a railroad, but her own railroad. Reassured, bland, she caught step with progress, by and by saw that she was progress, and settled back into her old superiority. Her trade prospered anew, the cotton came to her depot, she got accustomed to the noise of her two trains daily, and had lived through many contented years when the twentieth of September of 1899 opened up like a rose, fair, fragrance-laden, warm, around her.
Out on the face of the day there was nothing to suggest change or crisis, nothing to be afraid of, nothing to be hopeful for, a day like yesterday, like to-morrow, a golden link in a golden monotony. At Court House Square, a few farm-teams, strapping mules and big Studebakers, stood at the hitching rail. A few people came and went up and down and across the Square. Occasionally a mean-natured man said "huh-y!" to a cow or "soo-y!" to a hog in the middle of Main Street. Some coatless clerks, with great elbow-deep sleeve protectors on their arms and large lumps of cravats at their throats, lounged in store doors. The most conspicuous, as the most institutional, feature of the landscape was the group idling on boxes in front of the old Grange store—just as they had idled on boxes before the war. They were the same men, it was the same store, and it was not inconceivable that they were the same boxes. As the men idled they spat, somewhat to the menace of the passers-by, though in defence of this avocation it may be argued that any truly agile person, by watching carefully and seizing opportunity unhesitatingly, could get by undefiled. Sometimes a vehicle rolled into the street toward the Square, and when this happened it was amusement to the men to say whose vehicle without looking up—jack-knives, watch-fobs, and other valuables occasionally changing hands on an erring guess between the slow, solemn trot of Mr. Azariah's Pringle's Bess and the duck-like waddling of Mrs. Molly Jenkins' Tom, or between the swinging canter of Miss Sally Madeira's Kentucky blacks and the running walk of the small-hoofed Texas ponies from We-all Prairie. Once a great waggon, piled high with cotton, creaked by; once a burnt-skinned boy, hard as a nut, shrieking with an irrepressible sense of being alive, loped past on a mustang. Once a small, old man, in mean clothes and with a fine bearing, crossed the Square, cracking his whip nervously, his spur clicking on his boot as he walked. Once a large florid man and a tall girl came down the street and entered the door of a two-story brick building next the Grange. The man had an expansive, blustering way. The girl looked as though she were accustomed to admire the man and to badger him; her face was turned up to his adoringly, while her fun-hunting eyes, just sheathed under her lids, gleamed gaily. The building had a plate-glass window across the front of it, and on the window, in gold letters bordered in black, two legends were flung to the public:
BANK OF CANAAN
Crittenton Madeira
When the man and the girl had gone into the Bank of Canaan, the group at the Grange stopped gambling on the incoming teams and talked less drowsily.
"Looks like that girl gets purdier and purdier."
"Mighty pleasant ways she keeps. Never gone back on her raisin'. Never got too good for Mizzourah."
"As far as I go, I like her ways better'n her pappy's ways."
"Crit is a little toploftical."
"They mighty fond of each other, though. Seems like she's not in a hurry to marry and leave her pappy."
"Wall naow, I shouldn't be s'prised ef Miss Sally never did git married, talkin' abaout marryin'. 'Twould not s'prise me a-tall, 'twouldn't." Mr. Quin Beasley was talking. Mr. Beasley was the keeper of the Grange store and admittedly a man of fine conversational powers. His jaws worked on and he seemed able to get nutriment out of his ruminations long after a cow would have gone back to grass hungrily. "Aint sayin' I never am s'prised, becuz am, but do say that that wouldn't s'prise me, an' no more would it." Mr. Beasley brought his jaws in from their loose meanderings just as the clatter of a horse's hoofs became audible down the side street that, a little way along, became the road to Poetical.
"Name the comer, Beasley. Up to the sugar-tree about now. Name-er, name-er!" The challenger took from his pocket a huge horn knife, covered it with his hand and shook it in the face of Mr. Beasley, who responsively got his hand into his pocket and drew forth a knife, which he held covered after the manner of his opponent.
"Unsight, unseen," said Mr. Beasley. "It's Price Mason's pony."
The challenger chuckled deprecatingly over the carelessness of judgment evinced: "Price Mason's pony comes down with a hippety-hop," he remarked pityingly—"lemme listen—it's—no, taint, aint favorin' his right front foot—it's—wy!" the challenger suddenly twisted his head to one side and held it there like a lean-crawed chicken deciding where to peck. Simultaneously the other men glanced down the side street where it came into the Square, and when someone said, or whistled, "Wy, who the h-e-double-l is it?" everybody was waiting for an answer.
They had not long to wait. The horseman in question galloped straight toward the group and drew rein in front of them only a few minutes later. He was a big fellow, broad and lithe of shoulder and chest, and young and alert of face.
"Gentlemen," he called from his horse's back, "I want to find Mr. Crittenton Madeira. Ah!" he laughed, a deep, rich note, as he saw the gold and black sign, "gentlemen, I have found Mr. Madeira!" He leaped from his horse and began to tether him to a staple, set in the pavement in front of the Grange.
"Yes," replied a member of the Grange group, all of whom rose sociably, "Crit and Miss Sally,"—the young man laughed again, softly, as though he could not help it—"Crit and Miss