The Golden Bough: A Study of Magic & Religion. James George Frazer
spaces between the teeth of a comb. In the Kei Islands, to the southwest of New Guinea, as soon as a vessel that is about to sail for a distant port has been launched, the part of the beach on which it lay is covered as speedily as possible with palm branches, and becomes sacred. No one may thenceforth cross that spot till the ship comes home. To cross it sooner would cause the vessel to perish. Moreover, all the time that the voyage lasts three or four young girls, specially chosen for the duty, are supposed to remain in sympathetic connexion with the mariners and to contribute by their behaviour to the safety and success of the voyage. On no account, except for the most necessary purpose, may they quit the room that has been assigned to them. More than that, so long as the vessel is believed to be at sea they must remain absolutely motionless, crouched on their mats with their hands clasped between their knees. They may not turn their heads to the left or to the right or make any other movement whatsoever. If they did, it would cause the boat to pitch and toss; and they may not eat any sticky stuff, such as rice boiled in coco-nut milk, for the stickiness of the food would clog the passage of the boat through the water. When the sailors are supposed to have reached their destination, the strictness of these rules is somewhat relaxed; but during the whole time that the voyage lasts the girls are forbidden to eat fish which have sharp bones or stings, such as the sting-ray, lest their friends at sea should be involved in sharp, stinging trouble.
Where beliefs like these prevail as to the sympathetic connexion between friends at a distance, we need not wonder that above everything else war, with its stern yet stirring appeal to some of the deepest and tenderest of human emotions, should quicken in the anxious relations left behind a desire to turn the sympathetic bond to the utmost account for the benefit of the dear ones who may at any moment be fighting and dying far away. Hence, to secure an end so natural and laudable, friends at home are apt to resort to devices which will strike us as pathetic or ludicrous, according as we consider their object or the means adopted to effect it. Thus in some districts of Borneo, when a Dyak is out head-hunting, his wife or, if he is unmarried, his sister must wear a sword day and night in order that he may always be thinking of his weapons; and she may not sleep during the day nor go to bed before two in the morning, lest her husband or brother should thereby be surprised in his sleep by an enemy. Among the Sea Dyaks of Banting in Sarawak the women strictly observe an elaborate code of rules while the men are away fighting. Some of the rules are negative and some are positive, but all alike are based on the principles of magical homoeopathy and telepathy. Amongst them are the following. The women must wake very early in the morning and open the windows as soon as it is light; otherwise their absent husbands will oversleep themselves. The women may not oil their hair, or the men will slip. The women may neither sleep nor doze by day, or the men will be drowsy on the march. The women must cook and scatter popcorn on the verandah every morning; so will the men be agile in their movements. The rooms must be kept very tidy, all boxes being placed near the walls; for if any one were to stumble over them, the absent husbands would fall and be at the mercy of the foe. At every meal a little rice must be left in the pot and put aside; so will the men far away always have something to eat and need never go hungry. On no account may the women sit at the loom till their legs grow cramped, otherwise their husbands will likewise be stiff in their joints and unable to rise up quickly or to run away from the foe. So in order to keep their husbands’ joints supple the women often vary their labours at the loom by walking up and down the verandah. Further, they may not cover up their faces, or the men would not to be able to find their way through the tall grass or jungle. Again, the women may not sew with a needle, or the men will tread on the sharp spikes set by the enemy in the path. Should a wife prove unfaithful while her husband is away, he will lose his life in the enemy’s country. Some years ago all these rules and more were observed by the women of Banting, while their husbands were fighting for the English against rebels. But alas! these tender precautions availed them little; for many a man, whose faithful wife was keeping watch and ward for him at home, found a soldier’s grave.
In the island of Timor, while war is being waged, the high-priest never quits the temple; his food is brought to him or cooked inside; day and night he must keep the fire burning, for if he were to let it die out, disaster would be fall the warriors and would continue so long as the hearth was cold. Moreover, he must drink only hot water during the time the army is absent; for every draught of cold water would damp the spirits of the people, so that they could not vanquish the enemy. In the Kei Islands, when the warriors have departed, the women return indoors and bring out certain baskets containing fruits and stones. These fruits and stones they anoint and place on a board, murmuring as they do so, “O lord sun, moon, let the bullets rebound from our husbands, brothers, betrothed, and other relations, just as raindrops rebound from these objects which are smeared with oil.” As soon as the first shot is heard, the baskets are put aside, and the women, seizing their fans, rush out of the houses. Then, waving their fans in the direction of the enemy, they run through the village, while they sing, “O golden fans! let our bullets hit, and those of the enemy miss.” In this custom the ceremony of anointing stones, in order that the bullets may recoil from the men like raindrops from the stones, is a piece of pure homoeopathic or imitative magic; but the prayer to the sun, that he will be pleased to give effect to the charm, is a religious and perhaps later addition. The waving of the fans seems to be a charm to direct the bullets towards or away from their mark, according as they are discharged from the guns of friends or foes.
An old historian of Madagascar informs us that “while the men are at the wars, and until their return, the women and girls cease not day and night to dance, and neither lie down nor take food in their own houses. And although they are very voluptuously inclined, they would not for anything in the world have an intrigue with another man while their husband is at the war, believing firmly that if that happened, their husband would be either killed or wounded. They believe that by dancing they impart strength, courage, and good fortune to their husbands; accordingly during such times they give themselves no rest, and this custom they observe very religiously.”
Among the Tshi-speaking peoples of the Gold Coast the wives of men who are away with the army paint themselves white, and adorn their persons with beads and charms. On the day when a battle is expected to take place, they run about armed with guns, or sticks carved to look like guns, and taking green paw-paws (fruits shaped somewhat like a melon), they hack them with knives, as if they were chopping off the heads of the foe. The pantomime is no doubt merely an imitative charm, to enable the men to do to the enemy as the women do to the paw-paws. In the West African town of Framin, while the Ashantee war was raging some years ago, Mr. Fitzgerald Marriott saw a dance performed by women whose husbands had gone as carriers to the war. They were painted white and wore nothing but a short petticoat. At their head was a shrivelled old sorceress in a very short white petticoat, her black hair arranged in a sort of long projecting horn, and her black face, breasts, arms, and legs profusely adorned with white circles and crescents. All carried long white brushes made of buffalo or horse tails, and as they danced they sang, “Our husbands have gone to Ashanteeland; may they sweep their enemies off the face of the earth!”
Among the Thompson Indians of British Columbia, when the men were on the war-path, the women performed dances at frequent intervals. These dances were believed to ensure the success of the expedition. The dancers flourished their knives, threw long sharp-pointed sticks forward, or drew sticks with hooked ends repeatedly backward and forward. Throwing the sticks forward was symbolic of piercing or warding off the enemy, and drawing them back was symbolic of drawing their own men from danger. The hook at the end of the stick was particularly well adapted to serve the purpose of a life-saving apparatus. The women always pointed their weapons towards the enemy’s country. They painted their faces red and sang as they danced, and they prayed to the weapons to preserve their husbands and help them to kill many foes. Some had eagle-down stuck on the points of their sticks. When the dance was over, these weapons were hidden. If a woman whose husband was at the war thought she saw hair or a piece of a scalp on the weapon when she took it out, she knew that her husband had killed an enemy. But if she saw a stain of blood on it, she knew he was wounded or dead. When the men of the Yuki tribe in California were away fighting, the women at home did not sleep; they danced continually in a circle, chanting and waving leafy wands. For they said that if they danced all the time, their husbands would not grow tired. Among the Haida Indians of the Queen Charlotte Islands, when the men had gone to war, the women at home would get up very early in the morning