The Essential Works of George Eliot. George Eliot
it was Seth Bede, as was allays a wool-gathering chap, and religion hasna cured him, the more’s the pity.”
“Ne’er heed me, Seth,” said Wiry Ben, “y’ are a down-right good-hearted chap, panels or no panels; an’ ye donna set up your bristles at every bit o’ fun, like some o’ your kin, as is mayhap cliverer.”
“Seth, lad,” said Adam, taking no notice of the sarcasm against himself, “thee mustna take me unkind. I wasna driving at thee in what I said just now. Some ’s got one way o’ looking at things and some ’s got another.”
“Nay, nay, Addy, thee mean’st me no unkindness,” said Seth, “I know that well enough. Thee’t like thy dog Gyp—thee bark’st at me sometimes, but thee allays lick’st my hand after.”
All hands worked on in silence for some minutes, until the church clock began to strike six. Before the first stroke had died away, Sandy Jim had loosed his plane and was reaching his jacket; Wiry Ben had left a screw half driven in, and thrown his screwdriver into his tool-basket; Mum Taft, who, true to his name, had kept silence throughout the previous conversation, had flung down his hammer as he was in the act of lifting it; and Seth, too, had straightened his back, and was putting out his hand towards his paper cap. Adam alone had gone on with his work as if nothing had happened. But observing the cessation of the tools, he looked up, and said, in a tone of indignation, “Look there, now! I can’t abide to see men throw away their tools i’ that way, the minute the clock begins to strike, as if they took no pleasure i’ their work and was afraid o’ doing a stroke too much.”
Seth looked a little conscious, and began to be slower in his preparations for going, but Mum Taft broke silence, and said, “Aye, aye, Adam lad, ye talk like a young un. When y’ are six-an’-forty like me, istid o’ six-an’-twenty, ye wonna be so flush o’ workin’ for nought.”
“Nonsense,” said Adam, still wrathful; “what’s age got to do with it, I wonder? Ye arena getting stiff yet, I reckon. I hate to see a man’s arms drop down as if he was shot, before the clock’s fairly struck, just as if he’d never a bit o’ pride and delight in ’s work. The very grindstone ’ull go on turning a bit after you loose it.”
“Bodderation, Adam!” exclaimed Wiry Ben; “lave a chap aloon, will ’ee? Ye war afinding faut wi’ preachers a while agoo—y’ are fond enough o’ preachin’ yoursen. Ye may like work better nor play, but I like play better nor work; that’ll ’commodate ye—it laves ye th’ more to do.”
With this exit speech, which he considered effective, Wiry Ben shouldered his basket and left the workshop, quickly followed by Mum Taft and Sandy Jim. Seth lingered, and looked wistfully at Adam, as if he expected him to say something.
“Shalt go home before thee go’st to the preaching?” Adam asked, looking up.
“Nay; I’ve got my hat and things at Will Maskery’s. I shan’t be home before going for ten. I’ll happen see Dinah Morris safe home, if she’s willing. There’s nobody comes with her from Poyser’s, thee know’st.”
“Then I’ll tell mother not to look for thee,” said Adam.
“Thee artna going to Poyser’s thyself to-night?” said Seth rather timidly, as he turned to leave the workshop.
“Nay, I’m going to th’ school.”
Hitherto Gyp had kept his comfortable bed, only lifting up his head and watching Adam more closely as he noticed the other workmen departing. But no sooner did Adam put his ruler in his pocket, and begin to twist his apron round his waist, than Gyp ran forward and looked up in his master’s face with patient expectation. If Gyp had had a tail he would doubtless have wagged it, but being destitute of that vehicle for his emotions, he was like many other worthy personages, destined to appear more phlegmatic than nature had made him.
“What! Art ready for the basket, eh, Gyp?” said Adam, with the same gentle modulation of voice as when he spoke to Seth.
Gyp jumped and gave a short bark, as much as to say, “Of course.” Poor fellow, he had not a great range of expression.
The basket was the one which on workdays held Adam’s and Seth’s dinner; and no official, walking in procession, could look more resolutely unconscious of all acquaintances than Gyp with his basket, trotting at his master’s heels.
On leaving the workshop Adam locked the door, took the key out, and carried it to the house on the other side of the woodyard. It was a low house, with smooth grey thatch and buff walls, looking pleasant and mellow in the evening light. The leaded windows were bright and speckless, and the door-stone was as clean as a white boulder at ebb tide. On the door-stone stood a clean old woman, in a dark-striped linen gown, a red kerchief, and a linen cap, talking to some speckled fowls which appeared to have been drawn towards her by an illusory expectation of cold potatoes or barley. The old woman’s sight seemed to be dim, for she did not recognize Adam till he said, “Here’s the key, Dolly; lay it down for me in the house, will you?”
“Aye, sure; but wunna ye come in, Adam? Miss Mary’s i’ th’ house, and Mester Burge ’ull be back anon; he’d be glad t’ ha’ ye to supper wi’m, I’ll be’s warrand.”
“No, Dolly, thank you; I’m off home. Good evening.”
Adam hastened with long strides, Gyp close to his heels, out of the workyard, and along the highroad leading away from the village and down to the valley. As he reached the foot of the slope, an elderly horseman, with his portmanteau strapped behind him, stopped his horse when Adam had passed him, and turned round to have another long look at the stalwart workman in paper cap, leather breeches, and dark-blue worsted stockings.
Adam, unconscious of the admiration he was exciting, presently struck across the fields, and now broke out into the tune which had all day long been running in his head:
Let all thy converse be sincere,
Thy conscience as the noonday clear;
For God’s all-seeing eye surveys
Thy secret thoughts, thy works and ways.
Chapter II.
The Preaching.
About a quarter to seven there was an unusual appearance of excitement in the village of Hayslope, and through the whole length of its little street, from the Donnithorne Arms to the churchyard gate, the inhabitants had evidently been drawn out of their houses by something more than the pleasure of lounging in the evening sunshine. The Donnithorne Arms stood at the entrance of the village, and a small farmyard and stackyard which flanked it, indicating that there was a pretty take of land attached to the inn, gave the traveller a promise of good feed for himself and his horse, which might well console him for the ignorance in which the weather-beaten sign left him as to the heraldic bearings of that ancient family, the Donnithornes. Mr. Casson, the landlord, had been for some time standing at the door with his hands in his pockets, balancing himself on his heels and toes and looking towards a piece of unenclosed ground, with a maple in the middle of it, which he knew to be the destination of certain grave-looking men and women whom he had observed passing at intervals.
Mr. Casson’s person was by no means of that common type which can be allowed to pass without description. On a front view it appeared to consist principally of two spheres, bearing about the same relation to each other as the earth and the moon: that is to say, the lower sphere might be said, at a rough guess, to be thirteen times larger than the upper which naturally performed the function of a mere satellite and tributary. But here the resemblance ceased, for Mr. Casson’s head was not at all a melancholy-looking satellite nor was it a “spotty globe,” as Milton has irreverently called the moon; on the contrary, no head and face could look more sleek and healthy, and its expression—which was chiefly confined to a pair of round and ruddy cheeks, the slight knot and interruptions forming the nose and eyes being scarcely