The History of the Ancient Civilizations. Duncker Max

The History of the Ancient Civilizations - Duncker Max


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itself, and finally the Holy of Holies, surrounded by small chambers. The material used in building was limestone and granite. The symbolic form of the deity, to whom the temple belonged, was the enormous Sphinx, 190 feet in length, hewn out of the rock, with the body of a lion and the head of a man. From the memorial stone before it we learn that it symbolized the god Harmachu (Armachis of the Greeks), i.e. Horus in Splendour (har-em-chu).[150] From the inscription on this stone, which dates from the time of Tuthmosis IV., it seems to follow that it was Chafra, who caused this shape to be hewn out of the rock and consecrated it to the god. Other inscriptions inform us that the pyramids were regarded as sepulchral temples, and that there were priests for the service of the princes who were buried there, and had attained to a divine nature, and these services were still in existence at the time of the Ptolemies. One of the tombs at Gizeh belongs to a priest, a relation of Chafra, whose duty it was to "honour the pyramid Uer (the Great) of king Chafra;" another is found at Sakkarah belonging to "a priest of Chufu, and Chafra."[151] On a monumental stone of the time of the Ptolemies (found in the Serapeum, and now in the Louvre) mention is made of the temple of Harmachu on the south of the house of Isis, and of a certain Psamtik, the prophet of Isis, of Osarhapi (p. 67), of Harmachu, of Chufu and Chafra.[152]

      The temples of Osiris and Isis, near the three great pyramids, and the inscription on the sarcophagus of king Menkera are evidence that the cultus of Osiris, the belief in his rule in the next world, in the return of the soul to her divine origin, and her deification after death, was already in existence at the time when these monuments were erected. The use not of hieroglyphics only, but also of the hieratic alphabet, in red and black colours, in the pyramid of Chufu, and the graves around it, in the sculptures of which writing materials and rolls of papyrus are frequently engraved, the forms of domestic and household life, of agriculture and the cultivation of the vine, of hunting and fishing, preserved on the tombs of Gizeh, are evidence of the long existence and manifold development of civilisation, no less than those great monuments, or even the graves themselves with their artistic mode of construction, their severe and simple style of execution, and the pleasing forms of their ornaments. Of the seven statues of Chafra, discovered in the temple of the Sphinx, one, chiselled out of hard green and yellow basalt, has been preserved uninjured. The king is represented sitting, and naked, with the exception of a covering on the head and a girdle round the loins. The lower arms rest on the thighs, the left hand is outstretched, the right holds a fillet. The sides of the cube, on which Chafra is seated, are formed by lions, between the feet of which are stems of papyrus. On the high back of the chair, behind the head of the king, sits the hawk of Horus, whose wings are spread forwards in an attitude of protection. The execution of the statue of the king is a proof of long practice in sculpture. The natural form is truly and accurately rendered, and though even here Egyptian art displays its characteristic inclination to severity, and correctness in the proportions of the body, to repose and dignity, yet in the head there is an unmistakable attempt to individualize an outline already fixed—an attempt not without success. Still more distinctly individual are two statues found near the pyramids of Meidum, from the reign of the predecessor of Chufu, a wooden statue, and certain pictures in relief from the tombs near the great pyramids. The architecture, no less than the sculpture, of these most ancient monuments, displays a high degree of experience and a knowledge of the principles of art, a conscious purpose and effort existing together with a fixed obedience to rule.

      The removal of the centre of the kingdom from Memphis, which is noticeable under the family of Pepi, was completely carried out under a later house, which is stated in the lists to belong to Thebes—the eleventh and twelfth dynasty of Manetho. Upper Egypt became the seat of the royal power; Thebes (the No-Amon, i.e. possession of Ammon, of the Hebrews) took her place beside Memphis. The princes of this new dynasty are no longer called in the monuments the lords of Upper and Lower Egypt, but the "lords of both lands;" they always wear both crowns. Hence it is possible that this royal house in the first instance ruled over Upper Egypt only from Thebes, and that for a long time Upper and Lower Egypt existed side by side independently, till the kings of Thebes succeeded in reducing Lower Egypt under their dominion.


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