The Golden Bough: A Study of Magic & Religion. James George Frazer
and his light and heat diminished, he was supposed to need a staff on which to lean. In New Caledonia when a wizard desires to make sunshine, he takes some plants and corals to the burial-ground, and fashions them into a bundle, adding two locks of hair cut from a living child of his family, also two teeth or an entire jawbone from the skeleton of an ancestor. He then climbs a mountain whose top catches the first rays of the morning sun. Here he deposits three sorts of plants on a flat stone, places a branch of dry coral beside them, and hangs the bundle of charms over the stone. Next morning he returns to the spot and sets fire to the bundle at the moment when the sun rises from the sea. As the smoke curls up, he rubs the stone with the dry coral, invokes his ancestors and says: “Sun! I do this that you may be burning hot, and eat up all the clouds in the sky.” The same ceremony is repeated at sunset. The New Caledonians also make a drought by means of a disc-shaped stone with a hole in it. At the moment when the sun rises, the wizard holds the stone in his hand and passes a burning brand repeatedly into the hole, while he says: “I kindle the sun, in order that he may eat up the clouds and dry up our land, so that it may produce nothing.” The Banks Islanders make sunshine by means of a mock sun. They take a very round stone, called a vat loa or sunstone, wind red braid about it, and stick it with owls’ feathers to represent rays, singing the proper spell in a low voice. Then they hang it on some high tree, such as a banyan or a casuarina, in a sacred place.
The offering made by the Brahman in the morning is supposed to produce the sun, and we are told that “assuredly it would not rise, were he not to make that offering.” The ancient Mexicans conceived the sun as the source of all vital force; hence they named him Ipalnemohuani, “He by whom men live.” But if he bestowed life on the world, he needed also to receive life from it. And as the heart is the seat and symbol of life, bleeding hearts of men and animals were presented to the sun to maintain him in vigour and enable him to run his course across the sky. Thus the Mexican sacrifices to the sun were magical rather than religious, being designed, not so much to please and propitiate him, as physically to renew his energies of heat, light, and motion. The constant demand for human victims to feed the solar fire was met by waging war every year on the neighbouring tribes and bringing back troops of captives to be sacrificed on the altar. Thus the ceaseless wars of the Mexicans and their cruel system of human sacrifices, the most monstrous on record, sprang in great measure from a mistaken theory of the solar system. No more striking illustration could be given of the disastrous consequences that may flow in practice from a purely speculative error. The ancient Greeks believed that the sun drove in a chariot across the sky; hence the Rhodians, who worshipped the sun as their chief deity, annually dedicated a chariot and four horses to him, and flung them into the sea for his use. Doubtless they thought that after a year’s work his old horses and chariot would be worn out. From a like motive, probably, the idolatrous kings of Judah dedicated chariots and horses to the sun, and the Spartans, Persians, and Massagetae sacrificed horses to him. The Spartans performed the sacrifice on the top of Mount Taygetus, the beautiful range behind which they saw the great luminary set every night. It was as natural for the inhabitants of the valley of Sparta to do this as it was for the islanders of Rhodes to throw the chariot and horses into the sea, into which the sun seemed to them to sink at evening. For thus, whether on the mountain or in the sea, the fresh horses stood ready for the weary god where they would be most welcome, at the end of his day’s journey.
As some people think they can light up the sun or speed him on his way, so others fancy they can retard or stop him. In a pass of the Peruvian Andes stand two ruined towers on opposite hills. Iron hooks are clamped into their walls for the purpose of stretching a net from one tower to the other. The net is intended to catch the sun. Stories of men who have caught the sun in a noose are widely spread. When the sun is going southward in the autumn, and sinking lower and lower in the Arctic sky, the Esquimaux of Iglulik play the game of cat’s cradle in order to catch him in the meshes of the string and so prevent his disappearance. On the contrary, when the sun is moving northward in the spring, they play the game of cup-and-ball to hasten his return. When an Australian blackfellow wishes to stay the sun from going down till he gets home, he puts a sod in the fork of a tree, exactly facing the setting sun. On the other hand, to make it go down faster, the Australians throw sand into the air and blow with their mouths towards the sun, perhaps to waft the lingering orb westward and bury it under the sands into which it appears to sink at night.
As some people imagine they can hasten the sun, so others fancy they can jog the tardy moon. The natives of New Guinea reckon months by the moon, and some of them have been known to throw stones and spears at the moon, in order to accelerate its progress and so to hasten the return of their friends, who were away from home for twelve months working on a tobacco plantation. The Malays think that a bright glow at sunset may throw a weak person into a fever. Hence they attempt to extinguish the glow by spitting out water and throwing ashes at it. The Shuswap Indians believe that they can bring on cold weather by burning the wood of a tree that has been struck by lightning. The belief may be based on the observation that in their country cold follows a thunder-storm. Hence in spring, when these Indians are travelling over the snow on high ground, they burn splinters of such wood in the fire in order that the crust of the snow may not melt.
4. The Magical Control of the Wind
Once more, the savage thinks he can make the wind to blow or to be still. When the day is hot and a Yakut has a long way to go, he takes a stone which he has chanced to find in an animal or fish, winds a horse-hair several times round it, and ties it to a stick. He then waves the stick about, uttering a spell. Soon a cool breeze begins to blow. In order to procure a cool wind for nine days the stone should first be dipped in the blood of a bird or beast and then presented to the sun, while the sorcerer makes three turns contrary to the course of the luminary. If a Hottentot desires the wind to drop, he takes one of his fattest skins and hangs it on the end of a pole, in the belief that by blowing the skin down the wind will lose all its force and must itself fall. Fuegian wizards throw shells against the wind to make it drop. The natives of the island of Bibili, off New Guinea, are reputed to make wind by blowing with their mouths. In stormy weather the Bogadjim people say, “The Bibili folk are at it again, blowing away.” Another way of making wind which is practised in New Guinea is to strike a “wind-stone” lightly with a stick; to strike it hard would bring on a hurricane. So in Scotland witches used to raise the wind by dipping a rag in water and beating it thrice on a stone, saying:
“I knok this rag upone this stane To raise the wind in the divellis name, It sall not lye till I please againe.”
In Greenland a woman in child-bed and for some time after delivery is supposed to possess the power of laying a storm. She has only to go out of doors, fill her mouth with air, and coming back into the house blow it out again. In antiquity there was a family at Corinth which enjoyed the reputation of being able to still the raging wind; but we do not know in what manner its members exercised a useful function, which probably earned for them a more solid recompense than mere repute among the seafaring population of the isthmus. Even in Christian times, under the reign of Constantine, a certain Sopater suffered death at Constantinople on a charge of binding the winds by magic, because it happened that the corn-ships of Egypt and Syria were detained afar off by calms or head-winds, to the rage and disappointment of the hungry Byzantine rabble. Finnish wizards used to sell wind to storm-stayed mariners. The wind was enclosed in three knots; if they undid the first knot, a moderate wind sprang up; if the second, it blew half a gale; if the third, a hurricane. Indeed the Esthonians, whose country is divided from Finland only by an arm of the sea, still believe in the magical powers of their northern neighbours. The bitter winds that blow in spring from the north and north-east, bringing ague and rheumatic inflammations in their train, are set down by the simple Esthonian peasantry to the machinations of the Finnish wizards and witches. In particular they regard with special dread three days in spring to which they give the name of Days of the Cross; one of them falls on the Eve of Ascension Day. The people in the neighbourhood of Fellin fear to go out on these days lest the cruel winds from Lappland should smite them dead. A popular Esthonian song runs:
Wind of the Cross! rushing and mighty! Heavy the blow of thy wings sweeping past! Wild wailing wind of misfortune and sorrow, Wizards of Finland ride by on the blast.
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