Home Lights and Shadows. T. S. Arthur
with the children. Such children I never saw! They don't mind a word you say, and quarrel so among themselves, that it makes one sick to hear them.'
"At this moment a headless doll struck against the side of my neck. It had been thrown by one child at another; missing her aim, she gave me the benefit of her evil intention. At this, cook lost all patience, and seizing the offending little one, boxed her soundly, before I could interfere. The language used by that child, as she escaped from the cook's hands, was shocking. It made my flesh creep!
"'Did I understand you to say that your mother had gone to church?' I asked of the oldest child.
"'Yes, ma'am,' was answered. 'She's been every day this week. There's a protracted meeting.'
"'Give me that book!' screamed a child, at this moment. Glancing across the room, I saw two of the little ones contending for possession of a large family Bible, which lay upon a small table. Before I could reach them, for I started forward, from an impulse of the moment, the table was thrown over, the marble top broken, and the cover torn from the sacred volume."
The face of Mrs. Andrews became instantly of a deep crimson. Not seeming to notice this, her friend continued.
"As the table fell, it came within an inch of striking another child on the head, who had seated himself on the floor. Had it done so, a fractured skull, perhaps instant death, would have been the consequence."
Mrs. Andrews caught her breath, and grew very pale. The other continued.
"In the midst of the confusion that followed, the father came home.
"'Where is your mother?' he asked of one of the children.
"'Gone to church,' was replied.
"'O dear!' I can hear his voice now, with its tone of hopelessness—'This church-going mania is dreadful. I tell my wife that it is all wrong. That her best service to God is to bring up her children in the love of what is good and true—in filial obedience and fraternal affection. But it avails not.'
"And now, Mrs. Andrews," continued the lady, not in the least appearing to notice the distress and confusion of her over-pious friend, whom she had placed upon the rack, "When God comes to make up his jewels, and says to Mrs. Eldridge, and also to this mother who thought more of church-going than of her precious little ones, 'Where are the children I gave you?' which do you think will be most likely to answer, 'Here they are, not one is lost?'"
"Have I not clearly shown you that even church-going may be perverted into an evil? That piety may attain an inordinate growth, while charity is dead at the root? Spiritual pride; a vain conceit of superior goodness because of the observance of certain forms and ceremonies, is the error into which too many devout religionists fall. But God sees not as man seeth. He looks into the heart, and judges his creatures by the motives that rule them."
And, as she said this, she arose, the silent and rebuked Mrs. Andrews, whose own picture had been drawn, following her down to the gay drawing rooms.
Many a purer heart than that of the humbled Pharisee beat there beneath the bosoms of happy maidens even though their feet were rising and falling in time to witching melodies.
ROMANCE AND REALITY.
"I MET with a most splendid girl last evening," remarked to his friend a young man, whose fine, intellectual forehead, and clear bright eye, gave indications of more than ordinary mental endowments.
"Who is she?" was the friend's brief question.
"Her name is Adelaide Merton. Have you ever seen her?"
"No, but I have often heard of the young lady."
"As a girl of more than ordinary intelligence?"
"O yes. Don't you remember the beautiful little gems of poetry that used to appear in the Gazette, under the signature of Adelaide?"
"Very well. Some of them were exquisite, and all indicative of a fine mind. Was she their author?"
"So I have been told."
"I can very readily believe it; for never have I met with a woman who possessed such a brilliant intellect. Her power of expression is almost unbounded. Her sentences are perfect pictures of the scenes she describes. If she speaks of a landscape, not one of its most minute features is lost, nor one of the accessories to its perfection as a whole overlooked. And so of every thing else, in the higher regions of the intellect, or in the lower forms of nature. For my own part, I was lost in admiration of her qualities. She will yet shine in the world."
The young man who thus expressed himself in regard to Adelaide Merton, was named Charles Fenwick. He possessed a brilliant mind, which had been well stored. But his views of life were altogether perverted and erroneous, and his ends deeply tinctured with the love of distinction, for its own sake. A few tolerably successful literary efforts, had been met by injudicious over praise, leading him to the vain conclusion that his abilities were of so high a character, that no field of action was for him a worthy one that had any thing to do with what he was pleased to term the ordinary grovelling pursuits of life. Of course, all mere mechanical operations were despised, and as a natural consequence, the men who were engaged in them. So with merchandizing, and also with the various branches of productive enterprise. They were mere ministers of the base physical wants of our nature. His mind took in higher aims than these!
His father was a merchant in moderate circumstances, engaged in a calling which was of course despised by the son, notwithstanding he was indebted to his father's constant devotion to that calling for his education, and all the means of comfort and supposed distinction that he enjoyed. The first intention of the elder Mr. Fenwick had been to qualify his son, thoroughly, for the calling of a merchant, that he might enter into business with him and receive the benefits of his experience and facilities in trade. But about the age of seventeen, while yet at college, young Fenwick made the unfortunate discovery that he could produce a species of composition which he called poetry. His efforts were praised—and this induced him to go on; until he learned the art of tolerably smooth versification. This would all have been well enough had he not imagined himself to be, in consequence, of vastly increased importance. Stimulated by this idea, he prosecuted his collegiate studies with renewed diligence, storing a strong and comprehensive mind with facts and principles in science and philosophy, that would have given him, in after life, no ordinary power of usefulness as a literary and professional man, had not his selfish ends paralysed and perverted the natural energies of a good intellect.
The father's intention of making him a merchant was, of course, opposed by the son, who chose one of the learned profession as more honorable—not more useful; a profession that would give him distinction—not enable him to fill his right place in society. In this he was gratified. At the time of his introduction to the reader, he was known as a young physician without a patient. He had graduated, but had not yet seen any occasion for taking an office, as his father's purse supplied all his wants. His pursuits were mainly literary—consisting of essays and reviews for some of the periodicals intermixed with a liberal seasoning of pretty fair rhymes which rose occasionally to the dignity of poetry—or, as he supposed, to the lofty strains of a Milton or a Dante. Occasionally a lecture before some literary association brought his name into the newspapers in connection with remarks that kindled his vanity into a flame. Debating clubs afforded another field for display, and he made liberal use of the facility. So much for Charles Fenwick.
Of Adelaide Merton, we may remark, that she was just the kind of a woman to captivate a young man of Fenwick's character. She was showy in her style of conversation, but exceedingly superficial. Her reading consisted principally of poetry and the popular light literature of the day, with a smattering of history. She could repeat, in quite an attractive style, many fine passages from Homer, Virgil, Milton, Shakspeare, Pope, Byron, Shelley, Coleridge, and a host of lesser lights in the poetic hemisphere—and could quote from and criticise the philosophy and style of Bulwer