The Mysteries of London. George W. M. Reynolds

The Mysteries of London - George W. M. Reynolds


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as much as to intimate that he was in a walking dress.

      Both the baronet and Diana hastened to welcome him in such a manner as to speedily place him upon comfortable terms with himself once more; and he was then introduced to Mr. Chichester, Mr. Talbot, and Mr. Markham.

      The moment the name of Markham was mentioned, the youthful visitor started perceptibly, and then fixed his intelligent hazel eyes upon the countenance of Richard with an expression of the most profound interest mingled with surprise.

      Mr. Chichester made an observation at the same moment, and Sydney immediately afterwards entered with ease and apparent pleasure into a conversation which turned upon the most popular topics of the day. Richard was astonished at the extreme modesty, propriety, and good sense with which that effeminate and bashful youth expressed himself; and even the baronet, who was in reality well informed, listened to his interesting visitor with attention and admiration. Still there was a species of extreme delicacy in his tastes, as evidenced by his remarks, which bordered at times upon a fastidiousness, if not an inexperience actually puerile or feminine.

      At half-past eleven supper was served up, and the party sat down to that most welcome and sociable of all meals.

      It was truly diverting to behold the manner in which Mr. Talbot fell, tooth and nail, upon the delicacies which he heaped upon his plate; and his applications to the wine-bottle were to correspond. At one time he expressed his regret that it was too vulgar to drink half-and-half; and on another he vented his national prejudices against those who maintained that Perigord pies were preferable to rump steaks, or that claret was more exquisite than port or sherry. Once, when, it would appear, Mr. Chichester kicked him under the table, he roared out a request that his soft corn might be remembered; and as his friends were by no means anxious for a second edition of that interesting narrative—especially before Mr. Walter Sydney—they adopted the prudent alternative of conveying their remonstrances to him by means of winks instead of kicks.

      After supper Mr. Talbot insisted upon making a huge bowl of punch in his own fashion; but he found that Mr. Chichester would alone aid him in disposing of it. As for Mr. Walter Sydney, he never appeared to do more than touch the brim of the wine-glass with his lips.

      In a short time Mr. Talbot insisted upon practising his vocal powers by singing a hunting song, and was deeply indignant with his friends because they would not join in the very impressive but somewhat common chorus of "Fal de lal lal, fal de lal la." It is impossible to say what Mr. Talbot would have done next; but, much to the horror of the baronet, Mr. Chichester, and Diana—and equally to the surprise of Richard Markham and Walter Sydney—he suddenly lost his balance, and fell heavily upon the floor and into a sound sleep simultaneously.

      "What a pity," said Mr. Chichester, shaking his head mournfully, and glancing down upon the prostrate gentleman, as if he were pronouncing a funeral oration over his remains; "this is his only fault—and, as it happens every night, it begins materially to disfigure his character. Otherwise, he is an excellent fellow, and immensely rich!"

      At this moment the eyes of Richard caught those of Walter Sydney. An ill-concealed expression of superlative contempt and ineffable disgust was visible upon the handsome countenance of the latter; and the proud curl of his lip manifested his opinion of the scene he had just witnessed. In a few moments he rose to depart. To Diana he was only coldly polite; to the baronet and Chichester superbly distant and constrained; but towards Markham, as he took leave of him, there was a cordiality in his manner, and a sincerity in the desire which he expressed "that they should meet again," which formed a remarkable contrast with his behaviour towards the others.

      That night slumber seemed to evade the eyes of Richard Markham. The image of Mrs. Arlington, and all that she had said, and the various graceful and voluptuous attitudes into which she had thrown herself, occupied his imagination. At times, however, his thoughts wandered to that charming youth—that mere boy—who seemed to court his friendship, and who was so delicate and so fragile to encounter the storms and vicissitudes of that world in whose dizzy vortex he was already found. Nor less did Richard ever and anon experience a sentiment of profound surprise that the elegant and wealthy Sir Rupert Harborough, the accomplished and lovely Diana, and the fastidious Mr. Arthur Chichester, should tolerate the society of such an unmitigated vulgarian as Mr. Talbot.

       THE BOUDOIR.

       Table of Contents

      IT was the morning after the events related in the last chapter.

      The scene changes to a beautiful little villa in the environs of Upper Clapton.

      This charming retreat, which consisted of a main building two storeys high, and wings each containing only one apartment, was constructed of yellow bricks that had retained their primitive colour, the dwelling being too far from the metropolis to be affected by its smoky exhalations.

      The villa stood in the midst of a small garden, beautifully laid out in the French style of Louis XV.; and around it—interrupted only by the avenue leading to the front door of the dwelling—was a grove of evergreens. This grove formed a complete circle, and bounded the garden; and the entire enclosure was protected by a regular paling, painted white.

      This miniature domain, consisting of about four acres, was one of the most beautiful spots in the neighbourhood of London; and behind it—far as the eye could reach—stretched the green fields, smiling and cultivated like those of Tuscany.

      In front of the villa was a small grass plot, in the centre of which was a basin of clear and pellucid water, upon whose surface floated two noble swans, and other aquatic birds of a curious species.

      Every now and then the silence of the morning was broken by the bay of several sporting-dogs, which occupied, in the rear of the building, kennels more cleanly and more carefully attended upon than the dwellings of many millions of Christians.

      And yet the owner of that villa wanted not charity: witness the poor woman and two children who have just emerged from the servants' offices laden with cold provisions, and with a well-filled bundle of other necessaries.

      At the door of a stable a groom was seen dismounting from the back of a thorough-bred chestnut mare, which had just returned from an airing, and upon which he cast a glance of mingled pride and affection.

      The windows of the villa were embellished with flowers in pots and vases of curious workmanship; and outside the casements of the chambers upon the first floor were suspended cages containing beautiful singing birds.

      To the interior of one of those rooms must we direct the attention of the reader. It was an elegant boudoir: and yet it could scarcely justify the name; for by a boudoir we understand something completely feminine, whereas this contained articles of male and female use and attire strangely commingled—pell-mell—together.

      Upon a toilet-table were all the implements necessary for the decoration and embellishment of female beauty; and carelessly thrown over a chair were a coat, waistcoat, and trousers. A diminutive pair of patent-leather Wellington boots kept company with delicate morocco shoes, to which sandals were affixed. A huge press, half-open, disclosed an array of beautiful dresses—silk, satin, and precious stuffs of all kinds; and on a row of pegs were hung a scarlet hunting-coat, a shooting-jacket, a jockey-cap, and other articles of attire connected with field sports and masculine recreations. Parasols, foils, single-sticks, dandy-canes, and hunting-whips, were huddled together in one corner of that bureau. And yet all the confusion of these various and discrepant objects was so regular in appearance—if the phrase can be understood—that it seemed as if some cunning hand had purposely arranged them all so as to strike the eye in a manner calculated to encourage the impression that this elegant boudoir was inhabited by a man of strange feminine tastes, or a woman of extraordinary masculine ones.

      There was no pompous nor gorgeous


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