The Honorable Miss Moonlight. Winnifred Eaton
looked at her now with new eyes. As a little boy he had liked Ohano. She was his sole playmate, and it had been his delight to tease her. Now, as he watched her stealthily, he was consumed with a sense of unutterable despair. Could it be that his fairest dreams were to end with Ohano?
Like every other Japanese youth, who knows that some day his proper mate will be chosen and given to him, Gonji had conjured up a lovely, yielding creature of the imagination, a gentle, smiling, mysterious Eve, who, like a new world, should daily surprise and delight him. As he looked at Ohano, sitting placidly and contentedly by his side, he was conscious only of an inner tumult of rebellion and repulsion against the chains they were forging inexorably about him and this girl. It was impossible, he felt, to drag him nearer to her. The very thought revolted, stunned him, and suddenly, rudely, he turned his back upon his bride.
The relatives agreed that something should be done to offset the gloom of the first stages of betrothal. It was suggested that the bridegroom have a full week of freedom. As was the custom among many, he should for the first time be introduced to the life of gaiety and pleasure that lay outside the lofty, ancestral walls, the better, later, to appreciate the calm and pure joys of home and family.
In single file the jinrikishas had been running along a narrow road which overlooked city and bay. Now they swerved into shadowy by-paths and plunged into the heart of the woods. A velvety darkness, through which the drivers picked their way with caution, enwrapped them.
For some time the tingling music of samisen and drum close by had been growing ever clearer. Suddenly the glimmer of many lights was seen, as if suspended overhead. Almost unconsciously faces were raised, excited breaths drawn in admiration and approval. Like a great sparkling jewel hung in mid-air, the House of Slender Pines leaned over its wooded terraces toward them.
Gay little mousmés, rubbing hands and knees together, ran to meet them at the gate, kowtowing and hissing in obeisance. The note of a samisen was heard; and a thin little voice, sweet, and incredibly high, broke into song. Geishas, with great flowers in their hair, fell into a posturing group, dancing with hand, head, and fan. Gonji watched them in a fascinated silence, noting the minutest detail of their attire, their expression, their speech. They belonged to a world which, till now, he had not been permitted even to explore. Nay, till but recently he had been rigidly guarded from even the slightest possible contact with these little creatures of joy. Soon he was to be set in the niche destined for him by his ancestors. Here was his sole opportunity to seize the fleeting delights of youth.
A laughing-faced mousmé, red-lipped and with saucy, teasing eyes that peeped at him from beneath veiled lashes, knelt to hold his sake-tray. He leaned gravely toward the girl and examined her face with a curious wonder; but her smile brought no response to the somewhat sad and somber lips of the young man, nor did he even deign to sip the fragrant cup she tendered.
An elder cousin offered some chaffing advice, and an hilarious uncle suggested that the master of the house put his geishas upon parade; but the father of Gonji roughly interposed, declaring that his son’s thoughts, naturally, were elsewhere. It was so with all expectant bridegrooms. His father’s words awoke the boy from his dreaming. He turned very pale and trembled. His head drooped forward, and he felt an irresistible inclination to cover his face with his hands. His father’s voice sounded in gruff whisper at his ear:
“Pay attention. You see now the star of the night. It is the famous Spider, spinning her web!”
As Gonji slowly raised his head and gazed like one spellbound at the dancer, his father added, with a sudden vehemence:
“Take care, my son, lest she entrap thee, too, like the proverbial fly.”
A hush had fallen upon the gardens. Almost it seemed as if the tiny feet of the dancer stirred not at all. Yet, with imperceptible advances, she moved nearer and nearer to her fascinated audience. Above her flimsy gown of sheerest veiling, which sprang like a web on all sides and above her, her face shone with its marvelous beauty and allurement. Her lips were apart, smiling, coaxing, teasing; and her eyes, wide and very large, seemed to seek over the heads of her audience for the one who should prove her prey. It was the final motion of the dance of the Spider, the seeking for, the finding, the seizing of her imaginary victim. Now the Spider’s eyes had ceased to wander. They were fixed compellingly upon those of the Lord Saito Gonji.
He had arisen to his feet, and with a half-audible exclamation—a sound of an indrawn sigh—he advanced toward the dancer. For a moment, breathlessly, he stood close beside her. The subtle odor of her perfumed hair and body stole like a charm over his senses. Her sleeve fluttered against his hand for but the fraction of a moment, yet thrilled and tormented him. He looked at the Spider with the eyes of one who sees a new and radiant wonder. Then darkness came rudely between them. The geisha’s face vanished with the light. He was standing alone, staring into the darkness, his father’s voice droning meaninglessly in his ear.
CHAPTER II
HER real name was as poetical as the one she was known by was forbidding and repelling. Moonlight, it was; though all the gay world which hovers about a famous geisha, like flies over the honey-pot, knew her solely as the “Spider.”
“Spider” she was called because of the peculiar dance she had originated. It was against all classical precedents, but of so exceptional a character that in a night, a single hour, as it were, she found herself from a humble little apprentice the most celebrated geisha in Kioto, that paradise of geishas.
It was a day of golden fortune for Matsuda, who owned the girl. She had been bound to his service since the age of seven with bonds as drastic as if the days of slavery still existed.
Harsh, cunning, even cruel to the many girls in his employ, Matsuda had yet one vulnerable point. That was his overwhelming affection for the geisha he had married, and she was afflicted with a malady of the brain. Some said it was due to the death of her many children, all of whom had succumbed to an infectious disease. From whatever misfortune, the gentle Okusama, as they called her in the geisha-house, was at intervals blank-minded. Still she, the harmless, gentle creature, was loved by the geishas; and, as far as it lay in her power, she was their friend, and often saved them from the wrath of Matsuda. It was into her empty bosom the little Moonlight had crept and found a warm and loving home. With a yearning as deep as though the child were her own, the wife of Matsuda watched over the child. It was under her tutelage that Moonlight learned all the arts of an accomplished geisha. In her time the wife of Matsuda had been very famous, too, and no one knew better than she, soft of mind and witless as she was at times, the dances and the songs of the geisha-house.
Matsuda had watched with some degree of irritation, not unmixed with a peculiar jealousy, his wife’s absorption in the tiny Moonlight. He did not approve of gentle treatment toward a mere apprentice. It was only by harsh measures that a girl could properly learn the severe profession. Later, when she had mastered all the intricate arts and graces, then, perhaps, one might prove lenient. It was no uncommon thing for a geisha to be pampered and spoiled, but an apprentice, never!
However, the child seemed to make happier the lot of the beloved Okusama, and there was nothing to be done about the matter.
Disliking the child, Matsuda nevertheless recognized from the first her undoubted beauty, the thing which had induced him, in fact, to pay an exceptional price to her guardians for her. He had little faith in her future as a geisha, however, since his wife chose to pet and protect her. How was it possible for her to learn from the poor, witless Okusama? When the latter joyously jabbered of the little one’s wonderful progress, Matsuda would smile or grunt surlily.
Then, one day, walking in the woods, he had come, unexpectedly, upon the posturing child, tossing her little body from side to side like a wind-blown flower, while his wife picked two single notes upon the samisen. Matsuda watched them dumb-smitten. Was it possible, he asked himself, that the Okusama had discovered what