The Social Gangster. Arthur B. Reeve
girls, whirling about with the pleasantest looking young men who expertly guided them through the mazes of the fox-trot and the canter waltz and a dozen other steps I knew not of. This was one of New York's latest and most approved devices to beguile the languid afternoons of ladies of leisure.
"There she is," pointed out Kennedy finally. "I recognize her from the pictures I've seen."
I followed the direction of his eyes. The music had started and out on the floor twisting in and out among the crowded couples was one pair that seemed to attract more attention than the rest. They had come from a gay party seated in a little leather cozy corner like several about the room, evidently reserved for them, for the cozy corners seemed to be much in demand.
Gloria was well named. She was a striking girl, not much over nineteen surely, tall, lissome, precisely the figure that the modern dances must have been especially designed to set off. I watched her attentively. In fact I could scarcely believe the impression I was gaining of her.
Already one could actually see on her marks of dissipation. One does not readily think of a girl as sowing her wild oats. Yet they often do. This is one of the strange anomalies of the new freedom of woman. A few years ago such a place would have been neither so decent nor attractive. Now it was superficially both. To it went those who never would have dared overstep the strictly conventional in the evil days when the reformer was not abroad in the land.
I watched Gloria narrowly. Clearly here was an example of a girl attracted by the glamor of the life and flattery of its satellites. What the end of it all might be I preferred not to guess.
Craig was looking about at the variegated crowd. Suddenly he jogged my elbow. There, just around the turn of the railing of the gallery, sat a young man, dark of hair and eyes, of a rather distinguished foreign appearance, his face set in a scowl as he looked down on the heads of the dancers. One could have followed the tortuous course of Gloria and her partner by his eyes, which the man never took off her, even following her back to the table in the corner when the encore of the dance was finished.
The young man's face at least was familiar to me, though I had not met him. It was Signor Franconi, quietly watching Gloria and her gay party.
After a few moments, Craig rose, paid his check, and moved over to the table where Franconi was sitting alone. He introduced himself and Franconi, with easy politeness, invited us to join him.
I studied the man's face attentively. Signor Franconi was still young, in spite of the honors that had been showered on him for his many inventions. I had wondered before why such a man would be interested in a girl of Gloria's evident type. But as I studied him I fancied I understood. To his serious mind it was just the butterfly type that offered the greatest relief. An intellectual woman would have been merely carrying into another sphere the problems with which he was more than capable of wrestling. But there was no line of approval in his fine face of the butterfly and candle-singeing process that was going on here. I must say I heartily liked him.
"What are you working on now?" asked Kennedy as a preliminary step to drawing him out against the time when we might become better acquainted and put the conversation on a firmer basis.
"A system of wireless transmission of pictures," he returned mechanically. "I think I have vastly improved the system of Dr. Korn. You are familiar with it, I presume?"
Kennedy nodded. "I have seen it work," he said simply.
That telephotograph apparatus, I remembered, depended on the ability of the element selenium to vary the strength of an electric current passing through it in proportion to the brightness with which the selenium is illuminated.
"That system," he resumed, speaking as though his mind was not on the subject particularly just now, "produces positive pictures at one end of the apparatus by the successive transmission of many small parts separately. I have harnessed the alternating current in a brand-new way, I think. Instead of prolonging the operation, I do it all at once, projecting the image on a sheet of tiny selenium cells. My work is done. Now the thing to do is to convince the world of that."
"Then you have the telephote in actual operation?" asked Kennedy.
"Yes," he replied. "I have a little station down on the shore of the south side of the island." He handed us a card on which he wrote the address at South Side Beach. "That will admit you there at any time, if I should not be about. I am testing it out there—have several instruments on transatlantic liners. We think it may be of use in war—sending plans, photographs of spies—and such things."
He stopped suddenly. The music had started again and Gloria was again out on the dancing floor. It was evident that at this very important time in his career Franconi's mind was on other things.
"Everyone seems to become easily acquainted with everyone else here," remarked Craig, bending over the rail.
"I suppose one cannot dance without partners," returned Franconi absently.
We continued to watch the dancers. I knew enough of these young fellows, merely by their looks, to see that most of them were essential replicas of one type. Certainly most of them could have qualified as social gangsters, without scruples, without visible means of support, without character or credit, but not without a certain vicious kind of ambition.
They seemed to have an unlimited capacity for dancing, freak foods, joy rides, and clothes. Clothes were to them what a jimmy is to a burglar. Their English coats were so tight that one wondered how they bent and swayed without bursting. Smart clothes and smart manners such as they affected were very fascinating to some women.
"Who are they all, do you suppose?" I queried.
"All sorts and conditions," returned Kennedy. "Wall Street fellows whose pocketbooks have been thinned by dull times on the Exchange; actors out of engagements, law clerks, some of them even college students. They seem to be a new class. I don't think of any other way they could pick up a living more easily than by this polite parasitism. None of them have any money. They don't get anything from the owner of the cabaret, of course, except perhaps the right to sign checks for a limited amount in the hope that they may attract new business. It's grafting, pure and simple. The women are their dupes; they pay the bills—and even now and then something for 'private lessons' in dancing in a 'studio.'"
Franconi was dividing his attention between what Kennedy was saying and watching Gloria and her partner, who seemed to be a leader of the type I have just described, tall and spare as must be the successful dancing men of today.
"There's a fellow named Du Mond," he put in.
"Who is he?" asked Craig, as though we had never heard of him.
"To borrow one of your Americanisms," returned Franconi, "I think he's the man who puts the 'tang' in tango. From what I hear, though, I think he borrows the 'fox' from fox-trot and plucks the feathers from the 'lame duck.'"
Kennedy smiled, but immediately became interested in a tall blonde girl who had been talking to Du Mond just before the dancing began. I noticed that she was not dancing, but stood in the background most of the time giving a subtle look of appraisal to the men who sat at tables and the girls who also sat alone. Now and then she would move from one table to another with that easy, graceful glide which showed she had been a dancer from girlhood. Always after such an excursion we saw other couples who had been watching in lonely wistfulness, now made happy by a chance to join the throng.
"Who is that woman?" I asked.
"I believe her name is Bernice Bentley," replied Franconi. "She's the—well, they call her the official hostess—a sort of introducer. That's the reason why, as you observed, there is no lack of friendliness and partners. She just arranges introductions, very tactfully, of course, for she's experienced."
I regarded her with astonishment. I had never dreamed that such a thing was possible, even in cosmopolitan New York. What could these women be thinking of? Some of them looked more than capable of taking care of themselves, but there must be many, like Gloria, who were not. What did they know of the men, except their clothes and steps?
"Soft