Istar of Babylon: A Phantasy. Margaret Horton Potter

Istar of Babylon: A Phantasy - Margaret Horton Potter


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still, and thus worshipped on earth, though thou mayst not be free

       Till, 'neath the sorrows of flesh, thou shalt find man's relation to me."

      Out of the mists of the moon floated Istar the daughter of Sin.

       Out of the mists and the fog came she forth, and Æolian choirs,

       Winds of the evening, sang low of her going. Upborne by her tresses

       Floating above and about her, she sank; and the dawn was not yet.

       Istar, the daughter of Sin, in her vestment of tissue of silver,

       Under which glowed the deep purple proclaiming her godhead, and there,

       Full on her breast, the bright flush of the crimson that told of her passion,

       Laughed to herself and the winds, as she came forth from out of her refuge.

       Down, far adown the dark, mystical depths of the chasm of chaos

       Floated the mystical maiden; a voice like a clarion echo

       Calling from out of the mist she had left: "O Istar, beloved,

       Hear and return unto me, father, archtype, soul of the sphere!"

       Istar, the daughter of Sin, obeying the word of the Lord,

       Heard but not heeded the voice. Only pausing a thought in her course,

       Flinging her head to the stars, laughed aloud with her lips that were scarlet.

       Then, with a shake and a shrug of her bare, cloud-born shoulders, she sent

       Clashing and ringing below into space a bright silvery shower

       Flashing and pringling with light; which earth-men calléd shower of stars.

       Istar continued her flight and went swaying her tortuous way

       Down and adown past all planets and suns in their horror of heat,

       Till, in the end, the great fall was accomplished, and Istar was born,

       Soulless and pure in the city called "Gateway of God."

       THE JOURNEY

       Table of Contents

       THE SEA

       Table of Contents

      A hot April sun shone full over the waters to the pencilled line of the southern horizon, where a long circle divided the misty, shimmering dove-color of the Mediterranean from the richer blue of the swelling sky. A path of sun-strewn ripples, broadening as the afternoon advanced, ended at that distant line, and found its starting-point at the rocky base of the Selinuntian acropolis, on the southwestern coast of Sicily. The day was warm, and the air rich with the perfume of sweet alyssum, beneath which delicate flower the whole island lay buried. A light breeze feathered the sea, occasionally sweeping away enough powdered sunshine to disclose the rich sapphire depths of the under-waters. Nevertheless more perfect skies had been, and generally were, at this season of the year; for to-day half the west was hidden by a curtain of short, thick clouds that threatened to hide the usual evening glory of wine-tinted waters and crimson-flooded skies.

      Upon the height of the cliff that terminates the broad Selinuntian plain, Selinous, white, Doric city, with her groups of many-columned temples and her well-built walls, sent forth the usual droning murmur of life. White-robed men and women were wont to move in unhurried dignity in their citadels in those days when Æneas was not yet a myth, before Syracuse knew Gelon, when the first Aahmes ruled in Egypt, when Crœsus of Lydia and Astyages of Media were paying bitter tribute to the great Elamite just retired from Babylonian plains to his far Rhagæ in the Eastern hills; and here, on the Sicilian coast, the Greek city lay in placid beauty upon her two hills, divided by the philosophically drained valley, bounded upon the right hand by her shining river, while far to the left, in the direction of Acragas, a line of rugged hills rose into the blue. The four bright temples of the acropolis were mirrored in the sea below. On the east hill, at some distance from where the gigantic new sanctuary to Apollo was building, and directly in front of the old temple of Hera, on the very edge of the cliff, drowsing in the sunlight, lay Charmides, a shepherd, surrounded by his flock.

      The life of a shepherd in the flood-time of a Sicilian spring was not an arduous one. If it had been, Theron's son would not, in all probability, have followed that calling through the few years that he was required to spend at ordinary labor. For, as his family realized and his appearance too markedly proclaimed, this child of the Spartans did not partake of the spirit of his race. Rarely, singularly beautiful he was, and fair as an Athenian. Apollo himself might have turned envious at sight of this disciple of his as he slept on a drift of wild daisies, his short, white tunic stained with green, the thong that served him for a girdle loosely tied, much-worn sandals bound upon his feet, and a wreath of gray olive-leaves woven into the rumpled hair that fell upon his neck in rings of living gold. Charmides' eyes had the color of the sea. His brows were fine and straight; his mouth not altogether lacking in strength, yet perfect as a woman's. As he slept, one of the youth's sunburned hands grasped a tuft of herbs that grew upon the edge of the slope, while the other, even in his unconsciousness, drew a fleeting harmony from the lyre that lay beside him.

      This dalliance with the honored instrument, taken with his unathletic physique, was evidence enough of the chosen profession of the temporary shepherd. Four years ago, at the age of eighteen, Charmides had elected to enter the ranks of that band of rhapsodists known to us now only as the predecessors of fire-winged Pindar and his glorious brethren. Never was the shepherd seen following his flock over the fields without lyre or flute in his hands; and no holiday or festival was quite complete without some lyric chanted in his clear tenor to the accompaniment of those sweet, primitive chords that so fittingly clothed the syllables of the most melodious of all tongues. Charmides' poems, however, were always of one type. Natural beauty, the evening wind, the perfume of a flower, the red of dawn, the silver of moonlight, he would reproduce so perfectly in words that he was left unrivalled in his peculiar field. But greater themes, battle-hymns of Mars and Nike, or idyls of Cythera and the dove-drawn chariot, had not apparently occurred to him as desirable subjects for his art. Either Charmides was what his athlete brother declared him—a woman dressed in too short a tunic—or his true nature was sleeping far beyond its natural period.

      The sun hung just above the clouds as the youth sat up and looked about him. His flock, a drove of white, long-haired sheep, whose wool was woven into many a tunic of their herdsman, had wandered out of sight behind the temple of Hera. Charmides unbound his flageolet from the side of his left leg, and, without stirring from his place, lifted the instrument to his lips, playing upon it a quaint, primitive strain full of minor cadences, mournful, but peculiarly pleasing. For two or three minutes this tune was the only sound to be heard. Then, of a sudden, came a distant "Ba-a!" from the direction of the temple, and round its eastern columns appeared a white head, another, and another, till the whole flock was visible. For a moment or two they halted, regarding their keeper with silly, affectionate eyes. Charmides smiled as he watched them, and presently gave a little nod. At sight of it the leader of the company started forward again, and the entire number followed, at a gentle trot. When he was entirely surrounded by his animals, Charmides put his pipe back in its place, caressed with rough tenderness the nearest lamb, and finally, having had enough of afternoon with the sea, sprang to his feet thinking to proceed farther afield. As his eyes met the western horizon, from which his face had for the last few moments been turned, he broke his yawn short off in the middle, and his intent was forgotten. The cloud, which now covered the sun, was no longer gray, but a deep purple, palpitating with inward fire; while far to the west a galley, a little, black patch upon the waters, rose upon the horizon, coming from Mazzara. Charmides saw possibilities of hexameters in the race, and, though its outcome did not affect him in the least, he had a desire to know whether he must have Zeus with his bolts bring vengeance on some disobedient


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