.
(3) The big movements (tilts) of the table, giving the number four that was thought of.
(ab) Denotes the moment when the operator's hands are removed.
This experiment succeeds excellently with well-disposed but inexperienced subjects. After a little practice the phenomenon indicated is wont to disappear, since by practice the number is read and reproduced directly from the purposeful movements.[29]
In a responsive medium these purposeful tremors of the experimenter act just as the intentional taps in the experiment cited above; they are received, strengthened and reproduced, although slightly wavering. Still they are perceptible and hence act suggestively as slight tactile stimuli, and by the increase of partial hypnosis give rise to great automatic movements. This experiment illustrates in the clearest way the increase step by step of auto-suggestion. Along the path of this auto-suggestion are developed all the automatic phenomena of a motor nature. How the intellectual content gradually mingles in with the purely motor need scarcely be elucidated after this discussion. There is no need of a special suggestion for the evoking of intellectual phenomena. From the outset it is a question of word-presentation, at least from the side of the experimenter. After the first aimless motor irrelevancies of the unpractised subject, some word-products or the intentions of the experimenter are soon reproduced. Objectively the occurrence of an intellectual content must be understood as follows:—
By the gradual increase of auto-suggestion the motor-range of the arm becomes isolated from consciousness, that is to say, the perception of the slight movement-impulse is concealed from consciousness.[30]
By the knowledge gained from consciousness that some intellectual content is possible, there results a collateral excitation in the speech-area as the means immediately at hand for intellectual notification. The motor part of word-presentation is necessarily chiefly concerned with this aiming at notification.[31] In this way we understand the unconscious flowing over of speech-impulse to the motor-area[32] and conversely the gradual penetration of partial hypnosis into the speech-area.
In numerous experiments with beginners, as a rule I have observed at the beginning of intellectual phenomena a relatively large number of completely meaningless words, also often a series of meaningless single letters. Later on, all kinds of absurdities are produced, e.g. words or entire sentences with the letters irregularly misplaced or with the order of the letters all reversed—a kind of mirror-writing. The appearance of the letter or word indicates a new suggestion; some sort of association is involuntarily joined to it, which is then realised. Remarkably enough, these are not generally the conscious associations, but quite unexpected ones, a circumstance showing that a considerable part of the speech-area is already hypnotically isolated. The recognition of this automatism again forms a fruitful suggestion, since invariably at this moment the feeling of strangeness arises, if it is not already present in the pure motor-automatism. The question, "Who is doing this?" "Who is speaking?", is the suggestion for the synthesis of the unconscious personality which as a rule does not like being kept waiting too long. Any name is introduced, generally one charged with emotion, and the automatic splitting of the personality is accomplished. How accidental and how vacillating this synthesis is at its beginning, the following reports from the literature show. Myers[33] communicates the following interesting observation on a Mr. A., a member of the Society for Psychical Research, who was making experiments on himself in automatic writing.
Third Day.
Question: What is man?
Answer: TEFI H HASL ESBLE LIES.
Is that an anagram? Yes.
How many words does it contain? Five.
What is the first word? SEE.
What is the second word? SEEEE.
See? Shall I interpret it myself? Try to.
Mr. A. found this solution: "Life is less able." He was astonished at this intellectual information, which seemed to him to prove the existence of an intelligence independent of his own. Therefore he went on to ask:
Who are you? Clelia.
Are you a woman? Yes.
Have you ever lived upon the earth? No.
Will you come to life? Yes.
When? In six years.
Why are you conversing with me? E if Clelia el.
Mr. A. interpreted this answer as: I Clelia feel.
Fourth Day.
Question: Am I the one who asks the questions? Yes.
Is Clelia there? No.
Who is here then? Nobody.
Does Clelia exist at all? No.
With whom then was I speaking yesterday? With no one.
Janet[34] conducted the following conversation with the subconsciousness of Lucie, who, meanwhile, was engaged in conversation with another observer. "M'entendez-vous?" asks Janet. Lucie answers by automatic writing, "Non." "Mais pour répondre il faut entendre?" "Oui, absolument." "Alors comment faites-vous?" "Je ne sais." "Il faut bien qu'il y ait quelqu'un qui m'entend?" "Oui." "Qui cela! Autre que Lucie. Eh bien! Une autre personne. Voulez-vous que nous lui donnions un nom?" "Non." "Si, ce sera plus commode," "Eh bien, Adrienne!" "Alors, Adrienne, m'entendez-vous?" "Oui."
From these quotations it will be seen in what way the subconscious personality is constructed. It owes its origin purely to suggestive questions meeting a certain disposition of the medium. The explanation is the result of the disintegration of the psychical complex; the feeling of the strangeness of such automatisms then comes in to help, as soon as conscious attention is directed to the automatic act. Binet[35] remarks on this experiment of Janet's: "Il faut bien remarquer que si la personnalité d'Adrienne a pu se créer, c'est qu'elle a rencontré une possibilité psychologique; en d'autres termes, il y avait là des phénomènes désagrégés vivant séparés de la conscience normale du sujet." The individualisation of the subconsciousness always denotes a considerable further step of great suggestive influence upon the further formation of automatisms.[36] So, too, we must regard the origin of the unconscious personalities in our case.
The objection that there is simulation in automatic table-turning may well be given up, when one considers the phenomenon of thought-reading from the purposeful tremors which the patient offered in such plenitude. Rapid, conscious thought-reading demands at the least an extraordinary degree of practice, which it has been shown the patient did not possess. By means of the purposeful tremors whole conversations can be carried on, as in our case. In the same way the suggestibility of the subconscious can be proved objectively if, for instance, the experimenter with his hand on the table desires that the hand of the medium should no longer be able to move the table or the glass; contrary to all expectation and to the liveliest astonishment of the subject, the table will immediately remain immovable. Naturally any other desired suggestions can be realised, provided they do not overstep by their innervations the region of partial hypnosis; this proves at the same time the limited nature of the hypnosis. Suggestions for the legs and the other arm will thus not be obeyed. Table-turning was not an automatism which belonged exclusively to the patient's semi-somnambulism: on the contrary, it occurred in the most pronounced form in the waking state, and in most cases then passed over into semi-somnambulism, the appearance of this being generally announced by hallucinations, as it was at the first sitting.
2. Automatic Writing.—A second automatic phenomenon, which at the outset corresponds to a higher degree of partial hypnosis, is automatic writing. It is, according to my experience, much rarer and more difficult to produce than table-turning. As in table-turning, it is again a matter of a primary suggestion, to the conscious when sensibility is retained, to the unconscious when it is obliterated. The suggestion is, however, not a simple one, for it already bears in itself an intellectual element. "To write" means "to write something." This special element of the suggestion, which extends beyond the merely motor, often conditions a certain perplexity on the part of the subject, giving rise to slight contrary suggestions which hinder the appearance