A Romance of the Republic. Lydia Maria Child
my harem."
The levity of the remark jarred on the feelings of his companion, who answered, in a grave, and somewhat cold tone, "I saw nothing in the manners of the young ladies to suggest such a disposition of them."
"Excuse me," said Fitzgerald, laughing. "I forgot you were from the land of Puritans. I meant no indignity to the young ladies, I assure you. But when one amuses himself with imagining the impossible, it is not worth while to be scrupulous about details. I am not the Grand Bashaw; and when I pronounced them fit for his harem, I merely meant a compliment to their superlative beauty. That Floracita is a mischievous little sprite. Did you ever see anything more roguish than her expression while she was singing 'Petit blanc, mon bon frčre'?"
"That mercurial little song excited my curiosity," replied Alfred.
"Pray what is its origin?"
"I think it likely it came from the French West Indies," said Fitzgerald. "It seems to be the love-song of a young negress, addressed to a white lover. Floracita may have learned it from her mother, who was half French, half Spanish. You doubtless observed the foreign sprinkling in their talk. They told me they never spoke English with their mother. Those who have seen her describe her as a wonderful creature, who danced like Taglioni and sang like Malibran, and was more beautiful than her daughter Rosabella. But the last part of the story is incredible. If she were half as handsome, no wonder Mr. Royal idolized her, as they say he did."
"Did he marry her in the French Islands?" inquired Alfred.
"They were not married," answered Fitzgerald. "Of course not, for she was a quadroon. But here are my lodgings, and I must bid you good night."
These careless parting words produced great disturbance in the spirit of Alfred King. He had heard of those quadroon connections, as one hears of foreign customs, without any realizing sense of their consequences. That his father's friend should be a partner in such an alliance, and that these two graceful and accomplished girls should by that circumstance be excluded from the society they would so greatly ornament, surprised and bewildered him. He recalled that tinge in Rosa's complexion, not golden, but like a faint, luminous reflection of gold, and that slight waviness in the glossy hair, which seemed to him so becoming. He could not make these peculiarities seem less beautiful to his imagination, now that he knew them as signs of her connection with a proscribed race. And that bewitching little Floracita, emerging into womanhood, with the auroral light of childhood still floating round her, she seemed like a beautiful Italian child, whose proper place was among fountains and statues and pictured forms of art. The skill of no Parisian coiffeur could produce a result so pleasing as the profusion of raven hair, that would roll itself into ringlets. Octoroons! He repeated the word to himself, but it did not disenchant him. It was merely something foreign and new to his experience, like Spanish or Italian beauty. Yet he felt painfully the false position in which they were placed by the unreasoning prejudice of society.
Though he had had a fatiguing day, when he entered his chamber he felt no inclination to sleep. As he slowly paced up and down the room, he thought to himself, "My good mother shares the prejudice. How could I introduce them to her?" Then, as if impatient with himself, he murmured, in a vexed tone, "Why should I think of introducing them to my mother? A few hours ago I didn't know of their existence."
He threw himself on the bed and tried to sleep; but memory was too busy with the scene of enchantment he had recently left. A catalpa-tree threw its shadow on the moon-lighted curtain. He began to count the wavering leaves, in hopes the monotonous occupation would induce slumber. After a while he forgot to count; and as his spirit hovered between the inner and the outer world, Floracita seemed to be dancing on the leaf shadows in manifold graceful evolutions. Then he was watching a little trickling fountain, and the falling drops were tones of "The Light of other Days." Anon he was wandering among flowers in the moonlight, and from afar some one was heard singing "Casta Diva." The memory of that voice,
"While slept the limbs and senses all,
Made everything seem musical."
Again and again the panorama of the preceding evening revolved through the halls of memory with every variety of fantastic change. A light laugh broke in upon the scenes of enchantment, with the words, "Of course not, for she was a quadroon." Then the plaintive melody of "Toll the bell" resounded in his ears; not afar off, but loud and clear, as if the singer were in the room. He woke with a start, and heard the vibrations of a cathedral bell subsiding into silence. It had struck but twice, but in his spiritual ear the sounds had been modulated through many tones. "Even thus strangely," thought he, "has that rich, sonorous voice struck into the dream of my life,"
Again he saw those large, lustrous eyes lowering their long-fringed veils under the ardent gaze of Gerald Fitzgerald. Again he thought of his mother, and sighed. At last a dreamless sleep stole over him, and both pleasure and pain were buried in deep oblivion.
CHAPTER II.
The sun was up before he woke. He rose hastily and ordered breakfast and a horse; for he had resolved the day before upon an early ride. A restless, undefined feeling led him in the same direction he had taken the preceding evening. He passed the house that would forevermore be a prominent feature in the landscape of his life. Vines were gently waving in the morning air between the pillars of the piazza, where he had lingered entranced to hear the tones of "Buena Notte." The bright turban of Tulipa was glancing about, as she dusted the blinds. A peacock on the balustrade, in the sunshine, spread out his tail into a great Oriental fan, and slowly lowered it, making a prismatic shower of topaz, sapphires, and emeralds as it fell. It was the first of March; but as he rode on, thinking of the dreary landscape and boisterous winds of New England at that season, the air was filled with the fragrance of flowers, and mocking-birds and thrushes saluted him with their songs. In many places the ground was thickly strewn with oranges, and the orange-groves were beautiful with golden fruit and silver flowers gleaming among the dark glossy green foliage. Here and there was the mansion of a wealthy planter, surrounded by whitewashed slave-cabins. The negroes at their work, and their black picaninnies rolling about on the ground, seemed an appropriate part of the landscape, so tropical in its beauty of dark colors and luxuriant growth.
He rode several miles, persuading himself that he was enticed solely by the healthy exercise and the novelty of the scene. But more alluring than the pleasant landscape and the fragrant air was the hope that, if he returned late, the young ladies might be on the piazza, or visible at the windows. He was destined to be disappointed. As he passed, a curtain was slowly withdrawn from one of the windows and revealed a vase of flowers. He rode slowly, in hopes of seeing a face bend over the flowers; but the person who drew the curtain remained invisible. On the piazza nothing was in motion, except the peacock strutting along, stately as a court beauty, and drawing after him his long train of jewelled plumage. A voice, joyous as a bobolink's, sounded apparently from the garden. He could not hear the words, but the lively tones at once suggested, "Petit blanc, mon bon frčre." He recalled the words so carelessly uttered, "Of course not, for she was a quadroon," and they seemed to make harsh discord with the refrain of the song. He remembered the vivid flush that passed over Rosa's face while her playful sister teased her with that tuneful badinage. It seemed to him that Mr. Fitzgerald was well aware of his power, for he had not attempted to conceal his consciousness of the singer's mischievous intent. This train of thought was arrested by the inward question, "What is it to me whether he marries her or not?" Impatiently he touched his horse with the whip, as if he wanted to rush from the answer to his own query.
He had engaged to meet Mr. Royal at his counting-house, and he was careful to keep the appointment. He was received with parental kindness slightly tinged with embarrassment. After some conversation about business, Mr. Royal said: "From your silence concerning your visit to my house last evening, I infer that Mr. Fitzgerald has given you some information relating to my daughters' history. I trust, my young friend, that you have not suspected me of any intention to deceive or entrap you. I intended to have told you myself; but I had a desire to know first how my daughters would impress