Tell England. Ernest Raymond

Tell England - Ernest Raymond


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in his childish memories. She would tell again and again how he asked repeatedly, as he lay dying, for "that Rupert, the best of the lot." And her son would say: "I s'pose he meant Daddy, mother." "Yes," she would answer. "You see, you were all Ruperts: Grandfather Rupert Ray, Daddy Rupert Ray, and Sonny Rupert Ray, my own little Sonny Ray." (Mothers talk in this absurd fashion, and Mrs. Ray was the chief of such offenders.)

      But quite the masterpiece of all her tales was this. One summer morning, when the Boulogue promenade was bright and crowded and lively, the Colonel was seated with his grandson beside him. A little distance away sat Rupert's mother, who was just about as shy of the Colonel as the Colonel was shy of her (which fact accounts, probably, for Rupert Ray's growing up into the shy boy we knew). Well, all of a sudden, the boy got up, stood immediately in front of his grandsire, and leaned forward against his knees. There was no mistaking the meaning in the child's eyes; they said plainly: "This is entirely the best attitude for story-telling, so please."

      The officer, with military quickness, summed up the perilous situation on his front; he had suffered himself to be bombarded by a pair of patient eyes. And now he must either acknowledge his incompetence by a shameful retreat, or he must stir up the dump of his imagination and see what stories it contained. So with no small apprehension, he drew upon his inventive genius.

      A wonderful story resulted—wonderful as a prophetic parable of things which the Colonel would not live to see. Perhaps it was only coincidence that it should be so; perhaps the approach of death endowed the old gentleman with the gift of dim prophecy—did he not know that he would follow the swallows away?—perhaps all the Rays, when they stand in that shadow, possess a mystic vision. Certainly the boy Rupert—but there! I knew I was in danger of spoiling his story.

      If the Colonel's tale this morning was wonderful to the listener, the author suspected that he was plagiarising. The hero was a knight of peculiar grace, who sustained the spotless name of Sir R—— R——. He was not very handsome, having hair that was neither gold nor brown, and a brace of absurdly sea-blue eyes. But he was distinguished by many estimable qualities; he was English, for example, and not French, very brave, very sober, and quite fond of an elderly relation. And one day he was undoubtedly (although the Colonel's conscience pricked him) plunging on foot through a dense forest to the aid of a fellow-knight who had been captured and imprisoned.

      "What was the other knight like?" interrupted Rupert.

      "What, indeed?" echoed the Colonel, temporising till he should evolve an answer. "Yes, that's a very relevant question. Well, he was a good deal fairer than Sir R—— R——, but about the same age, only with brown eyes, and he was a very nice little boy—young fellow, I mean."

      "What was his name?"

      "His name? Oh, well—" and here the Colonel, feeling with some taste that "Smith," or "Jones," or "Robinson" was out of place in a forest whose mediæval character was palpable, and being quite unable at such short notice to recall any other English names, gained time by the following ingenious detail: "Oh, well, he lost his good name by being captured. And then—and then to his aid came the stalwart Sir R——, with his sword drawn, and his—er—"

      "Revoller," suggested the listener.

      "Yes, his revolver fixed to his chain-mail—"

      In this strain the Colonel proceeded, wondering whether such abominable nonsense was interesting the child, whose gaze had now begun to reach out to sea. In reality Rupert was thrilled, and did not like to disturb the flow of a story so affecting. But the strength of his feelings was too much. He was obliged to suggest an amendment.

      "Are you sure I didn't go upon a horse?" he asked.

      "Why, of course, the unknown knight in question did, and the sheath of his sword clanked against his horse's side, as he dashed through the thicket."

      "Had the fair-haired knight anything to eat all this time?"

      This important problem was duly settled, and several others which were seen to be involved in such an intricate story; and a very happy conclusion was reached, when Mrs. Ray decided that it was time for Rupert to be taken home. She was about to lead him away, when the Colonel, who seldom spoke to her much, abruptly murmured:

      "He has that Rupert's eyes."

      For a moment she was quite taken aback, and then timorously replied: "Yes, they are very blue."

      "Very blue," repeated the Colonel.

      Mrs. Ray thereupon felt she must obviate an uncomfortable silence, and began with a nervous laugh:

      "He was born when we were in Geneva, you know, and we used to call him 'our mountain boy,' saying that he had brought a speck of the mountain skies away in his eyes."

      The Colonel conceded a smile, but addressed his reply to the child: "A mountain boy, is he?" and, placing his hand on Rupert's head, he turned the small face upward, and watched it break into a smile. "Well, well. A mountain boy, eh?—from the lake of Geneva. H'm. Il a dans les yeux un coin du lac."

      At this happy description the tears of pleasure sprang to the foolish eyes of Mrs. Ray, while Rupert, thinking with much wisdom that all the conditions were favourable, gazed up into the Colonel's face, and fired his last shot.

      "What really was the fair-haired knight's name?"

      "Perhaps you will know some day," answered the Colonel, half playfully, half wearily.

      §2

      In the course of the same summer Master Archibald Pennybet, of Wimbledon, celebrated his eighth birthday. He celebrated it by a riotous waking-up in the sleeping hours of dawn; he celebrated it by a breakfast which extended him so much that his skin became unbearably tight; and then, in a new white sailor-suit and brown stockings turned over at the calves to display a couple of magnificent knees, he celebrated some more of it in the garden. There on the summer lawn he stood, unconsciously deliberating how best to give new expression to the personality of Archibald Pennybet. He was dark, gloriously built, and possessed eyes that lazily drooped by reason of their heavy lashes; and, I am sorry to say, he evoked from a boudoir window the gurgling admiration of his fashionable mother, who, while her hair was being dressed, allowed her glance to swing from her hand-mirror, which framed a gratifying vision of herself, to the window, which framed a still more gratifying vision of her son. "He gets his good looks from me," she thought. And, having noticed the drooping of his eyelids, over-weighted with lashes, she brought her hand-mirror into play again. "He is lucky," she added, "to have inherited those lazy eyes from me."

      Soon Archie retired in the direction of the kitchen-garden. The kitchen-garden, with its opportunities of occasional refreshment such as would not add uncomfortably to his present feeling of tightness, was the place for a roam. Five minutes later he was leaning against the wire-netting of the chicken-run, and offering an old cock, who asked most pointedly for bread, a stone. To know how to spend a morning was no easier on a birthday than on any ordinary day.

      Suddenly, however, he overheard the gardener mentioning a murder which had been committed on Wimbledon Common, a fine tract of wild jungle and rolling prairie, that lay across the main road. Without waiting to prosecute inquiries which would have told him that, although the confession was only in the morning papers, the murder was twenty years old, he escaped unseen and set his little white figure on a walk through the common. He was out to see the blood.

      But, for a birthday, it was a disappointing morning. He discovered for the first time that Wimbledon Common occupied an interminable expanse of country; and really there was nothing unusual this morning about its appearance, or about the looks of the people whom he passed. So he gave up his quest and returned homeward. Then it was that his lazy eyes looked down a narrow, leafy lane that ran along the high wall of his own garden. Now all Wimbledon suspects that this lane was designed by the Corporation as a walk for lovers. There is evidence of the care and calculation that one spends on a chicken-run. For the Corporation, knowing the practice of lovers, has placed in the shady recesses of the lane a seat where these comical people can intertwine. At the sight of the lane and the seat, Master Pennybet immediately decided how he would


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